“Don’t touch my moustache”: Language blending and code ambiguation by two j-pop artists

Asian Englishes

Volumn 6, Issue 1, 2003, Pages 4-33

  Moody, Andrew ^a   Matsumoto, Yuko ^b  

^a UNIVERSITY OF MACAU   (Macao)

^b UNIVERSITY OF CALIFORNIA   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 33646378535     PISSN: 13488678     EISSN: 23312548     Source Type: Journal    
DOI: 10.1080/13488678.2003.10801106     Document Type: Article

References (92)

1. Beach Boys, The. 1966. Good Vibrations. Capitol 5676.
2. Beach Boys, The. 1966. Pet Sounds. Capitol 21241.
3. Beatles, The. 1964. Twist and Shout. Tollie 9001.
4. Beatles, The. 1967. All You Need Is Love. Capitol 5964.
5. Beatles, The. 1968. Lady Madonna. Capitol 2138.
6. Beatles, The. 1970. Let It Be. Apple 2764.
7. Begin. 1997. Sora ni Hoshi ga Aruyouni. Teichiku 292.
8. Cascade. 2000. Konguracche. Polydor 1903.
9. Chinen, Rina. 2000. Baby Love. Sony (Japan) 4759.
10. Deen. 2000. “Power of Love,” Need Love. BMG 11021.
11. Dion, Celine. 1993. The Power of Love. 550 Music/Epic 77230.
12. Dylan, Bob. 1965. Like A Rolling Stone. Columbia 43346.
13. Earth. 2000. Time After Time. Avex 16001.
14. Eurythmics, The. 1985. There Must Be An Angel (Playing With My Heart). RCA 14160.
15. Go, Hiromi. 2000. Hallelujah, Burning Love. Sony (Japan) 4684.
16. Ho, Don. 2000. Tiny Bubbles. (re-issue) Collector’s Choice 0147.
17. Isley Brothers, The. 1962. Twist and Shout. Wand 124.
18. John, Elton. 1970. Your Song. Uni 55265.
19. John, Elton. 1975. Someone Saved My Life Tonight. MCA 40421.
20. Kuraki, Mai. 2001. Stand Up. Giza 1069.
21. Kuwata Band. 1986. Sukippu Biito (Skipped Beat). Victor 35302.
22. Lauper, Cyndi. 1984. Time After Time. Portrait 04432.
23. Love Psychedelico. 2000. Lady Madonna — Yuuutsunaru Supaidaa. Victor 35107.
24. Love Psychedelico. 2000. Last Smile. Victor 35118.
25. Love Psychedelico. 2001. “Nosutarujikku’65,” The Greatest Hits. Victor 60666.
26. Love Psychedelico. 2001. The Greatest Hits. Victor 60666.
27. Love Psychedelico. 2002. Love Psychedelic Orchestra. Victor 60888.
28. Martin, Ricky. 1999. Livin’ La Vida Loca. C2/Columbia 79124.
29. McCartney, Paul, and Wings, W. 1973. Band on the Run. Capitol 99176.
30. Pink Floyd. 1977. Animals. Capitol 29748.
31. Presley, Elvis. 1972. Burning Love. RCA Victor 74-0769.
32. Presley, Elvis. 1977. My Way. RCA PB-11165.
33. Procol Harem. 1967. A Whiter Shade of Pale. Deram 7507.
34. Pucchimoni, P. 1999. Chokotto Love. Zetima 1063.
35. Rivers, Johnny. 1966. Secret Agent Man. Imperial 66159.
36. Saijou, Hideki. 1979. Young Man (Y.M.C.A.). BMG 38023.
37. Shiina, Ringo. 2000. Gibusu. Toshiba EMI 22051.
38. Sinatra, Frank. 1969. My Way. Reprise 0817.
39. SMAP. 1998. La Festa. Victor 60280.
40. SMAP. 2000. Let It Be. Victor 35072.
41. Southern All Stars, The. 1978. Katteni Shindobaddo. Victor 30101.
42. Southern All Stars, The. 1979. Itoshi no Erii. Victor 30103.
43. Southern All Stars, The. 1980. “Futaridake no Paatii — Tiny Bubbles (type-A),” Tainii Baburusu. Victor 60213.
44. Southern All Stars, The. 1980. Inase na Rokomooshon. Victor 30108.
45. Southern All Stars, The. 1980. Namida no Abenyuu. Victor 30106.
46. Southern All Stars, The. 1980. “Tiny Bubbles (type-B),” Tainii Baburusu. Victor 60213.
47. Southern All Stars, The. 1980. “Watashi wa Piano,” Tainii Baburusu. Victor 60213.
48. Southern All Stars, The. 1981. “My Foreplay Music,” Shiro no Teema. Victor 30113.
49. Southern All Stars, The. 1982. “Koina Jamaika,” Nude Man. Victor 60215.
50. Southern All Stars, The. 1982. “Omoide no Sutaa Dasuto,” Nude Man. Victor 60215.
51. Southern All Stars, The. 1983. “MICO,” Kirei. Victor 60216.
52. Southern All Stars, The. 1984. “Atto Iu Mano Yumeno Tunaito,” Ninkimono de Ikou. Victor 60217.
53. Southern All Stars, The. 1984. “Yuugata Hold On Me,” Ninkimono de Ikou. Victor 60217.
54. Southern All Stars, The. 1985. “Brown Cherry,” Kamakura. Victor 60219.
55. Southern All Stars, The. 1989. Furi Furi ‘65. Victor 30127.
56. Southern All Stars, The. 1992. Shuraba Ra Bamba (Shulaba-La-Bamba). Victor 30130.
57. Southern All Stars, The. 1998. “Cry Ai Cry,” Paradise. Victor 30237.
58. Southern All Stars, The. 1998. “Gimme Some Lovin’ — Inochi Haterumade,” Sakura. Victor 60300.
59. Southern All Stars, The. 1998. “Yarlen Shuffle — Kohitsuji-Tachi eno Rekuiemu,” Sakura. Victor 60300.
60. Southern All Stars, The. 2000. Tsunami. Victor 30475.
61. Speed. 1999. Breakin’ Out to the Morning. Toy’s Factory 87031.
62. Spencer Davis Group, The. 1967. Gimme Some Lovin’. United Artists 50108.
63. Springsteen, Bruce. 1973. Born To Run. Columbia 33795.
64. Supremes, The. 1964. Baby Love. Motown 1066.
65. Tempo, Nino and April Stevens. 1964. Star Dust. Atco 6286.
66. Temptations, The. 1965. My Girl. Gordy 7038.
67. Village People, The. Y.M.C.A. Casablanca 945.
68. Ward, Billy, and His Dominoes. 1957. Star Dust. Liberty 55071.
69. Who, The. 1973. Quadrophenia. MCA 11463.
70. Dowd, Norman Lee and Allison Kujiraoka. 2002. “English in Japanese Pop Music: Analyses and Perceptions.” Higashi Nippon Kokusai Daigaku Kenkyuu Kiyou [Higashi Nippon International University Research Bulletin] 7. 11-28.
71. Erlewine, Michael, et al. (eds.) 1997. All Music Guide to Rock. 2nd ed. San Francisco: Miller Freeman Books.
72. Fujimoto, Kunihiko, Kouichi Ono and Yoshihiko Hiroi. (comp.) 2002. Jyaketto Tengoku [Jacket Heaven]. Tokyo: Ongaku Shuppansha.
73. Kachru, Braj B. 1990 (1986). The Alchemy of English: The Spread, Functions, and Models of Non-native Englishes. Urbana: University of Illinois Press.
74. Kataoka, Hirohisa. (comp.) 1995. Hikigatari Sazan Ooru Sutaazu Zenshuu [Words and Music, Southern All Stars Complete Collection]. Tokyo: kmp.
75. Kataoka, Hirohisa. (comp.) 1998. Yasashiku Hikeru Sazan Ooru Sutaazu Piano Soro Arubamu [Easy To Play, Southern All Stars Piano Solo Album]. Tokyo: kmp.
76. Konuki, Nobuaki. 2003. Uta no Naka no Kotoba no Mahou [Language Magic in Songs]. Tokyo: Yamaha Music Media Corporation.
77. Love Psychedelico. 2003. Victor Entertainment. 28 March 2003 .
78. Loveday, Leo J. 1996. Language Contact in Japan: A Sociolinguistic Study. Oxford: Clarendon Press.
79. Matsui, Aki. 2003. “Attitudes Toward English in Japan Through J-Pop.” Gengo Bunka [Language and Culture] 11. 140-49.
80. Misaki, Tetsu. 2002. J Poppu no Nihongo [J-Pop Japanese]. Tokyo: Sairyuusha.
81. Moody, Andrew J. 2000. “Beyond ‘Shooby-Dooby-Doo-Wah’: An Examination of English Lyrics in Japanese Pop Music.” Gengo Bunka [Language and Culture] 8. 1-8.
82. Moody, Andrew J. 2001. “J-Pop English: Or, How to Write a Japanese Pop Song.” Gengo Komyunikeeshon Kenkyuu [Language Communication Studies] 1. 96-107.
83. Moody, Andrew J. 2003. “Englishization of Japanese: An Investigation of the Structural Effects of Language Contact.” Gengo Bunka [Language and Culture] 11. 1-13.
84. Naitou, Kenichirou. (comp.) 2000. Sazan Ooru Sutaazu Baraado Korekushon [Southern All Stars Ballad Collection]. Tokyo: Shoin Music Publishers.
85. Standooh! Areeena!! C’moooon!!! 2003. Victor Entertainment. 28 March 2003 .
86. Stanlaw, James. 2000. “Open Your File, Open Your Mind: Women, English, and Changing Roles and Voices in Japanese Pop Music.” In Timothy J. Craig (ed.), Japan Pop!: Inside the World of Japanese Popular Culture. Armonk, NY: M.E. Sharpe. 75-100.
87. Tansman, Alan M. 1996. “Mournful Tears and Sake: The Postwar Myth of Misora Hibari.” In John Whittier Treat (ed.), Contemporary Japan and Popular Culture. Honolulu: University of Hawai’i Press. 103-33.
88. Trudgill, Peter. 1997 (1983). “Acts of Conflicting Identity: The Sociolinguistics of British Pop-Song Pronunciation.” Rptd. In Nikolas Coupland and Adam Jaworski (eds.), Sociolinguistics: A Reader and Coursebook. Houndmills, Hampshire: Macmillan Press. 251-65.
89. Tsujimura, Natsuko. 1996. An Introduction to Japanese Linguistics. Cambridge, MA: Blackwell Publishers.
90. Whitburn, Joel. 2000. The Billboard Book of Top 40 Hits. 7th ed. New York: Watson-Guptil Publications.
91. Wolfram, Walt and Natalie Schilling-Estes. 1998. American English. Cambridge, MA: Blackwell Publishers.
92. Yano, Christine R. 2000. “The Marketing of Tears: Consuming Emotions in Japanese Popular Song.” In Timothy J. Craig (ed.), Japan Pop!: Inside the World of Japanese Popular Culture. Armonk, NY: M.E. Sharpe. 60-74.