A Look at Performer/Machine Interaction Using Real-Time Systems

International Computer Music Conference, ICMC Proceedings

Volumn , Issue , 1996, Pages 116-117

  Lippe, Cort ^a  

^a UNIVERSITY AT BUFFALO   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

COMPUTER MUSIC; DIGITAL SIGNAL PROCESSING; INTERACTIVE COMPUTER SYSTEMS; MUSIC;

INTERACTIVE COMPUTER MUSIC; PERFORMER-MACHINE INTERACTIONS; REAL - TIME SYSTEM; REAL-TIME DIGITAL SIGNAL PROCESSING;

REAL TIME SYSTEMS;

EID: 33745688786     PISSN: 22233881     EISSN: None     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (5)

1. Pi Scipio, 1995] Agostino Di Scipio. Centrality of Techn6 for an Aesthetic Approach on Electroacoustic Music. Journal of New Music Research 24(4): pp. 369-383, 1995
2. David A. Jaffe. Ten Criteria for Evaluating Synthesis Techniques Computer Music Journal 19(1): pp. 76-87, 1995.
3. Miller S. Puckette and Zack J.E. Settel. Nonobvious Roles for Electronics in Performer Enhancement. Proceedings of the International Computer Music Conference, Tokyo, pp. 69-72, 1993.
4. Robert Rowe. Interactive Music Systems: Machine Listening and Composing. The MIT Press, Cambridge, 1993.
5. David D. Zicarelli. Music Technology as a Form of Parasite. Proceedings of the International Computer Music Conference, San Jose. pp. 69-72, 1992.