From visual culture to design culture

Design Issues

Volumn 22, Issue 1, 2006, Pages 64-76

  Julier, Guy ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

DESIGN;

EID: 33646384937     PISSN: 07479360     EISSN: 15314790     Source Type: Journal    
DOI: 10.1162/074793606775247817     Document Type: Review

References (63)

1. The Journal of Visual Culture (Sage, founded 2002)
2. and Visual Culture in Britain (Ashgate, founded 2000).
3. For example, see Malcolm Barnard, Approaches to Understanding Visual Culture (New York: Palgrave Macmillan, 2001);
4. Richard Howells, Visual Culture: An Introduction (Cambridge: Polity, 2001);
5. Nicholas Mirzoeff, An Introduction to Visual Culture (New York: Routledge, 1999):
6. Marita Sturken and Lisa Cartwright, Practices of Looking: An Introduction to Visual Culture (New York: Oxford University Press, 2001);
7. and Visual Culture: An Introduction, John Walker and Sarah Chaplin, eds. (New York: Palgrave Macmillan, 1997).
8. For example, see Visual Culture: The Header, Jessica Evans and Stuart Hall, eds. (Thousand Oaks, CA: Sage, 2001);
9. Nicholas Mirzoeff, The Visual Culture Reader (New York: Routledge, 1998);
10. and The Feminism and Visual Culture Reader, Amelia Jones, ed. (New York: Routledge, 2003).
11. Malcolm Barnard, Art, Design, and Visual Culture: An Introduction (London: Macmillan, 1998) includes some short references to design.
12. See Victor Margolin, "Design History and Design Studies" in The Politics of the Artificial: Essays on Design and Design Studies (Chicago: University of Chicago Press, 2002).
13. Victor Margolin, "Design History and Design Studies" in The Politics of the Artificial: Essays on Design and Design Studies, 2002, Ibid.
14. Henceforth, I refer to "visual culture" in lowercase to mean the field that "Visual Culture" (uppercase) as an academic discipline studies, and likewise for "design culture" and "Design Culture."
15. W. J. T. Mitchell, Picture Theory (Chicago: Chicago University Press, 1994).
16. Nicholas Mirzoeff, An Introduction to Visual Culture (London: Routledge, 1998).
17. Jessica Evans, "Introduction" in Visual Culture: The Reader, Jessica Evans and Stuart Hall, eds. (London: Sage, 1999).
18. W. J. T. Mitchell, "Showing Seeing: A Critique of Visual Culture" in Journal of Visual Culture 1:2 (2002): 165-181.
19. Mieke Bal, "Visual Essentialism and the Object of Visual Culture" in Journal of Visual Culture 2:1 (2002): 5-32.
20. W. J. T. Mitchell, "Showing Seeing: A Critique of Visual Culture" in Journal of Visual Culture 1:2 (2002): 165-181.
21. Carol Armstrong, "Questionnaire" in October 77 (1996): 26-28.
22. Mirzoeff, however, refutes this notion of the "disembodiment" of images. See Nicholas Mirzoeff, An Introduction to Visual Culture (London: Routledge, 1999).
23. Martin Jay, "Scopic Regimes of Modernity" in Vision and Visuality, Hal Foster, ed. (New York: Dia Art Foundation, 1988).
24. Scott Lash Critique of Information (London: Sage, 2002), 149.
25. Hal Foster, Design and Crime (And Other Diatribes)(London: Verso, 2002), 23.
26. Hal Foster, Design and Crime (And Other Diatribes), Ibid., 41.
27. Guy Debord, The Society of the Spectacle (Cambridge, MA: Zone Books, 1967), 24.
28. Hal Foster, "The ABCs of Contemporary Design" in October 100 (Spring, 2002): 198.
29. Camiel Van Winkel cited in Norman Bryson, "Visual Culture and the Dearth of Images" Journal of Visual Culture 2:2 (2003): 229-32, 230.
30. Norman Bryson, "Visual Culture and the Dearth of Images" Journal of Visual Cultured (2003): 229-32, especially 230.
31. James G. Carrier, "Mind, Gaze, and Engagement: Understanding the Environment" Journal of Material Culture 8:1 (2003): 5-23.
32. Karl Marx, Karl Marx: Early Writings, T. B. Bottomore, trans. and ed. (New York: McGraw-Hill, 1964).
33. George Ritzer, The McDonaldization of Society (London: Sage, 1996).
34. Richard Sennett, The Fall of Public Man (New York: Vintage Books, 1976).
35. John Urry, The Tourist Gaze: Leisure and Travel in Contemporary Societies (London: Sage, 1990).
36. My thanks to Melanie Chan, Ph.D. candidate at Leeds Metropolitan University, "Discourses of Virtual Reality," with whom discussion has led me to this position.
37. Daniel Koh, www.amateurprovakateur.com (accessed 1/21/04).
38. Daniel Koh, personal e-mail communication with author, 1/21/04.
39. Anna Calvera, "Historia e historias del diseño: la emergencia de las historias regionales." (Keynote paper given at "La Emergencia de las Historias Regionales" conference in Havana, Cuba, June 7-9, 2001).
40. For example, see Scott Lash and John Urry, Economies of Signs and Spaces (London: Sage, 1994)
41. and R. Scase and H. Davis, Managing Creativity: The Dynamics of Work and Organization (Milton Keynes: Open University Press, 2000).
42. See N. Oudshoorn, E. Rommes, and M. Stienstra, "Configuring the Useras Everybody: Gender and Design Cultures in Information and Communication Technologies," Science, Technology & Human Values 29:1 (2004): 30-63;
43. Gavin Cawood, "Design Innovation and Culture in SMEs," Design Management Journal 8:4 (1997);
44. and Paul A. Rodgers and Megan Strickfaden, "The Culture of Design: A Critical Analysis of Contemporary Designers' Identities'" (2003). Paper given at "Design Wisdom" Fifth European Academy of Design Conference, Barcelona; available at www.ub.es/5ead.
45. For example, Bruce Mau's "Massive Change" project at the School of Design at Toronto City College was subtitled "The Future of Design Culture" (www.massivechange.com; accessed 1/21/04), although the "culture" word was later dropped (www.massivechange.com; accessed 11/4/04).
46. See also www.vtt.fi/virtual/ndc/for its "New Design Culture" project at the University of Jyväskylä, Finland.
47. For example, Paul Chatterton and Robert Hollands, in Urban Nightscapes, Youth Cultures, Pleasure Spaces, and Corporate Power (London: Routledge, 2003), write of the corporatization of urban night life that produces an agglomeration of designer bars and clubs that are, nonetheless, highly differentiated.
48. This is how Ellen Lupton conceived "design culture" forthe National Design Museum, Cooper-Hewitt exhibition of 2002, "Design Culture Now" (Ellen Lupton personal e-mail to the author, 1/8/04).
49. Netherlands Design Institute's Design Across Europe: Patterns of Supply and Demand in the European Design Market (Amsterdam: Vormgevingsinstitut, 1994), 9.
50. Design Council's Design in Britain 2003-2004 (London: Design Council, 2003).
51. David Hesmondhalgh, The Cultural Industries (London: Sage, 2002), 90.
52. Guy Julier, The Culture of Design (London: Sage, 2000).
53. Victor Margolin, "Building a Design Research Community" in Design Plus Research, Proceedings of the Politecnico di Milano Conference, S. Pizzocaro, A. Arruda, and D. De Moraes, eds. (Milan: Politecnico di Milano, May 18-20, 2000): available at http://pcsiwa12.rett.polimi.it/~phddi/uk/01/dpr00/ intro.htm.
54. Silvia Pizzocaro, "Research, Theory, and Design Culture: A Knowledge Growing within Complexity" in Design Plus Research, Proceedings of the Politecnico di Milano Conference, S. Pizzocaro, A. Arruda, and D. De Moraes, eds. (Milan: Politecnico di Milano, May 18-20, 2000); available at http://pcsiwa12.rett.polimi.it/-phddi/uk/01/dpr00/intro.htm.
55. Victor Margolin, "The Product Milieu and Social Action" in Discovering Design: Explorations in Design Studies, Richard Buchanan and Victor Margolin, eds. (Chicago: University of Chicago Press, 1995), 122.
56. By "products" I mean not only manufactured goods, but also services that are marketed or provided as products (e.g., airlines, Healthcare, leisure provisions, insurance, etc.).
57. Alasdair Maclntyre, After Virtue (London: Duckworth, 1994).
58. Pierre Bourdieu, Outline of a Theory of Practice (Cambridge: Cambridge University Press, 1974)
59. and Pierre Bourdieu, The Logic of Practice (Cambridge: Polity Press, 1992). I wish to thank Dale Southerton, University of Manchester, for getting me to think about practice rather than consumption.
60. Ben Fine and Ellen Leopold, The World of Consumption (London: Routledge, 1992), 4.
61. The distinction between "practice" and "field" is debatable. See Alan Warde, "Practice and Field: Revising Bourdieusian Concepts" (Centre for Research on Innovation and Competition Discussion Paper 65, Department of Sociology, University of Manchester, 2004).
62. See Mark C. Taylor The Moment of Complexity: Emerging Network Culture (Chicago: University of Chicago Press, 2001).
63. For an excellent discussion of the relationship of design and critique, see Gunther Kress, "Design and Transformation: New Theories of Learning" in Multiliteracies: Literacy Learning and the Design of Social Futures, Bill Cope and Mary Kalantzis, eds. (London: Routledge, 2000).