Cultural Studies and Questions of Pleasure and Value

The Aesthetics of Cultural Studies

Volumn , Issue , 2008, Pages 103-116

  Shumway, David ^a,b  

^a CARNEGIE MELLON UNIVERSITY   (United States)

^b Humanities Center   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 33748459715     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.1002/9780470774182.ch5     Document Type: Chapter

References (24)

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2. Bourdieu, Pierre. 1984. Distinction: A Social Critique of the Judgment of Taste, tr. Richard Nice. Cambridge, MA: Harvard University Press.
3. Bourdieu, Pierre. 1993. The Field of Cultural Production: Essays on Art and Literature, ed. Randal Johnson. New York: Columbia University Press.
4. Brier, Stephen. 1988. "A History FilmWithoutMuch History." Radical History Review 41: 120-8.
5. Buckley, Jerome Hamilton. 1969. The Victorian Temper: A Study in Literary Culture. Cambridge, MA: Harvard University Press.
6. Eagleton, Terry. 1990. The Ideology of the Aesthetic. Oxford: Blackwell.
7. Fregoso,Rosa Linda. 1999. "ImaginingMulticulturalism: Race and Sexualityon theTejas Borderlands." Review of Education, Pedagogy, and Cultural Studies 21(2): 133-48.
8. Frith, Simon. 1996. Performing Rites: On the Value of Popular Music. Cambridge, MA: Harvard University Press.
9. Frow, John. 1995. Cultural Studies and CulturalValue. Oxford: OxfordUniversity Press.
10. Gendron, Bernard. 2001. "Pop Aesthetics: The Very Idea." In The Aesthetics of Popular Art, ed. Jostein Gripsrud. Kristiansand, Norway: Nordic Academic Press.
11. Hebdige, Dick. 1979. Subculture: The Meaning of Style. London: Methuen.
12. Kant, Immanuel. 1987. Critique of Judgment, tr. Werner S. Pluhar. Indianapolis, IN: Hackett.
13. Langewiesche, William. 2000. "The Million Dollar Nose." The Atlantic, Dec.: 42-70.
14. Levine, Lawrence W. 1988. Highbrow/Lowbrow: The Emergence of Cultural Hierarchy in America. Cambridge, MA: Harvard University Press.
15. Limón, José E. 1997. "Tex-Sex-Mex: American Identities, Lone Stars, and the Politics of Racialized Sexuality." American Literary History 9(3): 229-45.
16. Myers, Robert. 1997. Atwater: Fixin' to Die. Dir. by George Furth. MCC Theater, New York.
17. Myers, Robert. 1999. Dead of Night: The Execution of Fred Hampton. Dir. by Jonathan Wilson. Pegasus Players Theatre, Chicago.
18. Sayles, John, dir. and writer. 1987. Matewan. Cinecom Pictures.
19. Sayles, John. 1996. Lone Star. Castle Rock Entertainment, Columbia Pictures.
20. Shumway, DavidR. 1994. CreatingAmerican Civilization:AGenealogy ofAmerican Literature as an Academic Discipline. Minneapolis: University of Minnesota Press, 1994.
21. Sidney, Philip. 1952. "An Apology for Poetry." In Criticism: The Major Texts, ed. Walter Jackson Bate. New York: Harcourt.
22. Smith, Barbara Herrnstein. 1988. Contingencies of Value: Alternative Perspectives for Critical Theory. Cambridge, MA: Harvard University Press.
23. Williams, John Alexander. 1988. "John Sayles Plays the Preacher." Appalachian Journal 15: 344-52.
24. Williams, Raymond. 1977. Marxism and Literature. Oxford: Oxford University Press.