Dancing in the Past, Living in the Present: Nostalgia and Race in Southern California Neo-Swing Dance Culture

Dance Research Journal

Volumn 33, Issue 2, 2001, Pages 87-101

  Usner, Eric Martin ^a  

^a NEW YORK UNIVERSITY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 33644975271     PISSN: 01497677     EISSN: 1940509X     Source Type: Journal    
DOI: 10.2307/1477806     Document Type: Article

References (13)

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2. Crease, Robert P. 1995. “Divine Frivolity: Hollywood Representations of the Lindy Hop, 1937–1942.” In Representing Jazz. Edited by Gabbard, Krin, 207–228. Durham, NC: Duke University Press.
3. Erenberg, Louis. 1998. Swingin' the Dream: Big Band Jazz and the Rebirth of American Culture. Chicago: University of Chicago Press.
4. Fusco, Coco. 1988. “Fantasies of Oppositionality.” Afterimage magazine. December.
5. Gottschild, Brenda Dixon. 2000. Waltzing in the Dark: African American Vaudeville and Race Politics in the Swing Era. New York: St. Martin's Press.
6. Hebdige, Dick. 1979. Subculture, the Meaning of Style. London: Methuen.
7. Jameson, Fredric. 1991. Postmodernism, or, the Cultural Logic of Late Capitalism. Durham, NC: Duke University Press.
8. Meltzer, David. 1993. Reading Jazz. San Francisco: Mercury House.
9. Smith, Ernie. 1988. “Films.” In The New Grove Dictionary of Jazz. Edited by Kernfield, Barry, 375–386. London: Macmillan.
10. Stearns, Marshall and Stearns, Jean. 1994. Jazz Dance: The Story of American Vernacular Dance, new ed. New York: Da Capo Press.
11. Stowe, David. 1994. Swing Changes: Big Band Jazz in New Deal America. Cambridge: Harvard University Press.
12. Tannock, Stuart. 1995. “Nostalgia Critique.” Cultural Studies. 9(3): 453–463.
13. Williams, Raymond. 1980. “Base and Superstructure in Marxist Theory,” 31–49. In Problems in Materialism and Culture. London: Verso.