Mexican rock and the border under globalization

Peace Review

Volumn 18, Issue 1, 2006, Pages 101-108

  Schelonka, Greg ^a  

^a INDIANA UNIVERSITY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 33644813928     PISSN: 10402659     EISSN: 14699982     Source Type: Journal    
DOI: 10.1080/10402650500509539     Document Type: Article

References (13)

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2. Anzaldúa, Gloria. 1999. Borderlands/La Frontera. San Francisco: Aunt Lute.
3. Fukuyama, Francis. 1992. The End of History and the Last Man. New York: Free Press.
4. García Canclini, Néstor. 1995. Consumidores y Ciudadanos: Conflictos Multiculturales de la Globalización. Mexico City: Grijalbo.
5. Michaels, Walter Benn. 2004. The Shape of the Signifier: 1967 to the End of History. Princeton, NJ: Princeton University Press.
6. Molotov. 2002. Dance and Dense Denso. Surco Records.
7. Monsiváis, Carlos. 1977. Amor Perdido. Mexico City: Era Records.
8. O'Connor, Alan. 2002. "Punk and Globalization: Mexico City and Toronto," in Paul Kennedy and Victor Roudometof (eds.), Communities across Borders: New Immigrants and Transnational Cultures. New York: Routledge.
9. Pacini Hernandez, Deborah, Hector Fernández L'Hoeste, & Eric Zolov (eds.). 2004. Rockin' Las Américas: The Global Politics of Rock in Latin/o America. Pittsburgh, PA: University of Pittsburgh Press.
10. Plastilina Mosh. 1998. Aqua Mosh. EMI Records.
11. Plastilina Mosh. 2000. Juan Manuel. EMI Records.
12. Resorte. 1997. República de Ciegos. Polygram Records.
13. Zolov, Eric. 1999. Refried Elvis: The Rise of the Mexican Counterculture. Berkeley: University of California Press.