A proposition for the didactics of music therapy improvisation

Nordisk Tidsskrift for Musikkterapi

Volumn 9, Issue 1, 2000, Pages 13-25

  Erkkilä, Jaakko ^a  

^a UNIVERSITY OF JYVÄSKYLÄ   (Finland)

Author keywords

Cognitive; Emotion; Imagery; Improvisation analysis; Music psychotherapy; Pre conscious; Psychodynamic; Symbol

Indexed keywords

EID: 33748928101     PISSN: 08039828     EISSN: None     Source Type: Journal    
DOI: 10.1080/08098130009477982     Document Type: Article

References (29)

1. Basch-Kahre, E. (1985). Patterns of Thinking. International Journal of Psycho-Analysis, 66, 455-469.
2. Bergstrø m-Nielsen, C. (1993). Graphic notation as a tool in describing and analyzing music therapy improvisations. Music Therapy, 72(1), 40-58.
3. Bonny, H. L. (1998). The Role of Taped Music Programs in the GIM Process: Theory and Product. GIM Monograph #2.: ICM Books, Salina, Kansas.
4. Bruscia, K. E. (1995a). Differences Between Quantitative and Qualitative Research Paradigms: Implications for Music Therapy. In B. Wheeler (Ed.), Music Therapy Research: Quantitative and Qualitative Perspectives (pp. 65-78): Barcelona Publishers. Gilsum NH.
5. Bruscia, K. E. (1995b). The Process of doing Qualitative Research: Part II: Procedural Steps. In B. L. Wheeler (Ed.), Music Therapy Research. Quantitative and Qualitative Perspectives (pp. 401-428): Barcelona Publishers. Gilsum NH.
6. Bruscia, K. E. (1987). Improvisational Models of Music Therapy. Charles C Thomas Publishers, Springfield, IL.
7. Bruscia, K, E. (1998). The Dynamics of Music Psychotherapy: Barcelona Publishers, Gilsum NH.
8. Erkkila, J. (1992). Musiikin tunnevaikutukset ja merkitys musiikkiterapian ncikokulmasta. Unpublished pro gradu -tutkielma, Jyvaskylan yliopisto, Jyvaskyla.
9. Erkkila, J. (1995). Musiikki ja tunteet musiikkiterapiassa. Jaakko Erkkila, Hankasalmi.
10. Erkkila, J. (1997a). From the Unconsious to the Conscious. Musical Improvisation and Drawings as Tools in the Music Therapy of Children. Nordic Journal of Music Therapy, 6(2), 112-120.
11. Erkkila, J. (1997b). Musiikin merkitystasot musiikkiterapian teorian ja kliinisen kaytànnòn nàkókulmista. Unpublished Diss., University of Jyvaskyla, Jyvaskyla.
12. Ertel, S. (1965). Standardisierung eines Eindrucksdifferentials, Z. exp. u. angew. Psychol., 12.
13. Fromm, E. (1977). An Ego-psychological Theory of Alterd States of Consciousness. The International Journal of Clinical and Experimental Hypnosis, XXV, October 1977(4), 372-387.
14. Heinonen (1990). Psykoanalyyttinen lahestymistapa savellysprosessin tutkimuksessa. Musiikillisen muuntelun suhde primaari- ja sekundaariprosesseihin. In J. Louhivuori (Ed.), Musiikin tutkimuksen rajoilla. Musiikintutkimuksen Icilrestymistapoja ja menetelmia (pp. 95-147). Jyaskylan yliopiston musiikkitieteen laitos, Jyaskyla.
15. Hofman, S., Klein, C., & Arlazoroff, A. (1993). Common Hemisphericity of Language and Music in a Musician. A Case Report. Journal of Communication Disorders(26), 73-82.
16. Joseph, R. (1988). The right cerebral hemisphere: Emotion, music, visual-spatial skills, body-image, dreams, and awareness. Journal of Clinical Psychology, 44(5), 630-642.
17. Meyer, L. B. (1956). Emotion and meaning in music. University of Chicago Press, Chicago, IL.
18. Pavlicevic, M. (1990). Dynamic interplay in clinical improvisation. Journal of British Music Therapy, 4(2), 5-9.
19. Pavlicevic, M. (1997). Music Therapy in Context. Music, Meaning and Relationship. Jessica Kingsley Publishers, London/Philadelphia.
20. Priestley, M. (1994). Essays on Analytical Music Therapy: Barcelona Publishers, Gilsum, NH.
21. Rauhala, H. (1973). Musiikkiterapia. Teoria ja metodinen mallisto. K.J. Gummerus Oy, Jyvaskyla.
22. Richter, P., Petsche, H„ & Filz, O. (1993). Composing and perceiving music display different cortical activation in EEG coherence pattern. Paper presented at the The First International Conference on Cognitive Musicology, Jyvaskyla, Finland.
23. Ruud, E. (1998). Music Therapy: Improvisation, Communication, and Culture: Barcelona Publishers, Gilsum, NH.
24. Scheiby, B. B. (1998). The Role of Musical Countertransference in Analytical Music Therapy. In K. E. Bruscia (Ed.), The Dynamics of Music Psychotherapy (pp. 213-248): Barcelona Publishers Gilsum, NH.
25. Smeijsters, H. (1996). Qualitative Single-Case Research in Practice: A Necessary, Reliable, and Valid Alternative for Music Therapy Research. In M. Langenberg, K. Aigen, & J. Frommer (Eds.), Qualitative Music Therapy Research. Beginning Dialogues (pp. 35-54). Barcelona Publishers, Gilsum, NH.
26. Stern, D. N. (1985). The interpersonal World of the Infant. A view from Psychoanalysis and Developmental Psychology. Basic Books Inc, New York.
27. Stern, D. N. (1988). Affect in the Context of the Infant’s Lived Experience: Some Considerations. International Journal of Psychoanalysis, 69, 233-238.
28. Strong, A. (1992). The Relationship between Hemispheric Laterality and Perception of Musical and Verbal Stimuli in Normal and Learning Disabled Subjects. Psychology of Music(20), 138-153.
29. Werner, H. (1948). Comparative psychology of mental development. International Universities Press, New York.