Computer music video: A composer's perspective

Computer Music Journal

Volumn 29, Issue 4, 2005, Pages 36-44

  Rudi, Jøran ^a  

^a Norwegian Network for Technology Acoustics and Music (NOTAM)   (Norway)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 33646078336     PISSN: 01489267     EISSN: 15315169     Source Type: Journal    
DOI: 10.1162/014892605775179937     Document Type: Article

References (11)

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3. Bregman, Albert. 1990. Auditory Scene Analysis. Cambridge, Massachusetts: MIT Press.
4. Milosz, C. 1951. The Captive Mind. New York: Vintage.
5. Rudi, J. 1998. "Computer Music Animations." Organised Sound 3(3):193-198.
6. Sack, B. 2003. "DSP: Digital Sound Processing." Computer Music Journal 27(1):92-93.
7. Schaeffer, P. 1966. Traité des Objects Musicaux. Paris: Editions du Seuil.
8. Schütze, S, 2003. "The Creation of an Audio Environment As Part of a Computer Game World: The Design for Jurassic Park - Operation Genesis on the Xbox As a Broad Concept for Surround Installation Creation." Organised Sound 8(2):170-180.
9. Siegel, W. 1998. "The Challenges of Interactive Dance: An Overview and Case Study." Computer Music Journal 22(4):29-43.
10. Smalley, D. 1986. "Spectro-Morphology and Structuring Processes." In S. Emmerson, ed. The Language of Electroacoustic Music. London: Macmillan, pp. 61-93.
11. Smalley, D. 1997. "Spectromorphology: Explaining Sound-Shapes." Organised Sound 2(2):107-126.