On the secondness of architectural intuition

Journal of Architectural Education

Volumn 55, Issue 1, 2001, Pages 43-50

  Linzey, Mike ^a  

^a UNIVERSITY OF AUCKLAND   (New Zealand)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 33745159826     PISSN: 10464883     EISSN: None     Source Type: Journal    
DOI: 10.1162/104648801753168800     Document Type: Review

References (14)

1. D.R. Anderson, Creativity and the Philosophy of C.S. Peirce (Dortrecht: Martinus Nijhoff, 1987), p. 118.
2. K. Gorbey, "Design definitions: The Relationship between Te Papa's Curatorial Need and Its Architecture," Architecture New Zealand, Special Edition, The Designing of Te Papa (February 1998): 20-21.
3. H.W. Wellman, Structural Outline of New Zealand (Wellington: Department of Scientific and Industrial Research, 1956).
4. "The Man who Moved the Mountains," Video film produced for television by Horizon Films, 1992.
5. P. Bossley, "Redirection, Redevelopment: Concepts behind the Developed Design," Architecture New Zealand, Special Edition, The Designing of Te Papa (February 1998): 22-31.
6. D.W. MacKinnon, "The Personality Correlates of Creativity: A Study of American Architects," in P.E. Vernon, ed., Creativity (Harmondsworth: Penguin, 1970), pp. 289-311,
7. D.A. Schön, The Design Studio: An Exploration of Its Traditions and Potentials (London: RIBA Publications, 1985).
8. Schön, The Design Studio, p. 33.
9. J-F. Lyotard, Phenomenology, B. Beakley, trans. (Albany: State University of New York, 1991), p. 45.
10. J.N. Mohanty, "The Concept of Intuition in Aesthetics: Apropos a Critique by Adorno," Journal of Aesthetics and Art Criticism 39/1 (Fall 1980): 39-45.
11. W.V. Quine, Theories and Things (Cambridge: Belknap, 1981), pp. 1-2.
12. R. Coyne and A. Snodgrass, "Is Designing Mysterious? Challenging the Dual Knowledge Thesis," Design Studies, 12/3 (July 1991): 124-131.
13. R. Moneo, quoted in E. Robbins, Why Architects Draw (Cambridge: MIT Press, 1997), p. 250.
14. G. Nitschke, Japanese Gardens: Right Angle and Natural Form (Cologne: Taschen, 1993), pp. 89-92.