Modernism and Contemporary Art

Theory, Culture & Society

Volumn 23, Issue 3, 2006, Pages 466-469

  Papastergiadis, Nikos ^a  

^a UNIVERSITY OF MELBOURNE   (Australia)

Author keywords

art; collaborative practice; contemporary; hybridity; modernism; modernity

Indexed keywords

EID: 33746095778     PISSN: 02632764     EISSN: None     Source Type: Journal    
DOI: 10.1177/026327640602300286     Document Type: Article

References (7)

1. Enwezor, Okwui (2002) ‘The Black Box’, Documenta XI (Catalogue). Kassel: Hatje Cantz Publishers.
2. Esche, Charles (2001) ‘Modest Proposals’ (Catalogue Essay for Berlin Biennale).
3. Fisher, Jean and Gerardo Mosquera (eds) (2004) Over Here. Cambridge, MA: MIT Press.
4. Johnson, Vivien (2000) ‘Seeing is Believing: A Brief History of Papunya Tula Artists 1971–2000’, in Hetti Perkins and Hannah Fink (eds) Papunya Tula: Genesis and Genius. Sydney: Art Gallery of New South Wales.
5. Ranciere, Jacques (2002) ‘The Aesthetic Revolution’, New Left Review, 14(March/ April): 151-151.
6. Superflex (1999) Biogas, Artspace, Sydney. Liverpool: Liverpool Biennale.
7. Venturi, Robert, Denise Scott Brown and Steven Izenor (1972) Learning from Las Vegas. Cambridge, MA: MIT Press.