Pop music pirate hunters

Daedalus

Volumn 131, Issue 2, 2002, Pages 67-72

  Johns, Adrian ^a  

^a UNIVERSITY OF CHICAGO   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 33645126339     PISSN: 00115266     EISSN: 15486192     Source Type: Journal    
DOI: None     Document Type: Article

References (6)

1. D.W. Krummel, "Music Publishing," in N. Temperley, ed., Music in Britain: The Romantic Age, 1800-1914 (London: Athlone, 1981), 46-59.
2. Cyril Ehrlich, The Piano: A History, rev. ed. (Oxford: Clarendon Press, 1990), 88-107.
3. David Hunter, "Music Copyright in Britain to 1800," Music and Letters 67 (1986): 269-282.
4. James Coover, comp., Music Publishing, Copyright, and Piracy in Victorian England (London: Mansell, 1985), 84-85. Coover's collection of primary source excerpts is the essential entry point to this story. In what follows, most of the material that does not come from Preston's scrapbook may be found in Coover, although it has generally been checked against originals.
5. John Abbott, The Story of Francis, Day & Hunter (London: Francis, Day & Hunter, 1952), 31.
6. British Library, Music Library, ms. M.55.