-
1
-
-
0038082750
-
Antonios b-boys: Rap, rappers, and gramsci’s intellectuals
-
Abrams, Nathan. “Antonio’s B-Boys: Rap, Rappers, and Gramsci’s Intellectuals.” Popular Music and Society 19: 1-19.
-
Popular Music and Society
, vol.19
, pp. 1-19
-
-
Abrams, N.1
-
2
-
-
0039759637
-
“hybridity, the rap race, and pedagogy for the 1990s
-
Baker, Houston. “Hybridity, the Rap Race, and Pedagogy for the 1990s. Black Music Research Journal 11 (1991): 217-28.
-
(1991)
Black Music Research Journal
, vol.11
, pp. 217-228
-
-
Baker, H.1
-
3
-
-
21844519103
-
Check yo self, before you wreck yo self: Variations on a political theme in rap music and popular culture
-
Boyd, Todd. “Check Yo Self, Before You Wreck Yo Self: Variations on a Political Theme in Rap Music and Popular Culture.” Public Culture 7 (1994): 289-312.
-
(1994)
Public Culture
, vol.7
, pp. 289-312
-
-
Boyd, T.1
-
5
-
-
34247284844
-
En-countering the other discourse of chicano-mexicano difference
-
Chabram-Demersesian, Angie. “En-Countering the Other Discourse of Chicano-Mexicano Difference.” Cultural Studies 13:263-89.
-
Cultural Studies
, vol.13
, pp. 263-289
-
-
Chabram-Demersesian, A.1
-
6
-
-
84933487587
-
The l.A. inferno
-
Davis, Mike. “The L.A. Inferno.” Socialist Review 22 (1992): 57-80.
-
(1992)
Socialist Review
, vol.22
, pp. 57-80
-
-
Davis, M.1
-
7
-
-
0345993498
-
Nick. “gangster rap and nihilism in black america: Som; questions of life and death
-
De Genova, Nick. “Gangster Rap and Nihilism in Black America: Som; Questions of Life and Death.” Social Text 43 (1995): 89-132.
-
(1995)
Social Text
, vol.43
, pp. 89-132
-
-
De, G.1
-
8
-
-
0032390481
-
Chicano ideology revisited: Rap music and the (re)articulation of chicanismo
-
Delgado, Fernando Pedro. “Chicano Ideology Revisited: Rap Music and the (Re)Articulation of Chicanismo.” Western Journal of Communication 62 (1998): 95-113.
-
(1998)
Western Journal of Communication
, vol.62
, pp. 95-113
-
-
Delgado, F.P.1
-
9
-
-
84937285620
-
Chicano movement rhetoric: An ideographic interpretation
-
Delgado, Fernando P. “Chicano Movement Rhetoric: An Ideographic Interpretation.” Communication Quarterly 43 (1995): 446-55.
-
(1995)
Communication Quarterly
, vol.43
, pp. 446-455
-
-
Delgado, F.P.1
-
10
-
-
84937290025
-
Understanding and incorporating rap: The articulatio l of alternative popular music practices within dominant cultural practices and institutions
-
Fenster, Mark. “Understanding and Incorporating Rap: The Articulatio l of Alternative Popular Music Practices Within Dominant Cultural Practices and Institutions.” Hon ard Journal of Communications 5 (1995): 223-44.
-
(1995)
Hon Ard Journal of Communications
, vol.5
, pp. 223-244
-
-
Fenster, M.1
-
12
-
-
0000818558
-
Creating discursive space through a rhetoric of differe ace: Chicana feminists craft a homeland
-
Flores, Lisa A. “Creating Discursive Space Through a Rhetoric of Differe ace: Chicana Feminists Craft a Homeland.” Quarterlyjoumal of Speech 82 (1996): 142-56.
-
(1996)
Quarterlyjoumal of Speech
, vol.82
, pp. 142-156
-
-
Flores, L.A.1
-
13
-
-
84991784797
-
Mass media, site specificity, and the u.S.-mexico borler: Guillermo gomez-penas border brujo(1988,1990)
-
Chon V Noriega and Ana M. Lopez. Minneapolis: U of Minnesota
-
Fox, Claire F. “Mass Media, Site Specificity, and the U.S.-Mexico Borler: Guillermo Gomez-Pena’s Border Brujo(1988,1990).” The Ethnic Eye: Latino Media Arts. Eds. Chon V Noriega and Ana M. Lopez. Minneapolis: U of Minnesota P, 1996.228-43.
-
(1996)
The Ethnic Eye: Latino Media Arts
, pp. 228-243
-
-
Fox, C.F.1
-
15
-
-
0002150307
-
Sounds authentic: Black music, ethnicity, and the challen;e of a changing same
-
Gilroy, Paul. “Sounds Authentic: Black Music, Ethnicity, and the Challen;e of a Changing Same.” Black Music ResearchJournal 11 (1991): 111-36.
-
(1991)
Black Music Researchjournal
, vol.11
, pp. 111-136
-
-
Gilroy, P.1
-
16
-
-
85023888879
-
The free art agreement: El tratado de litre cultura
-
Gomez-Pena, Guillermo. “The Free Art Agreement: El Tratado de Litre Cultura.” High Performance (1993): 58-63.
-
(1993)
High Performance
, pp. 58-63
-
-
Gomez-Pena, G.1
-
17
-
-
85055297688
-
The new world (B)order
-
Gomez-Pena, Guillermo. “The New World (B)Order.” High Performance (1992): 58-65.
-
(1992)
High Performance
, pp. 58-65
-
-
Gomez-Pena, G.1
-
18
-
-
34247289333
-
El vez is ‘taking care of business: The inter ‘national appeal of chicano popular music
-
Habell-Pallan, Michelle. “El Vez is ‘Taking Care of Business’: The Inter ‘National Appeal of Chicano Popular Music.” Cultural Studies 13 (1999): 195-210.
-
(1999)
Cultural Studies
, vol.13
, pp. 195-210
-
-
Habell-Pallan, M.1
-
19
-
-
85023814259
-
-
Hispanic, Jan./Feb
-
Holston, Mark. “The Straight Rap.” Hispanic[1992, Jan./Feb.): 130-36.
-
(1992)
The Straight Rap
, pp. 130-136
-
-
Holston, M.1
-
20
-
-
77649098858
-
Looking for the magic: Chicanos in the mainstream
-
Diana Taylor and Tuan Villegas. Durham, NC: Duke UP
-
Huerta, Jorge. “Looking for the Magic: Chicanos in the Mainstream.” Negotiating Performance: Gender, Sexuality, and Theatricality in Latin/o America. Eds. Diana Taylor and Tuan Villegas. Durham, NC: Duke UP, 1994: 37-48.
-
(1994)
Negotiating Performance: Gender, Sexuality, and Theatricality in Latin/O America
, pp. 37-48
-
-
Huerta, J.1
-
21
-
-
0039595429
-
The new ghetto aesthetic
-
Jones, Jacquie. “The New Ghetto Aesthetic.” Wide Angle 13(3/4) (1991): 32-43.
-
(1991)
Wide Angle
, vol.13
, Issue.3-4
, pp. 32-43
-
-
Jones, J.1
-
23
-
-
10844288278
-
The aural border
-
Kun, Josh. “The Aural Border.” Theatre Journal 52 (2000): 1-21.
-
(2000)
Theatre Journal
, vol.52
, pp. 1-21
-
-
Kun, J.1
-
24
-
-
34547322646
-
Against easy listening: Audiotopic readings and transnational soundings
-
Everynight Life: Culture and Dance in Latin/o America. Eds, NC: Duke UP
-
Kun, Josh. “Against Easy Listening: Audiotopic Readings and Transnational Soundings.” Everynight Life: Culture and Dance in Latin/o America. Eds. Celeste Fraser Delgado and Jo >e Esteban Munoz. Durham, NC: Duke UP, 1997.288-309.
-
(1997)
Celeste Fraser Delgado and Jo >>E Esteban Munoz. Durham
, pp. 288-309
-
-
Kun, J.1
-
25
-
-
1842794240
-
“encountering visions of aztlan: Arguments foi ethnic pride, community activism, and cultural revitalization in chicano murals
-
LaWare, Margaret R “Encountering Visions of Aztlan: Arguments foi Ethnic Pride, Community Activism, and Cultural Revitalization in Chicano Murals.” Argumenta’ion and Advocacy 34 (1998): 140-53.
-
(1998)
Argumenta’ion and Advocacy
, vol.34
, pp. 140-153
-
-
LaWare, M.R.1
-
27
-
-
85121509156
-
We know what time it is: Race, class and youth culture in the nineties
-
Andrew Ross and Tricia Rose. New York: Routledge
-
Lipsitz, George. “We Know What Time it is: Race, Class and Youth Culture in the Nineties.” Microphone Fiends: Youth Music and Youth Culture. Eds. Andrew Ross and Tricia Rose. New York: Routledge, 1994: 17-28.
-
(1994)
Microphone Fiends: Youth Music and Youth Culture
, pp. 17-28
-
-
Lipsitz, G.1
-
29
-
-
84937279749
-
Brown: The politics of working-class chicano style
-
Marez, Curtis. “Brown: The Politics of Working-Class Chicano Style.” Social Text 48 (1996): 109-32.
-
(1996)
Social Text
, vol.48
, pp. 109-132
-
-
Marez, C.1
-
30
-
-
0031496452
-
Popular culture as oppositional culture: Rap as resistance
-
Martinez, Theresa A. “Popular Culture as Oppositional Culture: Rap as Resistance.” Sociological Perspectives 40 (1997): 265-86.
-
(1997)
Sociological Perspectives
, vol.40
, pp. 265-286
-
-
Martinez, T.A.1
-
31
-
-
84937288859
-
“gangsta pedagogy and ghettoethnicity
-
McLaren, Peter. “Gangsta pedagogy and ghettoethnicity. Socialist Review 25 (1995): 9-56.
-
(1995)
Socialist Review
, vol.25
, pp. 9-56
-
-
McLaren, P.1
-
33
-
-
0002429235
-
Que gacho es ser macho: Its a drag to be a macho man
-
Mirande, Alfredo. “Que Gacho es ser Macho: It’s a Drag to be a Macho Man.” Aztlan 17 (1988): 63-87.
-
(1988)
Aztlan
, vol.17
, pp. 63-87
-
-
Mirande, A.1
-
34
-
-
1842642975
-
Feeling brown: Ethnicity and affect in ricardo brachos the sweetest hangover [and other stds)
-
Munoz, Jose Esteban. “Feeling Brown: Ethnicity and Affect in Ricardo Bracho’s The Sweetest Hangover [and Other STDs)” TheatreJournal 52 (2000): 67-79.
-
(2000)
Theatrejournal
, vol.52
, pp. 67-79
-
-
Munoz, J.E.1
-
35
-
-
0040481841
-
Lowriding in the southwest: Cultural symbols in the mexican community
-
Mario T. Garcia. Ypsilanti, MI: Bilingual Review Press
-
Plasencia, Luis F.B. “Lowriding in the Southwest: Cultural Symbols in the Mexican Community.” History, Culture, and Society: Chicano Studies in the 1980s. Ed. Mario T. Garcia. Ypsilanti, MI: Bilingual Review Press, 1983: 141-75.
-
(1983)
History, Culture, and Society: Chicano Studies in the 1980S
, pp. 141-175
-
-
Plasencia, L.F.1
-
39
-
-
0032381558
-
From the margins to mainstream: The political power of hip-hop
-
Stapleton, Katina R. “From the Margins to Mainstream: The Political Power of Hip-Hop.” Media, Culture & Society 20(2) (1998): 219-34.
-
(1998)
Media, Culture & Society
, vol.20
, Issue.2
, pp. 219-234
-
-
Stapleton, K.R.1
-
41
-
-
33845427070
-
Car charros: Cruising and lowriding in the barrios of east los angeles
-
Vigil, James Diego. “Car Charros: Cruising and Lowriding in the Barrios of East Los Angeles.” Latino StudiesJoumal 2 (1991): 71-79.
-
(1991)
Latino Studiesjoumal
, vol.2
, pp. 71-79
-
-
Vigil, J.D.1
-
42
-
-
27744576320
-
Ghosts in the machine: Critical spatial consciousness in los angeles chicano writing
-
Villa, Raul Homero. “Ghosts in the Machine: Critical Spatial Consciousness in Los Angeles Chicano Writing.” Social Text 58 (1999): 111-31.
-
(1999)
Social Text
, vol.58
, pp. 111-131
-
-
Villa, R.H.1
-
43
-
-
85023884367
-
Border boda or divorce fronterizo
-
Diana Taylor and Juan Villegas. Durham, NC: Duke UP
-
Waller, Margeurite. “Border Boda or Divorce Fronterizo.” Negotiating Performance: Gender, Sexuality, and Theatricality in Latin/o America. Eds. Diana Taylor and Juan Villegas. Durham, NC: Duke UP, 1994: 67-87.
-
(1994)
Negotiating Performance: Gender, Sexuality, and Theatricality in Latin/O America
, pp. 67-87
-
-
Waller, M.1
-
44
-
-
0002481685
-
Latino night: Performances of latino/a culture in northwest ohio
-
Willis, Jennifer. “‘Latino Night’: Performances of Latino/a Culture in Northwest Ohio.” Communication Quarterly A5(3) (1997): 335-54.
-
(1997)
Communication Quarterly
, vol.A5
, Issue.3
, pp. 335-354
-
-
Willis, J.1
-
45
-
-
84898126361
-
Staging america: The subject of history in chicano/a theatre
-
Worthen, William B. “Staging America: The Subject of History in Chicano/a Theatre.” TheatreJournal 49 (1997): 101-20.
-
(1997)
Theatrejournal
, vol.49
, pp. 101-120
-
-
Worthen, W.B.1
|