Courtly behaviors

Music Perception

Volumn 13, Issue 3, 1996, Pages 365-382

  Gjerdingen, Robert O ^a  

^a NORTHWESTERN UNIVERSITY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 33746992108     PISSN: 07307829     EISSN: None     Source Type: Journal    
DOI: 10.2307/40286175     Document Type: Article

References (17)

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3. Dittersdorf, C. D. von. (1802). Lebensbeschreibung.
4. Elias, N. (1991). Mozart: Zur Soziologie eines Genies. Frankfurt a. M.: Suhrkamp.
5. Gjerdingen, R. O. (1988). A classic turn of phrase. Philadelphia: University of Pennsylvania Press.
6. Gjerdingen, R. O. (1991). Defining a prototypical utterance. Psychomusicology, 10, 127-139.
7. Gjerdingen, R. O. (1992). Revisiting Meyer's "Grammatical simplicity and relational richness." In M. R. Jones & S. Holleran (Eds.), Cognitive bases of musical communication. Washington, DC: American Psychological Association.
8. Gombrich, E. H. (1960). Art and illusion. New York: Pantheon Books.
9. Landon, H. C. R. (1981). Haydn: A documentary study. New York: Rizzoli.
10. McIntosh, C. (1986). Common and courtly language. Philadelphia: University of Pennsylvania Press.
11. Meyer, L. B. (1975). Grammatical simplicity and relational richness: The Trio of Mozart's G Minor Symphony. Critical Inquiry, 2, 693-761.
12. Meyer, L. B. (1980). Exploiting limits: Creation, archetypes, and style change. Daedalus, 109, 177-205.
13. Meyer, L. B. (1989). Style and music. Philadelphia: University of Pennsylvania Press.
14. Riemann, H. (1893). Vereinfachte Harmonielehre oder die Lehre von den tonalen Funktionen der Akkorde. London: Augener.
15. Riepel, J. (1755). Grundregeln zur Tonordnung insgemein. Frankfurt a. M.
16. Rosenberg, R. (1972). Die Klaviersonaten Mozarts. Hofheim a.d. Taunus: Hofmeister.
17. Schenker, H. (1935). Der freie Satz. Vienna: Universal.