Programming video art for urban screens in public space

First Monday

Volumn 11, Issue SPEC. ISS. 4, 2006, Pages 189-199

  Taylor, Kate ^a,b  

^a Institute of Contemporary Arts and Curzon Soho   (United Kingdom)

^b BRITISH COUNCIL   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 33645767909     PISSN: 13960466     EISSN: None     Source Type: Journal    
DOI: None     Document Type: Review

References (9)

1. Audientia at http://www.audientia.info, accessed 22 December 2005.
2. Anna Douglas, 2002. In http://www.audientia.info, accessed 22 December 2005.
3. Charles Esche, 2005. "Temporariness, Possibility and Institutional Change," in S. Sheikh (editor). In the Place of the Public Sphere?. Berlin: b_books, pp. 122-141.
4. Jürgen Habermas, 1962. The Structural Transformation of the Public Sphere - An Inquiry into a Category of Bourgeois Society, Cambridge, Mess.: MIT Press, 1989.
5. Miwon Kwon, 2005. "Public Art as Publicity," in S. Sheikh (editor). In the Place of the Public Sphere?. Berlin: b_books, pp. 22-33.
6. Oskar Negt and Alexander Kluge, 1972. Public Sphere and Experience - Toward an Analysis of the Bourgeois and Proletarian Public Sphere, Minneapolis: University of Minnesota Press, 1993.
7. Simon Sheikh, 2005. "In the Place of the Public Sphere? An Introduction," in S. Sheikh (editor). In the Place of the Public Sphere?. Berlin: b_books, pp. 6-19.
8. Raymond Williams, 1961. "Communications and Community," in R. Gable (editor). Resources of Hope, London: Verso, 1989, pp. 19-31
9. Paul Virilio, 2005. City of Panic. Oxford: Berg.