Caught in a trap? Beyond pop theory's 'butch' construction of male Elvis fans

Popular Music

Volumn 20, Issue 3, 2001, Pages 395-408

  Duffett, Mark ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 33747159441     PISSN: 02611430     EISSN: None     Source Type: Journal    
DOI: 10.1017/s026114300100157x     Document Type: Article

References (35)

1. Brown, P. 1994. 'Separate ways', in Aspects of Elvis, ed. A. Clayson and S. Leigh (London), pp. 56-9
2. Butler, P. 1995. 'The other side of the fence', Elvis Monthly, 423, pp. 42-5
3. Cavicchi, D. 1997. Tramps Like Us: Music and Meaning Among Springsteen Fans (Oxford)
4. Christenson, P., and Peterson, J. 1988. 'Gender and genre in the structure of music preferences', Communication Research, 15/3, pp. 282-301
5. Crumbaker, M., and Tucker, G. 1981. Up and Down with Elvis Presley (Sevenoaks)
6. Dobb, T. 1998. 'What type of Elvis fan are you?', The Official Elvis Presley Fan Club Magazine, January, pp. 28-9
7. Duffett, M. 1998. 'Understanding Elvis: Presley, power and performance', Ph.D. thesis, University of Wales, Aberystwyth
8. Dundy, E. 1995. Elvis and Gladys (London)
9. Easthope, A. 1990. What a Man's Gotta Do: The Masculine Myth in Popular Culture (Boston)
10. Elder, E. 1992. 'A critical look at fame, fan behaviour and the music industry: Is Adorno right? Are our minds mush?', M.A. thesis, University of Washington
11. Esposito, J. 1994. Good Rockin' Tonight (New York)
12. Fortas, A. 1992. Elvis from Memphis to Hollywood: Memories from My Twelve Years with Elvis Presley (Michigan)
13. Frith, S. 1983. Sound Effects: Youth, Leisure and the Politics of Pop (London)
14. Frith, S., and McRobbie, A. 1978. 'Rock and sexuality,' in Music, Culture and Society, ed. D. Scott (Oxford, 2000), pp. 65-70
15. Garber, M. 1992. Vested Interests: Cross-dressing and Cultural Anxiety (London)
16. Harker, D. 1980. One for the Money: Politics and Popular Song (London)
17. Hopkins, J. 1980. Elvis: The Final Years (London)
18. Horrocks, R. 1994. Masculinity in Crisis: Myths, Fantasies and Realities (New York)
19. Hunter, S. 1987. 'Discovering Elvis', Elvis Monthly, 334, p. 21
20. Jenkins, H. 1992. Textual Poachers: Television Fans and Participatory Culture (London)
21. Lacker, M. et al. 1979. Elvis: Portrait of a Friend (Memphis)
22. Lowes, A. 1998. 'Where has all the Elvis hard-core gone?', The Official Elvis Presley Fan Club Magazine, February, p. 28
23. MacLeod, P. 1997. 'Why I'm the world's number one Elvis fan', in In Search of Elvis: Music, Race, Art, Religion, ed. V. Chadwick (Boulder), pp. 161-70
24. McGonigle, T. 1995. 'Homes & gardens: house calls', The Guardian, 20 May, p. 70
25. Nash, A. et al. 1995. Elvis Aaron Presley: Revelations from the Memphis Mafia (New York)
26. Negus, K. 1996. Popular Music in Theory (Cambridge)
27. Rodman, G. 1996. Elvis After Elvis (London)
28. Savona, F. 1965. 'Opinions differ', ABC Film Review, 15/8, p. 22
29. Shepherd, J. 1991. Music as Social Text (Cambridge)
30. Slaughter, T. 1996. 'Interview with Todd Slaughter', Elvis Monthly, 436, pp. 1-5
31. Stromberg, P. 1990. 'Elvis alive?: the ideology of American consumerism', Journal of Popular Culture, 24/ 3, pp. 11-19
32. Taylor, J., and Laing, D. 1979. 'On rock and sexuality', in Music, Culture and Society, ed. D. Scott (Oxford, 2000), pp. 66-76
33. Vermorel, F., and Vermorel, J. 1985. Starlust (London)
34. West, R. et al. 1977. Elvis: What Happened? (New York)
35. Wise, S. 1986. 'Sexing Elvis', Women's Studies Forum, 7/1, pp. 13-17