-
1
-
-
60949177295
-
Cross-Partitions as Harmony and Voice Leading in Twelve-Tone Music
-
Alegant, Brian. 2001. "Cross-Partitions as Harmony and Voice Leading in Twelve-Tone Music." Music Theory Spectrum 23: 1-40
-
(2001)
Music Theory Spectrum
, vol.23
, pp. 1-40
-
-
Alegant, B.1
-
2
-
-
70449761305
-
-
Ariza, Christopher. 2002. AthenaCL. http://www.athenacl. org
-
(2002)
AthenaCL
-
-
Ariza, C.1
-
3
-
-
60949227393
-
Pitch-Class Counterpoint in Tonal Music
-
Edited by Richmond Browne. New York: Academic Press
-
Benjamin, William. 1981. "Pitch-Class Counterpoint in Tonal Music." In Music Theory: Special Topics. Edited by Richmond Browne. New York: Academic Press, 1-32
-
(1981)
Music Theory: Special Topics
, pp. 1-32
-
-
Benjamin, W.1
-
4
-
-
84963078973
-
Schoenberg's Op. 22 Radio Talk and Developing Variation in Atonal Music
-
Boss, Jack. 1992. "Schoenberg's Op. 22 Radio Talk and Developing Variation in Atonal Music." Music Theory Spectrum 14: 125-50
-
(1992)
Music Theory Spectrum
, vol.14
, pp. 125-150
-
-
Boss, J.1
-
5
-
-
61449218585
-
Schoenberg on Ornamentation and Structural Levels
-
-. 1994. "Schoenberg on Ornamentation and Structural Levels." Journal of Music Theory 38: 187-216
-
(1994)
Journal of Music Theory
, vol.38
, pp. 187-216
-
-
Boss, J.1
-
6
-
-
33745740615
-
Broken and Unbroken Interval Cycles and their Use in Determining Pitch-Class Set Resemblance
-
Buchler, Michael. 2000. "Broken and Unbroken Interval Cycles and their Use in Determining Pitch-Class Set Resemblance." Perspectives of New Music 38: 52-87
-
(2000)
Perspectives of New Music
, vol.38
, pp. 52-87
-
-
Buchler, M.1
-
7
-
-
60949343152
-
Voice-leading Parsimony in the Music of Alexander Scriabin
-
Callender, Clifton. 1998. "Voice-leading Parsimony in the Music of Alexander Scriabin." Journal of Music Theory 42: 219-34
-
(1998)
Journal of Music Theory
, vol.42
, pp. 219-234
-
-
Callender, C.1
-
10
-
-
33847124760
-
'The Imperfect Seeks Its Perfection': Harmonic Progression, Directed Motion, and Aristotelian Physics
-
Cohen, David. 2001. "'The Imperfect Seeks Its Perfection': Harmonic Progression, Directed Motion, and Aristotelian Physics." Music Theory Spectrum 23: 139-69
-
(2001)
Music Theory Spectrum
, vol.23
, pp. 139-169
-
-
Cohen, D.1
-
11
-
-
60949266789
-
Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions
-
Cohn, Richard. 1996. "Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions." Music Analysis 15: 9-40
-
(1996)
Music Analysis
, vol.15
, pp. 9-40
-
-
Cohn, R.1
-
12
-
-
33745931702
-
Neo-Riemannian Operations, Parsimonious Trichords, and Their Tonnetz Representations
-
-. 1997. "Neo-Riemannian Operations, Parsimonious Trichords, and Their Tonnetz Representations." Journal of Music Theory 41: 1-66
-
(1997)
Journal of Music Theory
, vol.41
, pp. 1-66
-
-
Cohn, R.1
-
13
-
-
0008820067
-
Introduction to Neo-Riemannian Theory: A Survey and Historical Perspective
-
-. 1998a. "Introduction to Neo-Riemannian Theory: A Survey and Historical Perspective." Journal of Music Theory 42: 167-80
-
(1998)
Journal of Music Theory
, vol.42
, pp. 167-180
-
-
Cohn, R.1
-
14
-
-
61249623449
-
A Tetrahedral Graph of Tetrachordal Voice-Leading Space
-
Forthcoming
-
-. 2003. "A Tetrahedral Graph of Tetrachordal Voice-Leading Space." Music Theory Online 9. Forthcoming
-
(2003)
Music Theory Online
, vol.9
-
-
Cohn, R.1
-
15
-
-
79958925158
-
Comparing Collections of Set Classes: Indexes in Forte's Genera Theory
-
Doerksen, John. 1999. "Comparing Collections of Set Classes: Indexes in Forte's Genera Theory." Intégral 13: 95-116
-
(1999)
Intégral
, vol.13
, pp. 95-116
-
-
Doerksen, J.1
-
18
-
-
60949144957
-
Pitch-Class Set Genera and the Origin of Modern Harmonic Species
-
-. 1989. "Pitch-Class Set Genera and the Origin of Modern Harmonic Species." Journal of Music Theory 32: 187-270
-
(1989)
Journal of Music Theory
, vol.32
, pp. 187-270
-
-
Forte, A.1
-
19
-
-
84963082194
-
A Technique for Melodic Motivic Analysis in the Music of Charles Ives
-
Gingerich, Lora. 1986. "A Technique for Melodic Motivic Analysis in the Music of Charles Ives." Music Theory Spectrum 8: 75-93
-
(1986)
Music Theory Spectrum
, vol.8
, pp. 75-93
-
-
Gingerich, L.1
-
20
-
-
61249692905
-
Some Unusual Transformations in Bartok's 'Minor Seconds, Major Sevenths.'
-
Gollin, Edward. 1998. "Some Unusual Transformations in Bartok's 'Minor Seconds, Major Sevenths.'" Intégral 12:25-52
-
(1998)
Intégral
, vol.12
, pp. 25-52
-
-
Gollin, E.1
-
23
-
-
84963025632
-
Analytical Fictions
-
Guck, Marion. 1994. "Analytical Fictions." Music Theory Spectrum 16: 217-30
-
(1994)
Music Theory Spectrum
, vol.16
, pp. 217-230
-
-
Guck, M.1
-
24
-
-
60949196367
-
Atonality, Analysis, and the Intentional Fallacy
-
Haimo, Ethan. 1996. "Atonality, Analysis, and the Intentional Fallacy." Music Theory Spectrum 18: 167-99
-
(1996)
Music Theory Spectrum
, vol.18
, pp. 167-199
-
-
Haimo, E.1
-
26
-
-
0041065977
-
Tone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles
-
Huron, David. 2001. "Tone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles." Music Perception 19: 1-64
-
(2001)
Music Perception
, vol.19
, pp. 1-64
-
-
Huron, D.1
-
27
-
-
61449451970
-
Neoclassic and Anachronistic Impulses in Twentieth-Century Music
-
Hyde, Martha. 1996. "Neoclassic and Anachronistic Impulses in Twentieth-Century Music." Music Theory Spectrum 18: 200-35
-
(1996)
Music Theory Spectrum
, vol.18
, pp. 200-235
-
-
Hyde, M.1
-
28
-
-
33745745857
-
Similarity of Interval-Class Content Between Pitch-Class Sets: The IcVSIM Relation
-
Isaacson, Eric. 1990. "Similarity of Interval-Class Content Between Pitch-Class Sets: the IcVSIM Relation." Journal of Music Theory 34: 1-28
-
(1990)
Journal of Music Theory
, vol.34
, pp. 1-28
-
-
Isaacson, E.1
-
29
-
-
79958943408
-
Transpositionally Invariant Subsets: A New Set Subcomplex Relation
-
Kaplan, Richard. 1990. "Transpositionally Invariant Subsets: A New Set Subcomplex Relation." Intégral 4: 37-66
-
(1990)
Intégral
, vol.4
, pp. 37-66
-
-
Kaplan, R.1
-
32
-
-
60949442137
-
The Inner and Outer Automorphisms of Pitch-Class Inversion and Transposition: Some Implications for Analysis with Klumpenhouwer Networks
-
-. 1998. "The Inner and Outer Automorphisms of Pitch-Class Inversion and Transposition: Some Implications for Analysis with Klumpenhouwer Networks." Integral 12: 81-93
-
(1998)
Integral
, vol.12
, pp. 81-93
-
-
Klumpenhouwer, H.1
-
33
-
-
61249724972
-
On Contextual Transformations
-
Lambert, Philip. 2000. "On Contextual Transformations." Perspectives of New Music 38: 45-76
-
(2000)
Perspectives of New Music
, vol.38
, pp. 45-76
-
-
Lambert, P.1
-
34
-
-
67651209068
-
Isographies and Some Klumpenhouwer Networks They Involve
-
-. 2002. "Isographies and Some Klumpenhouwer Networks They Involve." Music Theory Spectrum 24: 165-95
-
(2002)
Music Theory Spectrum
, vol.24
, pp. 165-195
-
-
Lambert, P.1
-
35
-
-
33750040189
-
The Problem of Prolongation in Tonal Music
-
Larson, Steve. 1997. "The Problem of Prolongation in Tonal Music." Journal of Music Theory 41: 101-36
-
(1997)
Journal of Music Theory
, vol.41
, pp. 101-136
-
-
Larson, S.1
-
37
-
-
84869400736
-
Atonal Prolongational Structure
-
Lerdahl, Fred. 1989. "Atonal Prolongational Structure." Contemporary Music Review 4: 65-87
-
(1989)
Contemporary Music Review
, vol.4
, pp. 65-87
-
-
Lerdahl, F.1
-
38
-
-
67650336463
-
Spatial and Psychoacoustic Factors in Atonal Prolongation
-
-. 1999. "Spatial and Psychoacoustic Factors in Atonal Prolongation." Current Musicology 63: 7-26
-
(1999)
Current Musicology
, vol.63
, pp. 7-26
-
-
Lerdahl, F.1
-
40
-
-
61249586856
-
Transformational Techniques in Atonal and Other Music Theories
-
Lewin, David. 1982-83. "Transformational Techniques in Atonal and Other Music Theories." Perspectives of New Music 21: 312-71
-
(1982)
Perspectives of New Music
, vol.21
, pp. 312-371
-
-
Lewin, D.1
-
42
-
-
61249601764
-
Klumpenhouwer Networks and Some Isographies that Involve Them
-
-. 1990. "Klumpenhouwer Networks and Some Isographies that Involve Them." Music Theory Spectrum 12: 83-120
-
(1990)
Music Theory Spectrum
, vol.12
, pp. 83-120
-
-
Lewin, D.1
-
43
-
-
60949407784
-
A Tutorial on Klumpenhouwer Networks, Using the Chorale in Schoenberg's Opus 11, No. 2
-
-. 1994. "A Tutorial on Klumpenhouwer Networks, Using the Chorale in Schoenberg's Opus 11, No. 2." Journal of Music Theory 38: 79-102
-
(1994)
Journal of Music Theory
, vol.38
, pp. 79-102
-
-
Lewin, D.1
-
44
-
-
60949234329
-
Some Ideas About Voice-Leading Between Pcsets
-
-. 1998. "Some Ideas About Voice-Leading Between Pcsets." Journal of Music Theory 42: 15-72
-
(1998)
Journal of Music Theory
, vol.42
, pp. 15-72
-
-
Lewin, D.1
-
45
-
-
79958886228
-
Voice Leading as Drama in Wozzeck
-
Edited by Carl Schachter and Hedi Siegel. Cambridge: Cambridge University Press
-
Maisel, Arthur. 1999. "Voice Leading as Drama in Wozzeck." In Schenker Studies 2. Edited by Carl Schachter and Hedi Siegel. Cambridge: Cambridge University Press, 160-91
-
(1999)
Schenker Studies
, vol.2
, pp. 160-191
-
-
Maisel, A.1
-
46
-
-
4944251226
-
Relating Musical Contours: Extensions of a Theory for Contour
-
Marvin, Elizabeth West and Paul Laprade. 1987. "Relating Musical Contours: Extensions of a Theory for Contour." Journal of Music Theory 31: 225-67
-
(1987)
Journal of Music Theory
, vol.31
, pp. 225-267
-
-
Marvin, E.W.1
Laprade, P.2
-
47
-
-
33749545833
-
The Perception of Rhythm in Non-Tonal Music: Rhythmic Contours in the Music of Edgard Varèse
-
Marvin, Elizabeth West. 1991. "The Perception of Rhythm in Non-Tonal Music: Rhythmic Contours in the Music of Edgard Varèse." Music Theory Spectrum 13: 61-78
-
(1991)
Music Theory Spectrum
, vol.13
, pp. 61-78
-
-
Marvin, E.W.1
-
49
-
-
57049147103
-
Pitch-Class Complementation and its Generalization
-
-. 1990. "Pitch-Class Complementation and its Generalization." Journal of Music Theory 34: 175-245
-
(1990)
Journal of Music Theory
, vol.34
, pp. 175-245
-
-
Morris, R.1
-
50
-
-
84963028481
-
New Directions in the Theory and Analysis of Musical Contour
-
-. 1993. "New Directions in the Theory and Analysis of Musical Contour." Music Theory Spectrum 15: 205-28
-
(1993)
Music Theory Spectrum
, vol.15
, pp. 205-228
-
-
Morris, R.1
-
52
-
-
61049401323
-
Equivalence and Similarity in Pitch and their Interaction with Pcset Theory
-
-. 1995a. "Equivalence and Similarity in Pitch and their Interaction with Pcset Theory." Journal of Music Theory 39: 207-44
-
(1995)
Journal of Music Theory
, vol.39
, pp. 207-244
-
-
Morris, R.1
-
53
-
-
61249431837
-
Compositional Spaces and Other Territories
-
-. 1995b. "Compositional Spaces and Other Territories." Perspectives of New Music 33.1-2: 328-58
-
(1995)
Perspectives of New Music
, vol.33
, Issue.1-2
, pp. 328-358
-
-
Morris, R.1
-
54
-
-
60949410281
-
K, Kh, and Beyond
-
Edited by James M. Baker, David W. Beach, and Jonathan W. Bernard. Rochester: University of Rochester Press
-
-. 1997. "K, Kh, and Beyond." In Music Theory in Concept and Practice. Edited by James M. Baker, David W. Beach, and Jonathan W. Bernard. Rochester: University of Rochester Press, 275-306
-
(1997)
Music Theory in Concept and Practice
, pp. 275-306
-
-
Morris, R.1
-
55
-
-
33745897455
-
Voice-Leading Spaces
-
-. 1998. "Voice-Leading Spaces." Music Theory Spectrum 20: 175-208
-
(1998)
Music Theory Spectrum
, vol.20
, pp. 175-208
-
-
Morris, R.1
-
57
-
-
61249155946
-
Klumpenhouwer Networks, Isography, and the Molecular Metaphor
-
-. 1998. "Klumpenhouwer Networks, Isography, and the Molecular Metaphor." Intégral 12: 53-80
-
(1998)
Intégral
, vol.12
, pp. 53-80
-
-
O'Donnell, S.1
-
59
-
-
42349088871
-
Listening to Similarity Relations
-
-. 2001. "Listening to Similarity Relations." Perspectives of New Music 39: 108-58
-
(2001)
Perspectives of New Music
, vol.39
, pp. 108-158
-
-
Quinn, I.1
-
62
-
-
33749563398
-
Harmonic Implications of Schoenberg's Observations of Atonal Voice Leading
-
-. 1989. "Harmonic Implications of Schoenberg's Observations of Atonal Voice Leading." Journal of Music Theory 33: 27-62
-
(1989)
Journal of Music Theory
, vol.33
, pp. 27-62
-
-
Roeder, J.1
-
64
-
-
65849169043
-
A Theory of Pitch-Class-Set Extension in Atonal Music
-
Roig-Francoli, Miguel. 2001. "A Theory of Pitch-Class-Set Extension in Atonal Music." College Music Symposium 41: 57-90
-
(2001)
College Music Symposium
, vol.41
, pp. 57-90
-
-
Roig-Francoli, M.1
-
65
-
-
79958930393
-
Further consideration of the Urlinie: II
-
1926 Translated by Ian Bent, William Drabkin, John Rothgeb, and Hedi Siegel. Cambridge: Cambridge University Press
-
Schenker, Heinrich. 1926/1996. "Further consideration of the Urlinie: II." In The Masterwork in Music, A Yearbook, Volume 2 (1926). Edited by William Drabkin. Translated by Ian Bent, William Drabkin, John Rothgeb, and Hedi Siegel. Cambridge: Cambridge University Press, 1-22
-
(1926)
The Masterwork in Music, A Yearbook
, vol.2
, pp. 1-22
-
-
Schenker, H.1
-
66
-
-
0004300364
-
-
Translated by Roy E. Carter. Berkeley: University of California Press
-
Schoenberg, Arnold. 1978. Theory of Harmony. Translated by Roy E. Carter. Berkeley: University of California Press
-
(1978)
Theory of Harmony
-
-
Schoenberg, A.1
-
67
-
-
33745760392
-
The Interval Angle: A Similarity Measure for Pitch-Class Sets
-
Scott, Damon, and Eric Isaacson. 1998. "The Interval Angle: A Similarity Measure for Pitch-Class Sets." Perspectives of New Music 36: 107-42
-
(1998)
Perspectives of New Music
, vol.36
, pp. 107-142
-
-
Scott, D.1
Isaacson, E.2
-
68
-
-
79956350201
-
Tradition and Experiment in the New Music
-
Edited by Ann Pescatello. Berkeley: University of California Press
-
Seeger, Charles. 1994. "Tradition and Experiment in the New Music." In Studies in Musicology II Edited by Ann Pescatello. Berkeley: University of California Press, 49-228
-
(1994)
Studies in Musicology
, vol.2
, pp. 49-228
-
-
Seeger, C.1
-
70
-
-
60949381618
-
The Problem of Prolongation in Post-Tonal Music
-
Straus, Joseph. 1987. "The Problem of Prolongation in Post-Tonal Music." Journal of Music Theory 31:1-22
-
(1987)
Journal of Music Theory
, vol.31
, pp. 1-22
-
-
Straus, J.1
-
72
-
-
60949142468
-
Voice Leading in Atonal Music
-
Edited by James M. Baker, David W. Beach, and Jonathan W. Bernard. Rochester: University of Rochester Press
-
-. 1997a. "Voice Leading in Atonal Music." In Music Theory in Concept and Practice. Edited by James M. Baker, David W. Beach, and Jonathan W. Bernard. Rochester: University of Rochester Press, 237-74
-
(1997)
Music Theory in Concept and Practice
, pp. 237-274
-
-
Straus, J.1
-
74
-
-
79959022456
-
Revisiting Stravinsky's Concerto
-
Traut, Donald. 2000. "Revisiting Stravinsky's Concerto." Theory and Practice 25: 65-86
-
(2000)
Theory and Practice
, vol.25
, pp. 65-86
-
-
Traut, D.1
-
75
-
-
64949089797
-
Concepts of Harmony and Prolongation in Schoenberg's Op. 19/2
-
Vaisaala, Olli. 1999. "Concepts of Harmony and Prolongation in Schoenberg's Op. 19/2." Music Theory Spectrum 21: 230-59
-
(1999)
Music Theory Spectrum
, vol.21
, pp. 230-259
-
-
Vaisaala, O.1
-
77
-
-
70449746527
-
Bass-line Articulations of the Urlinie
-
Edited by Carl Schachter and Hedi Siegel. Cambridge: Cambridge University Press
-
Wen, Eric. 1999. "Bass-line Articulations of the Urlinie." Schenker Studies 2. Edited by Carl Schachter and Hedi Siegel. Cambridge: Cambridge University Press, 1999: 276-97
-
(1999)
Schenker Studies
, vol.2
, pp. 276-297
-
-
Wen, E.1
|