The chameleon and the pearl of the orient

Design Issues

Volumn 22, Issue 2, 2006, Pages 64-76

  Huppatz, D J ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

DESIGN;

EID: 33646371715     PISSN: 07479360     EISSN: 15314790     Source Type: Journal    
DOI: 10.1162/desi.2006.22.2.64     Document Type: Review

References (23)

1. D. J. Huppatz, Interview with Henry Steiner (September 14, 2001, unpublished).
2. Henry Steiner and Ken Haas, Cross-Cultural Design: Communicating in the Global Marketplace (London: Thames & Hudson, 1995), vii.
3. Henry Steiner and Ken Haas, Cross-Cultural Design: Communicating in the Global Marketplace, Ibid., (1995), ix (italics mine).
4. Edward Said, Orientalism: Western Concepts of the Orient (London: Penguin Books, 1978), 3.
5. Edward Said, Orientalism: Western Concepts of the Orient, Ibid., (1978), 46.
6. Wendy Siuyi Wong, "Detachment and Unification: A Chinese Graphic Design History in Greater China Since 1979," Design Issues 17:4 (Autumn 2001).
7. She refers to Matthew Turner's unpublished thesis, Ersatz Design: Interactions Between Chinese and Western Design in Hong Kong, 1950s-1960s (London: Royal College of Art, 1993).
8. Matthew Turner, Made in Hong Kong: A History of Export Design in Hong Kong 1900-1960 (Hong Kong: Hong Kong Urban Council, Hong Kong Museum of History, 1988), 15.
9. It's Interesting that both novels featured an English hero, but their movie versions featured an American hero.
10. For a more detailed analysis of these two films, see Gina Marchetti, "White Knights in Hong Kong: Love Is a Many-Splendored Thing and The World of Suzie Wong" in her book Romance and the "Yellow Peril": Race, Sex, and Discursive Strategies in Hollywood Fiction (Berkeley: University of California Press, 1993):109-124;
11. and Before and After Suzie: Hong Kong in Western Film and Literature, Thomas Y.T. Luk and James P. Rice, eds. (Hong Kong: The Chinese University of Hong Kong, 2002).
12. Henry Steiner and Ken Haas, Cross-Cultural Design: Communicating in the Global Marketplace, 9.
13. Gregory B. Lee, Troubadours, Trumpeters, Troubled Makers: Lyricism, Nationalism, and Hybridity in China and its Others (Durham: Duke University Press, 1996), 221.
14. Henry Steiner and Ken Haas, Cross-Cultural Design: Communicating in the Global Marketplace, 9.
15. Rey Chow, "Where Have All the Natives Gone" Writing Diaspora: Tactics of Intervention in Contemporary Cultural Studies(Bloomington: Indiana University Press, 1993), 44.
16. Rey Chow, "Between Colonizers: Hong Kong Post-Colonial Self-Writing in the 1990s," Diaspora 2:2(Fall 1992): 157.
17. Henry Steiner and Ken Haas, Cross-Cultural Design: Communicating in the Global Marketplace, 2.
18. Henry Steiner and Ken Haas, Cross-Cultural Design: Communicating in the Global Marketplace, Ibid., 10.
19. Henry Steiner and Ken Haas, Cross-Cultural Design: Communicating in the Global Marketplace, Ibid., 36.
20. Matthew Turner, Hong Kong Sixties: Designing Identity (Hong Kong: Hong Kong Arts Centre Press, 1994), unpaginated.
21. Matthew Turner, Hong Kong Sixties: Designing Identity, Ibid., (1994)
22. Henry Steiner, and Ken Haas, Cross-Cultural Design: Communicating in the Global Marketplace, 20.
23. Henry Steiner, and Ken Haas, Cross-Cultural Design: Communicating in the Global Marketplace, Ibid., vil.