Interactive sound synthesis for large scale environments

Proceedings of the Symposium on Interactive 3D Graphics

Volumn 2006, Issue , 2006, Pages 101-108

  Raghuvanshi, Nikunj ^a   Lin, Ming C ^a  

^a UNIVERSITY OF NORTH CAROLINA   (United States)

Author keywords

OpenAL; Rigid Body Simulation; Sound Synthesis

Indexed keywords

APPROXIMATION THEORY; COMPUTER SIMULATION; CONSTRAINT THEORY; INTERACTIVE COMPUTER GRAPHICS; REAL TIME SYSTEMS; SOUND REPRODUCTION; VIRTUAL REALITY; SPRINGS (COMPONENTS); TOPOLOGY;

OPENAL; RIGID BODY SIMULATION; SOUND SYNTHESIS; TIME CONSTRAINTS; FRAMES PER SECOND (FPS); SOUND QUALITY;

LARGE SCALE SYSTEMS; INTERACTIVE COMPUTER SYSTEMS;

EID: 33748708620     PISSN: None     EISSN: None     Source Type: Conference Proceeding    
DOI: 10.1145/1111411.1111429     Document Type: Conference Paper

References (16)

1. CHAIGNE, A., AND DOUTAUT, V. 1997. Numerical simulations of xylophones, i. time domain modeling of the vibrating bars. J. Acousl. Soc. Am. 101, 1, 539-557.
2. CHUNO, J. Y., LIU, J., AND LIN, K. J. 1987. Scheduling real-time, periodic jobs using imprecise results. In Proc. IEEE RTS.
3. DONGARRA, J. J. 2005. Performance of various computers using standard linear equations software (Unpack benchmark report). Tech. rep., Knoxville, TN, USA.
4. FLORENS, J. L., AND CADOZ, C. 1991. The physical model: modeling and simulating the instrumental universe. In Representations of Musical Signals, C. D. Poli, A. Piccialli, and C. Roads, Eds. MIT Press. Cambridge, MA, USA, 227-268.
5. FOUAD, H., BALLAS, J., AND HAHN, J. 1997. Perceptually based scheduling algorithms for real-time synthesis of complex sonic environments. In Proc. Int. Conf. Auditory Display.
6. GUENDELMAN, E., BRIDSON, R., AND FEDKIW. R. 2003. Nonconvex rigid bodies with stacking. ACM Trans. on Graphics (Proc. of ACM SIGGRAPH) 22, 871-878.
7. KIM, Y. J., LIN, M. C., AND MANOCHA, D. 2002. DEEP: an incremental algorithm for penetration depth computation between convex polytopes. Proc. of IEEE Conference on Robotics and Automation, 921-926.
8. MIRTICH, B., AND CANNY, J. 1995. Impulse-based simulation of rigid bodies. In 1995 Symposium on Interactive 3D Graphics, P. Hanrahan and J. Winget, Eds., ACM SIGGRAPH, 181-188. ISBN 0-89791-736-7.
9. O'BRIEN, J. F., COOK, P. R., AND ESSL, G. 2001. Synthesizing sounds from physically based motion. In SIGGRAPH '01: Proceedings of the 28th annual conference on Computer graphics and interactive techniques, ACM Press, New York, NY, USA, 529-536.
10. O'BRIEN, J. F., SHEN, C., AND GATCHALIAN, C. M. 2002. Synthesizing sounds from rigid-body simulations. In The ACM SIGGRAPH 2002 Symposium on Computer Animation, ACM Press, 175-181.
11. SEK, A., AND MOORE, B. C. 1995. Frequency discrimination as a function of frequency, measured in several ways. J. Acousl. Soc. Am. 97, 4 (April), 2479-2486.
12. VAN DEN DOEL, K., AND PAI, D. K. 1996. Synthesis of shape dependent sounds with physical modeling. In Proceedings of the International Conference on Auditory Displays.
13. VAN DEN DOEL, K., AND PAI, D. K. 1998. The sounds of physical shapes. Presence 7, 4, 382-395.
14. VAN DEN DOEL, K., KRY, P. G., AND PAI, D. K. 2001. Foleyautomatic: physically-based sound effects for interactive simulation and animation. In SIGGRAPH '01: Proceedings of the 28th annual conference on Computer graphics and interactive techniques, ACM Press, New York, NY, USA, 537-544.
15. VAN DEN DOEL, K., KNOTT, D., AND PAI, D. K. 2004. Interactive simulation of complex audiovisual scenes. Presence: Teleoper. Virtual Environ. 13, 1, 99-111.
16. ZWICKER, E., AND FASTL, H. 1990. In Psychoacousiics. Springer-Verlag, Berlin.