Guest editorial essay

Perception

Volumn 35, Issue 6, 2006, Pages 719-722

  Melcher, David ^a   Wade, Nicholas J ^b  

^a OXFORD BROOKES UNIVERSITY   (United Kingdom)

^b UNIVERSITY OF DUNDEE   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

ANIMAL; ARCHEOLOGY; COLOR VISION; EDITORIAL; FRANCE; HISTORY; ILLUMINATION; PAINTING; PERCEPTION; SPAIN;

ANIMALS; ARCHAEOLOGY; COLOR PERCEPTION; FRANCE; HISTORY, ANCIENT; LIGHTING; PAINTINGS; PERCEPTION; SPAIN;

EID: 33745764615     PISSN: 03010066     EISSN: None     Source Type: Journal    
DOI: 10.1068/p3506ed     Document Type: Review

References (11)

1. Cartailhac E, Breuil H, 1906 La Caverne d'Altamira à Santillane près Santander (Espagne) (Monaco: Imprimerie de Monaco)
2. Doherty M J, Wimmer M C, 2005 "Children's understanding of ambiguous figures: which cognitive developments are necessary to experience reversal?" Cognitive Development 20 407-421
3. Gibson J J, 1971 "The information available in pictures" Leonardo 4 27-35
4. Gibson J J, 1979 The Ecological Approach to Visual Perception (Boston, MA: Houghton Mifflin)
5. Gobierno de Cantabria, 2004 Las Cuevas del Monte Castillo (Gobierno de Cantabria)
6. Gombrich E H, 1960 Art and Illusion: A Study in the Psychology of Pictorial Representation (London: Phaidon)
7. Goodman N, 1968 The Languages of Art: An Approach to a Theory of Symbols (London: Oxford University Press)
8. Goodman N, 1971 "Gibson's new perspective" Leonardo 4 309-360
9. Graziosi P, 1960 Palaeolithic Art (London: Faber and Faber)
10. Wade N, 1990 Visual Allusions: Pictures of Perception (London: Lawrence Erlbaum Associates)
11. Wade N J, Melcher D, 2006 "Cave art interpretation I" Perception 35 577-580