Rules of rebellion: Slamdancing, moshing, and the American alternative scene

Popular Music

Volumn 18, Issue 3, 1999, Pages 397-414

  Tsitsos, William ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 33645562739     PISSN: 02611430     EISSN: None     Source Type: Journal    
DOI: 10.1017/s0261143000008941     Document Type: Review

References (19)

1. Baron, S. 1989. 'Resistance and its consequences: the street culture of punks', Youth & Society, 21, 207-37
2. Bellah, R.N., Madsen, R., Sullivan, W.M., Swidler, A. and Tipton, S.M. 1985. Habits of the Heart: Individualism and Commitment in American Life (Berkeley)
3. Belsito, P. and Davis, B. 1983. Hardcore California: A History of Punk and New Wave (Berkeley)
4. Clarke, G. 1981. 'Defending ski-jumpers: a critique of theories of youth subcultures', in On Record: Rock, Pop, and the Written Word, eds S. Frith and A. Goodwin (New York) pp. 80-99
5. Fonarow, W. 1995. 'The spatial organization of the indie music gig', in The Subcultures Reader, eds K. Gelder and S. Thornton (London) pp. 360-9
6. Fox, K. 1987. 'Real punks and pretenders: the social organization of a counterculture', Journal of Contemporary Ethnography, 16, 344-70
7. Frith, S. and Horne, H. 1987. Art into Pop (New York)
8. Hebdige, D. 1979. Subculture: The Meaning of Style (New York)
9. Laing, D. 1985. One Chord Wonders: Power and Meaning in Punk Rock (Philadelphia)
10. Lewis, J. 1988. 'Punks in LA: It's kiss or kill', Journal of Popular Culture, 22, 87-97
11. Marcus, Greil. 1993. Ranters and Crowd Pleasers: Punk in Pop Music 1977-92 (New York)
12. MaximumRockNRoll fanzine. PO Box 460760, San Francisco CA 94146. Issues 83, 85, 88, 118,125
13. O'Hara, C. 1995. The Philosophy of Punk: More than Noise!! (San Francisco)
14. Simon, B.S. 1997. 'Entering the pit: slam-dancing and modernity', Journal of Popular Culture, 31, 1, 149-76
15. Small, A. and Stuart, P. (Directors) 1983. Another State of Mind (Film)
16. Thornton, Sarah. 1996. Club Cultures: Music, Media and Subcultural Capital (Hanover)
17. Walser, R. 1993. Running with the Devil: Power, Gender, and Madness in Heavy Metal Music (Hanover)
18. Weinstein, D. 1991. Heavy Metal: A Cultural Sociology (New York)
19. Willis, S. 1993. 'Hardcore: subculture American style', Critical Inquiry, 19, 365-83