Music in other words: Victorian conversations

Music in Other Words: Victorian Conversations

Volumn , Issue , 2004, Pages

  Solie, Ruth A ^a  

^a SMITH COLLEGE   (United States)

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EID: 33744943564     PISSN: None     EISSN: None     Source Type: Book    
DOI: None     Document Type: Book

References (213)

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3. Edward Dannreuther, "Beethoven and His Works: A Study," Macmillan's Magazine 34 (1876): 194.
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35. John Sullivan Dwight, "Mr. Zerrahn's Beethoven Night," Dwight's Journal of Music 14 (1859): 414.
36. Willy Pastor, "Beethoven's 'Neunte': Versuch einer Deutung," Musikalisches Wochenblatt 21 (1890): 313.
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39. M. Frey, "Zur Vorgeschichte von Beethovens neunter Sinfornie," Bär: Berlinische Blätter für vaterländische Geschichte und Alterthumskunde 24 (1898): 31-34.
40. Edith A. H. Crashaw, "Wagner and the Ninth Symphony," Musical Times 66 (1925): 1090-91.
41. David Carroll, George Eliot:The Critical Heritage (London: Routledge and Kegan Paul, 1971), 453.
42. Christopher Hatch, "The Education of A.W.Thayer," Musical Quarterly 42 (1956): 355-65.
43. Mary Wollstonecraft Shelley, Frankenstein, or The Modern Prometheus (1818 text) (New York: Pocket/Simon and Schuster, 1976), 58-59.
44. Leo Schrade, Beethoven in France: The Growth of an Idea (New Haven: Yale University Press, 1942), 89.
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46. Alexander Wheelock Thayer, "Diary Abroad, No. 8," Dwight's Journal of Music 6 (1855): 124.
47. A. B. Marx, Ludwig von Beethoven: Leben und Schaffen (Berlin: [Otto Janke?], 1859), 412.
48. Friedrich Nietzsche, Beyond Good and Evil (1886), trans. Helen Zimmern, in Complete Works, 12: 200-201.
49. William Ashton Ellis, Life of Richard Wagner: Being an Authorised English Version of C. F. Glasenapp's "Das Leben Richard Wagners" (London: K. Paul, Trench, Trubner, 1902), 2:321-22.
50. Lawrence Kramer, "The Harem Threshold: Turkish Music and Greek Love in Beethoven's 'Ode to Joy'," 19th-Century Music 22 (1998): 78-90.
51. Maynard Solomon, "Beethoven and Schiller," in his Beethoven Essays (Cambridge, Mass.: Harvard University Press, 1998), 205-15.
52. Donald Tovey, Essays in Musical Analysis (London: Oxford University Press, 1935), 2:42.
53. K. Theodore Hoppen, The Mid-Victorian Generation, 1846-1886 (Oxford: Clarendon Press, 1998), 394.
54. Gillian Beer, Open Fields: Science in Cultural Encounter (Oxford: Clarendon Press, 1996), 5S.
55. Laurel Brake, "Writing, Cultural Production, and the Periodical Press in the Nineteenth Century," in Writing and Victorianism, ed. J. B. Bullen (London: Longman, 1997), 54-72.
56. Richard D. Altick, The English Common Reader:A Social History of the Mass Reading Public 1800-1900 (Chicago: University of Chicago Press, 1957).
57. G. F. Barwick, "The Magazines of the Nineteenth Century," Transactions of the Bibliographical Society 11 (1909-11): 238.
58. Lucy Brown, Victorian News and Newspapers (Oxford: Clarendon Press, 1985), 97.
59. Laurel Brake, "Literary Criticism and the Victorian Periodicals," Yearbook of English Studies 16 (1986): 92-116.
60. David Masson, "The Intellectuals and the Middle Class Periodical Press: Theory, Method, and Case Study," Journal of Newspaper and Periodical History 4, no. 3 (1988): 18-32.
61. Ann Parry, "The Grove Years 1868-1883: A 'New Look' for Macmillan's Magazine?," Victorian Periodicals Review 19 (1986): 149-57.
62. Asa Briggs, A Social History of England (London:Weidenfeld and Nicolson, 1983), 229.
63. J. F. C. Harrison, Late Victorian Britain, 1870-1901 (n.p.: Fontana, 1990), 120.
64. Esmé Wingfield-Stratford, Those Earnest Victorians (New York: William Morrow, 1930).
65. G. M. Young, Victorian England: Portrait of an Age (1936; London: Oxford University Press, 1953).
66. Stephen Greenblatt, "The Potato in the Materialist Imagination," in Practicing New Historicism (Chicago: University of Chicago Press, 2000).
67. Rosemary Jann, The Art and Science of Victorian History (Columbus: Ohio State University Press, 1985).
68. Philippa Levine, The Amateur and the Professional: Antiquarians, Historians and Archaeologists in Victorian England, 1838-1886 (Cambridge: Cambridge University Press, 1986).
69. Linda K. Hughes and Michael Lund, The Victorian Serial (Charlottesville: University of Virginia Press, 1991), 59.
70. Rebecca A. Pope, "The Diva Doesn't Die: George Eliot's Armgart," in Embodied Voices: Representing Female Vocality in Western Culture, ed. Leslie C. Dunn and Nancy A. Jones (New York: Cambridge University Press, 1994), 139-51.
71. Wendy Bashant, "Singing in Greek Drag: Gluck, Berlioz, and George Eliot," in En Travesti:Women, Gender Subversion, Opera, ed. Corinne E. Blackmer and Patricia Juliana Smith (New York: Columbia University Press, 1995), 216-41.
72. Gillian Beer, "'Authentic Tidings of Invisible Things': Vision and the Invisible in the Later Nineteenth Century," in Vision in Context: Historical and Contemporary Perspectives on Sight, ed. Teresa Brennan and Martin Jay (New York: Routledge, 1996), 90-91.
73. Peter Gay, The Naked Heart, vol. 4 of The Bourgeois Experience:Victoria to Freud (New York:W.W. Norton, 1995), 11-35.
74. Asa Briggs, Victorian Cities (Berkeley: University of California Press, 1993), 22.
75. Howard Smither, The Oratorio in the Nineteenth and Twentieth Centuries, vol. 4 of A History of the Oratorio (Chapel Hill: University of North Carolina Press, 2000), 249.
76. Lynne Withey, Grand Tours and Cook's Tours: A History of Leisure Travel, 1750 to 1915 (New York:William Morrow, 1997).
77. Anne M.Windholz, "An Emigrant and a Gentleman: Imperial Masculinity, British Magazines, and the Colony That Got Away," Victorian Studies 42 (1999-2000): 631-58.
78. Martha Finley, Elsie Dinsmore (1868; New York: Dodd, Mead, 1893), 240-41.
79. Alessandra Comini, The Changing Image of Beethoven: A Study in Mythmaking (New York: Rizzoli, 1987), 415.
80. Christopher Keep, "The Cultural Work of the Type-Writer Girl," Victorian Studies 40 (1997): 405.
81. James Parakilas, "The Power of Domestication in the Lives of Musical Canons," repercussions 4 (1995): 5-25.
82. Jürgen Habermas, The Structural Transformation of the Public Sphere: An Inquiry into a Category of Bourgeois Society, trans. Thomas Burger with Frederick Lawrence (Cambridge, Mass.: MIT Press, 1989).
83. Derek B. Scott, "Music and Social Class," in The Cambridge History of Nineteenth-Century Music, ed. Jim Samson (Cambridge: Cambridge University Press, 2001), 544-67.
84. Norbert Elias, The Civilizing Process, vol. 1 of History of Manners, trans. Edmund Jephcott (1939; New York: Pantheon, 1982).
85. Michelle Perrot, ed., The Fires of Revolution to the Great War, vol. 4 of A History of Private Life, trans. Arthur Goldhammer (Cambridge, Mass.: Belknap, 1990).
86. Friedrich A. Kittler, "The Mother's Mouth," in Discourse Networks 1800/1900, trans. Michael Metteer with Chris Cullens (Stanford: Stanford University Press, 1990).
87. Arthur Helps, Social Pressure (Boston: Roberts Bros., 1875), 46.
88. Alice M. Hanson, Musical Life in Biedermeier Vienna (Cambridge: Cambridge University Press, 1985), 118.
89. James Albisetti, Schooling German Girls and Women: Secondary and Higher Education in the Nineteenth Century (Princeton: Princeton University Press, 1988).
90. Françoise Mayeur, "The Secular Model of Girls' Education," in Emerging Feminism, ed. Fraisse and Perrot, 229-30.
91. Thomas L. Haines and Levi W. Yaggy, The Royal Path of Life (Cincinnati, 1876).
92. Joan N. Burstyn, Victorian Education and the Ideal of Womanhood (London: Croom, Helm, 1980), 38.
93. Judith Rowbotham, Good Girls Make Good Wives: Guidance for Girls in Victorian Fiction (Oxford: Basil Blackwell, 1989), 21.
94. H. R. Haweis, Music and Morals (1871; New York: Harper and Bros., 1904), 437.
95. Justin Lewis, "The Meaning of Things: Audiences, Ambiguity, and Power," in Viewing, Reading, Listening:Audiences and Cultural Reception, ed. Jon Cruz and Justin Lewis (Boulder:Westview Press, 1994), 20.
96. J. S. Bratton, The Impact of Victorian Children's Fiction (London: Croom Helm, 1981), 29.
97. Ingrid Otto, Bürgerliche Töchterererziehung im Spiegel illustrierter Zeitschriften von 1865 bis 1915 (Hildesheim:Verlag August Lax, 1990).
98. Monika Simmel, Erziehung zum Weibe: Mädchenbildung im 19. Jahrhundert (Frankfurt am Main: Campus Verlag, 1980).
99. Dagmar-Renate Eicke, Teenager zu Kaisers Zeiten: Die "höhere" Tochter in Gesellschafts-, Anstands-und Mädchenbüchern zwischen 1860 und 1900 (Bonn: Habelt, 1980).
100. Sarah Josepha Hale, Manners, or, Happy Homes and Good Society (Boston, 1868), 49-171.
101. Tobias Widmaier, Salonmusik: Zur Geschichte und Funktion einer bürgerliche Musikpraxis (Stuttgart: Steiner-Verlag, 1989), 203.
102. Jeffrey Kallberg, "The Rhetoric of Genre: Chopin's Nocturne in G Minor," 19th-Century Music 11 (1988): 238-61.
103. Beth L. Miller, "The Ridgelys of Hampton: New Perspectives on Musical Life in Early-Nineteenth-Century Baltimore," Journal of Musicological Research 14 (1994): 47.
104. Sheila Fletcher, Victorian Girls: Lord Lyttleton's Daughters (London: Hambledon Press, 1997), 7.
105. Mary Lamb, Mrs. Leicester's School (1831; London: Macmillan, 1897).
106. Spencer Bidwell King, Jr., Ebb Tide: As Seen through the Diary of Josephine Clay Habersham, 1863 (Athens: University of Georgia Press, 1958), 40.
107. Louis Ehlert, From the Tone-World, trans. Helen D.Tretbar (1877; New York: Charles F. Tretbar, 1885), 125.
108. Margaret Beetham, A Magazine of Her Own? Domesticity and Desire in the Woman's Magazine, 1800-1914 (London: Routledge, 1996), 24.
109. Elizabeth Blackwell, M.D. The Laws of Life, with Special Reference to the Physical Education of Girls (New York: George P. Putnam, 1852), 132-134.
110. Augusta Webster, A Housewife's Opinions (London: Macmillan, 1879), 21.
111. Louise Creighton, Memoir of a Victorian Woman: Reflections of Louise Creighton, 1850-1936, ed. James Thayne Covert (Bloomington: Indiana University Press, 1994), 27.
112. Beatrice Webb, My Apprenticeship (London: Longmans, Green, 1926), 73.
113. Catherine Pozzi, Journal de jeunesse, 1893-1904, ed. Claire Paulhan (n.p.: Editions Verdier, 1995), 30.
114. Harriet Martineau, Autobiography, 3d ed. (London: Smith, Elder, 1877), 1:87.
115. Laura Nisbet Boykin, Shinplasters and Homespun, ed. Mary Wright Stock (Rockville, Md.: Printex, 1975), 15-16.
116. Christiane Fischer, ed., Let Them Speak for Themselves;Women in the American West, 1849-1900 (Hamden, Conn.: Archon Books, 1977), 61.
117. Deborah Crisp, "The Piano in Australia, 1770 to 1900: Some Literary Sources," Musicology Australia 18 (1995): 25-38.
118. Kenneth L. Ames, Death in the Dining Room, and Other Tales of Victorian Culture (Philadelphia: Temple University Press, 1992), 178.
119. Orsemus Boyd, Cavalry Life in Tent and Field (New York: J. Selwin Tait, 1894).
120. Anne Vincent-Buffault, The History of Tears: Sensibility and Sentimentality in France, trans. Teresa Bridgeman (New York: St. Martin's Press, 1991).
121. John Bennett, Letters to a Young Lady, on a variety of useful and interesting subjects, calculated to improve the heart, to form the manners and enlighten the understanding (Warrington, 1789), 235.
122. Benjamin Vogel, "The Piano as a Symbol of Burgher Culture in Nineteenth-Century Warsaw," Galpin Society Journal 46 (1993): 141.
123. Mary E. Moragné, The Neglected Thread:A Journal from the Calhoun Community, 1836-1842, ed. Della Mullen Craven (Columbia: University of South Carolina Press, 1951), 40.
124. Karen J. Blair, The Torchbearers:Women and Their Amateur Arts Associations in America, 1890-1930 (Bloomington: University of Indiana Press, 1994), 18.
125. Janet Wolff, "The Culture of Separate Spheres: The Role of Culture in Nineteenth-Century Public and Private Life," in The Culture of Capital: Art, Power, and the Nineteenth-Century Middle Class, ed. Janet Wolff and John Seed (Manchester: Manchester University Press, 1988), 117-34.
126. Alan Corbin, "The Secret of the Individual," in From the Fires of Revolution, ed. Perrot, 531.
127. Percy A. Scholes, The Mirror of Music 1844-1944: A Century of Musical Life in Britain as Reflected in the Pages of the Musical Times (London: Novello, 1947), 305.
128. Pamela Potter, Music and German National Identity (Chicago: University of Chicago Press, 2002).
129. Theodor Adorno, Minima moralia: Reflections from Damaged Life, trans. E. F. N. Jephcott (London:Verso, 1978), 92.
130. Christopher H. Gibbs, The Life of Schubert (Cambridge: Cambridge University Press, 2000), 26.
131. Alice M. Hanson, Musical Life in Biedermeier Vienna (Cambridge: Cambridge University Press, 1985).
132. Mary Sue Morrow, Concert Life in Haydn's Vienna: Aspects of a Developing Musical and Social Institution (Stuyvesant, N.Y.: Pendragon, 1989).
133. William Weber, Music and the Middle Class: The Social Structure of Concert Life in London, Paris and Vienna (New York: Holmes and Meier, 1975).
134. Sigrid Wiesmann, "Vienna: Bastion of Conservatism," in The Early Romantic Era: Between Revolutions 1789 and 1848, ed. Alexander Ringer (Englewood Cliffs, N.J.: Prentice-Hall, 1991), 95.
135. Tia De Nora, Beethoven and the Construction of Genius: Musical Politics in Vienna, 1792-1803 (Berkeley: University of California Press, 1995), 115.
136. Jürgen Habermas, The Structural Transformation of the Public Sphere: An Inquiry into a Category of Bourgeois Society, trans. Thomas Burger with Frederick Lawrence (Cambridge, Mass.: MIT Press, 1989), 45.
137. Thomas Christensen, "Four-Hand Piano Transcription and Geographies of Nineteenth-Century Musical Reception," Journal of the American Musicological Society 25 (1999): 254-98.
138. James Parakilas, "The Power of Domestication in the Lives of Musical Canons," repercussions 4 (1995): 5-25.
139. Carl Dahlhaus, "Romantik und Biedermeier: Zur musikgeschichtlichen Charakteristik der Restaurationszeit," Archiv für Musikwissenschaft 31 (1974): 22-41.
140. Heinz Funck, "Musikalisches Biedermeier," Deutsche Vierteljahrsschrift für Literaturwissenschaft und Geistesgeschichte 14 (1936): 398-412.
141. Horst Heussner, "Das Biedermeier in der Musik," Musikforschung 12 (1959): 422-31.
142. Kenneth DeLong, "The Conventions of Musical Biedermeier," in Convention in Eighteenth-and Nineteenth-Century Music: Essays in Honor of Leonard G. Ratner, ed. Wye Jamison Allanbrook, Janet M. Levy, and William P. Mahrt (Stuyvesant, N.Y: Pendragon Press, 1992), 195-223.
143. Virgil Nemoianu, The Taming of Romanticism: European Literature and the Age of Biedermeier (Cambridge, Mass.: Harvard University Press, 1984).
144. Peter Gay, The Naked Heart, vol. 4 of The Bourgeois Experience:Victoria to Freud (New York:W.W. Norton, 1995), 88.
145. Maynard Solomon, "Schubert: Some Consequences of Nostalgia," 19th-Century Music 17 (1993): 45.
146. Georg Hermann Borchardt, Das Biedermeier im Spiegel seiner Zeit (Berlin: Borg, 1913), 47.
147. Pierre Bourdieu, "The Field of Cultural Production, or: The Economic World Reversed," trans. Richard Nice, in The Field of Cultural Production: Essays on Art and Literature, ed. Randal Johnson (New York: Columbia University Press, 1993), 31.
148. Kirsten Belgum, "Representation and Respite: The Interior and Women's Domestic Work in the Nineteenth Century," Center 8 (1993): 33-43.
149. Catherine Gallagher and Stephen Greenblatt, Practicing New Historicism (Chicago: University of Chicago Press, 2000).
150. H. Aram Veeser, introduction to The New Historicism:A Reader, ed. H. Aram Veeser (New York: Routledge, 1994), 2.
151. Nicolai Petrat, Hausmusik des Biedermeier im Blickpunkt der zeitgenössische musikalischen Fachpresse (Hamburg:Verlag der Musikalienhandlung Karl Dieter Wagner, 1986).
152. Johann Gottfried Hientzsch, "Über die Musik als das herrliche Mittel einer vorzüglichen Bildung, einer geistreichen Unterhaltung und religiösen Erhebung in Familie," Eutonia 5 (1831): 152-61.
153. Friedrich Schleiermacher, Christmas Eve: Dialogue on the Incarnation, trans. Terrence N. Tice (Richmond: John Knox Press, 1967), 46.
154. Techo di Teczoni, "Das Konzert des häuslichen Lebens," Berliner Allgemeine Musikalische Zeitung 7 (1830): 13-16.
155. Lawrence Kramer, Franz Schubert: Sexuality,Subjectivity, Song (Cambridge: Cambridge University Press, 1998), 3.
156. Arthur Hutchings, "Bohemian Days," in Schubert (London: J. M. Dent, 1973).
157. John Reed, Schubert: The Final Years (London: Faber and Faber, 1972), 114.
158. Otto Biba, "Schubert's Position in Viennese Musical Life," 19th-Century Music 3 (1979): 107.
159. Carl Dahlhaus, Nineteenth-Century Music, trans. J. Bradford Robinson (Berkeley: University of California Press, 1989), 177.
160. Traian Stoianovich, "Gender and Family: Myths, Models and Ideologies," History Teacher 15 (1981): 70.
161. Christopher H. Gibbs, "'Poor Schubert': Images and Legends of the Composer," in The Cambridge Companion to Schubert, ed. Christopher H. Gibbs (Cambridge: Cambridge University Press, 1997), 36-55.
162. Heinrich Kreissle von Hellborn, The Life of Schubert, trans. Arthur Duke Coleridge (London: Longmans, Green, 1869), 2:152.
163. Mary Hunter, "Haydn's London Piano Trios and His Salomon String Quartets: Private vs. Public?," in Haydn and His World, ed. Elaine Sisman (Princeton: Princeton University Press, 1997), 103-30.2.
164. William Joseph Sullivan, "George Eliot and the Fine Arts" (Ph.D. diss., University of Wisconsin, 1990), 38.
165. Alison Byerly, "The Language of the Soul: George Eliot and Music," Nineteenth-Century Literature 44 (1989): 1-17.
166. Shirley Frank Levenson, "The Music of Daniel Deronda," Nineteenth-Century Fiction 24 (1969): 317-34.
167. Phyllis Weliver, "Music as a Sign in Daniel Deronda," The George Eliot Review 27 (August 1996): 43-48.
168. George Eliot, Middlemarch, ed. David Carroll (Oxford: Clarendon Press, 1986), 113.
169. Julia Wedgwood, "The Moral Influence of George Eliot," in Nineteenth-Century Teachers and Other Essays (London: Hodder and Stoughton, 1909), 230.
170. Carol A. Martin, George Eliot's Serial Fiction (Columbus: Ohio State University Press, 1994), 26.
171. Gordon S. Haight, George Eliot: A Biography (New York: Oxford University Press, 1968), 320.
172. Elizabeth Deeds Ermarth, The English Novel in History, 1840-1895 (London: Routledge, 1997), 73.
173. A. Dwight Culler, The Victorian Mirror of History (New Haven: Yale University Press, 1985), 41.
174. Kenneth Thompson, Auguste Comte: The Foundation of Sociology (New York: John Wiley and Sons, 1975), 15.
175. Hock Guan Tjoa, George Henry Lewes: A Victorian Mind (Cambridge, Mass.: Harvard University Press, 1977), 41-42.
176. Sally Shuttleworth, George Eliot and Nineteenth-Century Science: The Make-Believe of a Beginning (Cambridge: Cambridge University Press, 1984).
177. George Eliot, Daniel Deronda, ed. Barbara Hardy (Harmondsworth:Penguin, 1967), 580-99.
178. Marx W. Wartofsky, Feuerbach (Cambridge: Cambridge University Press, 1977), 286.
179. Geoffrey Skelton, "George Eliot and Cosima Wagner: A Newly Discovered Letter from George Henry Lewes," George Eliot Fellowship Review 13 (1982): 28.
180. Francis Hueffer, Half a Century of Music in England, 1837-1887: Essays Toward a History (London: Chapman and Hall, 1889), 72.
181. Gisela Argyle, German Elements in the Fiction of George Eliot, Gissing, and Meredith (Frankfurt am Main:Peter Lang, 1979).
182. Anthony McCobb, George Eliot's Knowledge of German Life and Letters (Salzburg: Institut für Anglistik und Amerikanistik, Universität Salzburg, 1982).
183. Walter Parratt, "Music," in The Reign of Queen Victoria: A Survey of Fifty Years of Progress, ed. Thomas Humphry Ward (London: Smith, Elder, 1887), 2: 618.
184. Theresa Muir, "The Reception of Richard Wagner in the Victorian Musical Press (1850-94) " (Ph.D. diss., City University of New York, 1997).
185. Charles Kingsley, "The Natural Theology of the Future," Macmillan's Magazine 23 (1871): 373-74.
186. Richard Wagner, "The Artwork of the Future," trans. Oliver Strunk, in Source Readings in Music History (New York:W. W. Norton, 1998), 6:57.
187. Thomas S. Grey, "Wagner's Die Meistersinger as National Opera (1868-1945)," in Music and German National Identity, ed. Celia Applegate and Pamela Potter (Chicago: University of Chicago Press, 2002), 78-104.
188. Richard Wagner, "The Work and Mission of My Life," North American Review 273 (August 1879): 107-24.
189. Gillian Beer, Darwin's Plots: Evolutionary Narrative in Darwin, George Eliot, and Nineteenth-Century Fiction (London: Routledge and Kegan Paul, 1983), 181.
190. William Baker, George Eliot and Judaism (Salzburg: Institut für Englische Sprache und Literatur, 1975), 151.
191. Wendy Bashant, "Singing in Greek Drag: Gluck, Berlioz, George Eliot," in En Travesti:Women, Gender, Subversion, Opera, ed. Corinne E. Blackmer and Patricia Juliana Smith (New York: Columbia University Press, 1995), 216-41.
192. Rebecca Pope, "The Diva Doesn't Die: George Eliot's Armgart," in Embodied Voices: Female Vocality in Western Culture, ed. Leslie C. Dunn and Nancy A. Jones (New York: Cambridge University Press, 1994), 139-51.
193. Henry F. Chorley, Modern German Music, (1854; reprint New York: Da Capo Press, 1973), 48.
194. Thomas Pinney, "The Authority of the Past in George Eliot's Novels," Nineteenth-Century Fiction 21 (1966): 143.
195. Herbert Spencer, "Progress: Its Law and Cause," collected in his Essays, Scientific, Political, and Speculative (New York: D. Appleton, 1907), 1:10.
196. Scott Burnham, Beethoven Hero (Princeton: Princeton University Press, 1995).
197. Tia De Nora, Beethoven and the Construction of Genius: Musical Politics in Vienna, 1792-1803 (Berkeley: University of California Press, 1995).
198. Lydia Goehr, The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music (Oxford: Clarendon Press, 1992).
199. Barry Qualls, "Speaking through Parable: Daniel Deronda," in George Eliot, ed. Harold Bloom (New Haven: Chelsea Books, 1986), 203-21.
200. Ludwig Feuerbach, The Essence of Christianity, trans. George Eliot (1854; New York: Harper and Bros., 1957), 3.
201. Thomas Grey, Wagner's Musical Prose: Texts and Contexts (Cambridge: Cambridge University Press, 1995), 136.
202. Edmund Gurney, The Power of Sound (1880; New York: Basic Books, 1966), 11.
203. Anne Dzamba Sessa, Richard Wagner and the English (Rutherford: Fairleigh Dickinson University Press, 1978), 17.
204. Edgar Saltus, The Monster (New York: Pulitzer Publishing, 1912), 23-24.
205. Karen Haltunnen, Confidence Men and Painted Women: A Study of Middle-Class Culture in America, 1830-1870 (New Haven: Yale University Press, 1982), 6.
206. William Leach, Land of Desire: Merchants, Power, and the Rise of a New American Culture (New York: Pantheon, 1993), 3.
207. Herbert Lindenberger, Opera:The Extravagant Art (Ithaca: Cornell University Press, 1984), 174-75.
208. Pierre Bourdieu, Distinction:A Social Critique of the Judgement of Taste, trans. Richard Nice (Cambridge, Mass.: Harvard University Press, 1984), 2.
209. Russel Nye, The Unembarrassed Muse: The Popular Arts in America (New York: Dial Press, 1970), 5.
210. David Ward, Poverty, Ethnicity, and the American City, 1840-1925: Changing Conceptions of the Slum and the Ghetto (Cambridge: Cambridge University Press, 1989).
211. Michel Leiris, "L'érotisme dans l'opéra," in his Operratiques, ed. Jean Jamin (Paris: P.O.L., 1992).
212. Thomas R. Lounsbury, ed.,The Complete Writings of Charles Dudley Warner (Hartford: American Publishing, 1904), 11:94.
213. Henry James, The Bostonians, ed. R. D. Gooder (Oxford: Oxford University Press, 1984), 285-86.