-
1
-
-
84993698495
-
Illegal P2P Proves to BeResilient
-
1 May:
-
Banerjee, S. (2004) ‘Illegal P2P Proves to BeResilient’, Billboard, 1 May: 76-76.
-
(2004)
Billboard
, pp. 76
-
-
Banerjee, S.1
-
2
-
-
2442704986
-
The Darknet and the Future of Content Distribution
-
in, Proc. ACM Workshop on Digital Rights Management, Washington DC, November (accessed 13 April 2004)
-
Biddle, P., P. England, M. Peinado and B. Willman (2002) ‘The Darknet and the Future of Content Distribution’, in Proc. ACM Workshop on Digital Rights Management, Washington DC, November. http://crypto.stanford.edu/DRM2002/darknet5.doc (accessed 13 April 2004).
-
(2002)
-
-
Biddle, P.1
England, P.2
Peinado, M.3
Willman, B.4
-
3
-
-
0034372074
-
Millennial Capitalism: First Thoughts on a Second Coming
-
Comaroff, J. and J. Comaroff (2000) ‘Millennial Capitalism: First Thoughts on a Second Coming’, Public Culture 12: 291–343.
-
(2000)
Public Culture
, vol.12
, pp. 291-343
-
-
Comaroff, J.1
Comaroff, J.2
-
4
-
-
33646370870
-
Street, Club, Market: A History ofJapanese Hip-Hop
-
T. Mitchell(ed.) pp. Middletown, CT: Wesleyan University Press
-
Condry, I. (2001) ‘Street, Club, Market: A History ofJapanese Hip-Hop’, in T. Mitchell (ed.) Global Noise: Rap and Hip-Hop Outside the U.S., pp.222–247. Middletown, CT: Wesleyan University Press.
-
(2001)
Global Noise: Rap and Hip-Hop Outside the U.S.
, pp. 222-247
-
-
Condry, I.1
-
6
-
-
33845777352
-
How Users Define New Media: A History ofthe Amusement Phonograph
-
D. Thorburn and H. Jenkins(eds) pp. Cambridge, MA: MIT Press
-
Gitelman, L. (2003) ‘How Users Define New Media: A History ofthe Amusement Phonograph’, in D. Thorburn and H. Jenkins (eds) Rethinking Media Change: The Aesthetics of Transition, pp.61–79. Cambridge, MA: MIT Press.
-
(2003)
Rethinking Media Change: The Aesthetics of Transition
, pp. 61-79
-
-
Gitelman, L.1
-
7
-
-
85171499781
-
Discipline and Practice: “TheField” as Site, Method, and Location inAnthropology
-
A. Gupta and J. Ferguson(eds) pp. Berkeley: University of California Press
-
Gupta, A. and J. Ferguson (1997) ‘Discipline and Practice: “TheField” as Site, Method, and Location inAnthropology’, in A. Gupta and J. Ferguson (eds) Anthropological Locations: Boundaries and Grounds of a Field Science, pp. 1–46. Berkeley: University of California Press.
-
(1997)
Anthropological Locations: Boundaries and Grounds of a Field Science
, pp. 1-46
-
-
Gupta, A.1
Ferguson, J.2
-
9
-
-
3142666508
-
Quentin Tarantino’s Star Wars?Digital Cinema, Media Convergence, and Participatory Culture
-
D. Thorburn and H. Jenkins(eds) pp. Cambridge, MA: MIT Press
-
Jenkins, H. (2003) ‘Quentin Tarantino’s Star Wars?Digital Cinema, Media Convergence, and Participatory Culture’, in D. Thorburn and H. Jenkins (eds) Rethinking Media Change: The Aesthetics of Transition, pp.281–312. Cambridge, MA: MIT Press.
-
(2003)
Rethinking Media Change: The Aesthetics of Transition
, pp. 281-312
-
-
Jenkins, H.1
-
11
-
-
84928647423
-
Fight Against Illegal File-sharing IsMoving Overseas
-
31 March:
-
Landler, M. (2004) ‘Fight Against Illegal File-sharing IsMoving Overseas’, New York Times, 31 March: 1-1.
-
(2004)
New York Times
, pp. 1
-
-
Landler, M.1
-
16
-
-
34548701678
-
-
(accessed 6August 2003)
-
Love, C. (2000) ‘Courtney Love Does theMath’, http://dir.salon.com/tech/feature/2000/06/14/love/index.html (accessed 6August 2003).
-
(2000)
Courtney Love Does theMath
-
-
Love, C.1
-
17
-
-
84993797561
-
Production Data Down, but Foreign Albums Thrive
-
9 August:
-
McClure, S. (2003) ‘Production Data Down, but Foreign Albums Thrive’, Billboard, 9 August: 67-67.
-
(2003)
Billboard
, pp. 67
-
-
McClure, S.1
-
18
-
-
77955702859
-
The Curse of Fandom: Insiders,Outsiders, and Ethnography
-
D. Hesmondhalgh and K. Negus(eds) pp. New York: Oxford University Press
-
Maxwell, I. (2002) ‘The Curse of Fandom: Insiders,Outsiders, and Ethnography’, in D. Hesmondhalgh and K. Negus (eds) Popular Music Studies, pp.103–116. New York: Oxford University Press.
-
(2002)
Popular Music Studies
, pp. 103-116
-
-
Maxwell, I.1
-
19
-
-
0038825793
-
Copyright and Comics in Japan: Does LawExplain Why All the Cartoons My Kid Watches Are Japanese Imports?
-
Fall.
-
Mehra, S. (2002) ‘Copyright and Comics in Japan: Does LawExplain Why All the Cartoons My Kid Watches Are Japanese Imports?’, Rutgers Law Review, Fall.
-
(2002)
Rutgers Law Review
-
-
Mehra, S.1
-
20
-
-
84993732773
-
Refund Unlikely for Sued File Sharers
-
20 December:
-
Menn, J. and Jones, T.Y. (2003) ‘Refund Unlikely for Sued File Sharers’, Los Angeles Times, 20 December: 1-1.
-
(2003)
Los Angeles Times
, pp. 1
-
-
Menn, J.1
Jones, T.Y.2
-
21
-
-
0001786801
-
Introduction: Anthropology andConsumption
-
D. Miller(ed.) pp. London: Routledge
-
Miller, D. (1995) ‘Introduction: Anthropology andConsumption’, in D. Miller (ed.) Acknowledging Consumption: A Review of New Studies, pp.1–57. London: Routledge.
-
(1995)
Acknowledging Consumption: A Review of New Studies
, pp. 1-57
-
-
Miller, D.1
-
27
-
-
84993824535
-
-
(accessed 23 March 2004)
-
RIAJ (Recording Industry Association of Japan) (2003b) ‘RIAJ Yearbook 2003: Statistics, Trends,Analysis’, http://www.riaj.or.jp/e/issue/pdf/RIAJ2003E.pdf (accessed 23 March 2004).
-
(2003)
RIAJ Yearbook 2003: Statistics, Trends,Analysis
-
-
-
28
-
-
84993824548
-
Ideas and Trends: Digital Lock? Try aHairpin
-
26 May:
-
Richtel, M. (2002) ‘Ideas and Trends: Digital Lock? Try aHairpin’, New York Times, 26 May: 12-12.
-
(2002)
New York Times
, pp. 12
-
-
Richtel, M.1
-
31
-
-
10944224082
-
Dot-Communist Manifesto
-
11 June:
-
Sullivan, A. (2000) ‘Dot-Communist Manifesto’, New York Times Magazine, 11 June: 1-1.
-
(2000)
New York Times Magazine
, pp. 1
-
-
Sullivan, A.1
-
35
-
-
45549097562
-
We Got Rhythm; the Mystery is How andWhy
-
16 September:
-
Wade, N. (2003) ‘We Got Rhythm; the Mystery is How andWhy’, New York Times, 16 September: F1-F1.
-
(2003)
New York Times
, pp. F1
-
-
Wade, N.1
|