Mediators in visual interaction: An analysis of the "Poietic Generator" and "Open Studio"

Journal of Visual Languages and Computing

Volumn 17, Issue 5, 2006, Pages 398-429

  Giaccardi, Elisa ^a  

^a UNIVERSITY OF COLORADO   (United States)

Author keywords

Co creation; Collaborative systems; Distributed applications; Embodied interaction; Interactive art; Intersubjectivity; Mediator; Open Studio; Phenomenology; Poietic Generator; Visual interaction

Indexed keywords

EID: 33748058854     PISSN: 1045926X     EISSN: None     Source Type: Journal    
DOI: 10.1016/j.jvlc.2005.04.001     Document Type: Article

References (74)

1. Reichardt J. The Computer in Art (1971), Studio Vista, London
2. Popper F. Art of the Electronic Age (1993), Thames and Hudson, London
3. Lovejoy M. Postmodern Currents: Art and Artists in the Age of Electronic Media. second ed (1997), Prentice-Hall, Upper Saddle River, NJ
4. Wilson S. Information Arts: Intersections of Art, Science and Technology (2002), The MIT Press, Cambridge, MA
5. E. Giaccardi, Movements and passages: the legacy of net art, in: P. Brown, C. Mason (Eds.), Re:Searching Our Origins: Critical and Archival Histories of the Electronic Arts, LEA Special Issue, vol. 13(4), 2005.
6. Candy L., and Edmonds E.A. Explorations in Art and Technology (2002), Springer, London
7. Ascott R. Telematic Embrace: Visionary Theories of Art, Technology, and Consciousness (2003), University of California Press, Berkeley
8. G. Fischer, Beyond "couch potatoes": from consumers to designers and active contributors, FirstMonday: Peer-Reviewed Journal on the Internet, 2002. Available at: http://firstmonday.org/issues/issue7_12/fischer/>
9. Couchot E. Images: De l'Optique au Numerique (1988), Hermes, Paris
10. Quéau P. Eloge de la Simulation: De la Vie des Langages à la Synthèse des Images, Éditions Champ Vallon (1986), Seyssel, France
11. Varela F.J., Thompson E., and Rosch E. The Embodied Mind: Cognitive Science and Human Experience (1991), The MIT Press, Cambridge, MA
12. Burnett R. How Images Think (2004), The MIT Press, Cambridge, MA
13. E. Giaccardi, Principles of metadesign: processes and levels of co-creation in the new design space, Ph.D. Dissertation, CAiiA-STAR, University of Plymouth, UK, 2004. Available at: http://x.i-dat.org/~eg/>
14. Yin R.K. Case Study Research: Design and Methods. second ed (1994), Sage, Thousand Oaks, CA
15. Varela F.J., and Shear J. First-person methodologies: What, why, how?. In: Varela F.J., and Shear J. (Eds). The View from Within: First-Person Approaches to the Study of Consciousness (1999), Imprint Academic, Thorverton, UK and Bowling Green, OH 1-14
16. Kandinsky V. Concerning the Spiritual in Art, and Painting in Particular (1947), Wittenborn, New York
17. Klee P. Paul Klee on Modern Art (1948), Faber and Faber, London
18. Arnheim R. Art and Visual Perception: A Psychology of the Creative Eye (1954), University of California Press, Berkeley
19. W. Kandinsky, Point and Line to Plane: Contribution to the Analysis of the Pictorial Elements, The Solomon R. Guggenheim Foundation for the Museum of Non-Objective Painting, New York, 1947.
20. J. Itten, The Art of Color: The Subjective Experience and Objective Rationale of Color, Reinhold Publications Corp., New York, 1961 (translated by Ernst van Haagen).
21. Feininger A. Principles of Composition in Photography (1972), American Photographic Book Publishing Company, Garden City, NY
22. Tufte E.R. Envisioning Information, 8th Printing (2001), Graphics Press, Cheshire, CT
23. Brusatin M. Storia delle Linee (in Italian; translation: A History of Lines) (1993), Einaudi, Milano
24. Giannì E. Estetologia del Colore: La Dinamica del Movimento nell'Arte (in Italian; tr. Color Aesthetology: The Dynamic of Movement in Art) (1993), Edizione Paoline, Milano
25. Roy J.M., Petitot J., Pachoud B., and Varela F.J. Naturalizing Phenomenology: Current Issues in Contemporary Phenomenology and Cognitive Science (1998), Stanford University Press, Stanford, CA
26. Thompson E. Colour Vision: A Study in Cognitive Science and the Philosophy of Perception (1995), Routledge, New York, London
27. Purves D., and Lotto R.B. Why We See What We Do (2003), Sinauer Associates, Sunderland, MA
28. Dubin M.W. Artistic seeing, vision science and scientific visualization. Leadership Medica 20 1 (2004) 4-15
29. Berlin B., and Kay P. Basic Color Terms: Their Universality and Evolution (1969), University of California Press, Berkeley
30. M. Brusatin, A History of Colors, Shambhala, Boston, New York, 1991 (translated by R.H. Hopcke and P. Schwartz).
31. Gage J. Color and Meaning (1999), Thames and Hudson, London
32. Johnson M. The Body in the Mind: the Bodily Basis of Imagination, Reason, and Meaning (1987), University of Chicago Press, Chicago
33. O'Regan J.K., and Noë A. A sensorimotor account of vision and visual consciousness. Behavioral and Brain Sciences 24 5 (2001) 939-973
34. Merleau-Ponty M. Phénoménologie de la Perception (1945), Gallimard, Paris
35. Bureaud A. Communication art, network art, net art. In: Costa M., Forest F., and Bureaud A. (Eds). Artmedia VIII: From Aesthetics of Communication to Net Art, ArtPress Special Issue, no. 282 (2002), ArtPress Édition, Paris 11
36. Paul C. Digital Art (2003), Thames & Hudson, London
37. Cornock S., and Edmonds E.A. The creative process where the artist is amplified or superseded by the computer. Leonardo 6 11 (1973) 11-16
38. Burnham J. The Aesthetics of Intelligent Systems. In: Toynbee A. (Ed). On the Future of Art (1970), 2nd reprinting, The Viking Press, New York 95-122
39. F. Popper, De la participation à l'interactivité dans les arts plastiques, Vers une Culture de l'Interactivité?-Actes du Colloque, Cité des Sciences et de l'Industrie La Villette, Paris, May 19-20, 1988.
40. Borillo M., and Goulette J.-P. Cognition and Création: Explorations Cognitives des Processus de Conception (2002), Pierre Margada, Sprimont, Belgium
41. A. Deck, In search of meaningful events: curatorial algorithms and malleable aesthetics, in: Proceedings of Museums and the Web 1999, March 11-14, 1999, New Orleans, LA. Available at: http://artcontext.org/crit/essays/cur_al/>
42. Varela F.J. The specious present: a neurophenomenology of time consciousness. In: Petitot J., Varela F.J., Roy J.-M., and Pachoud B. (Eds). Naturalizing Phenomenology: Issues in Contemporary Phenomenology and Cognitive Science (1999), Stanford University Press, Stanford, CA
43. Maturana H.R., and Varela F.J. Autopoiesis and Cognition: The Realization of the Living (1980), D. Reidel, Boston
44. Bjorken J.D., and Drell S.D. Relativistic Quantum Mechanics (1964), McGraw-Hill, New York
45. Wiederhold G. Mediators in the architecture of future information systems. IEEE Computer Magazine 25 3 (1992) 38-49
46. Stepanic J. Notion of mediators in human interaction. Interdisciplinary Description of Complex Systems 1 1-2 (2003) 41-53
47. K. Kuutti, T. Arvonen, Identifying potential CSCW applications by means of activity theory concepts: a case example, in: Proceedings of CSCW 92, October 31-November 4, 1992, Toronto, Canada, pp. 233-240.
48. Gibson J.J. The Ecological Approach to Visual Perception (1979), Lawrence Erlbaum, Hillsdale, NJ
49. W.W. Gaver, Technology affordances, in: Proceedings of CHI 91, 28 April-2 May, New Orleans, LA, 1991, pp. 79-84.
50. Torenvliet G. We can't afford it!. Interactions 10 4 (2003) 12-17
51. H. Albrechtsen, H.H.K. Andersen, S. Bødker, A.M. Pejtersen, Affordances in Activity Theory and Cognitive Systems Engineering, Risø-R-1287(EN), Risø National Laboratory, Aarhus, Denmark, August 2001.
52. Norman D.A. Affordance, conventions, and design. Interactions 6 3 (1999) 38-42
53. D.C. Engelbart, Augmenting human intellect: a conceptual framework, Summary Report AFOSR-3223 under Contract AF 49(638)-1024, SRI Project 3578 for Air Force Office of Scientific Research, Stanford Research Institute, Menlo Park, CA, October 1962.
54. Norman D.A. Things That Make Us Smart (1993), Addison-Wesley, Reading, MA
55. Hutchins E. Cognition in the Wild (1995), The MIT Press, Cambridge, MA
56. Schön D.A. The Reflective Practitioner: How Professionals Think in Action (1983), Basic Books, New York
57. Bruner J. The Culture of Education (1996), Harvard University Press, Cambridge, MA
58. G. Fischer, K. Nakakoji, J. Ostwald, Supporting the evolution of design artifacts with representations of context and intent, in: Proceedings of DIS'95, Symposium on Designing Interactive Systems, Ann Arbor, MI, pp. 7-15.
59. Star S.L. The structure of ill-structured solutions: boundary objects and heterogeneous distributed problem solving. In: Gasser L., and Huhns M.N. (Eds). Distributed Artificial Intelligence vol. II (1989), Morgan Kaufmann Publishers Inc., San Mateo, CA 37-54
60. Bowker G.C., and Star S.L. Sorting Things Out: Classification and Its Consequences (1999), MIT Press, Cambridge, MA
61. Arias E.G., Eden H., Fischer G., Gorman A., and Scharff E. Transcending the individual human mind: creating shared understanding through collaborative design. ACM Transactions on Computer-Human Interaction 7 1 (2000) 84-113
62. J. Ostwald, Knowledge construction in software development: the evolving artifact approach, Ph.D. Dissertation, University of Colorado at Boulder, 1996.
63. Nakakoji K., Yamamoto Y., and Ohira M. Computational support for collective creativity. Knowledge-Based Systems Journal 13 7-8 (2000) 451-458
64. Jakobson R. Closing statement: linguistics and poetics. In: Sebeok T.A. (Ed). Style in Language (1960), Wiley, New York 350-377
65. Dourish P. Where the Action Is: The Foundations of Embodied Interaction (2001), MIT Press, Cambridge, MA
66. Hayles N.K. How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics (1999), University of Chicago Press, Chicago
67. Hansen M. Embodying Technesis: Technology Beyond Writing (2000), University of Michigan Press, Ann Arbor
68. Fodor J., and Pylyshyn Z. How direct is visual perception? Some reflections on Gibson's ecological approach. Cognition 9 2 (1981) 139-196
69. E. Giaccardi, Interactive strategies of network art: relationships and agency, in: Proceedings of the Third Conference on Computers in Art & Design Education (CADE '99), University of Teesside, Middlesbrough, UK, April 7-9, 1999.
70. E. Giaccardi, Interconnectivity and relational embodiment in art and design, in: Proceedings of the Tenth International Symposium on Electronic Art (ISEA2000), Paris, December 7-10, 2000. Available at: http://www.art3000.com/>
71. Taylor T. Creativity in evolution: individuals, interactions, and environments. In: Bentley P.J., and Corne D.W. (Eds). Creative Evolutionary Systems (2002), Morgan Kaufmann, San Francisco 79-108
72. Dix A., Finlay J., Abowd G., and Beale R. Human Computer Interaction (1993), Prentice-Hall, Hertfordshire, UK
73. Fischer G., Giaccardi E., Ye Y., Sutcliffe A.G., and Mehandjiev N. Meta-design: a manifesto for end-user development. Communications of the ACM 47 9 (2004) 33-37
74. E. Giaccardi, G. Fischer, Creativity and evolution: a metadesign perspective, in: Proceedings of the Sixth International Conference of the European Academy of Design (EAD06) on Design→System→Evolution, Bremen, Germany, March 29-31, 2005.