Mixed messages: Unsettled cosmopolitanisms in Nepali pop

Popular Music

Volumn 20, Issue 2, 2001, Pages 169-187

  Greene, Paul ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 3242876548     PISSN: 02611430     EISSN: None     Source Type: Journal    
DOI: 10.1017/s0261143001001398     Document Type: Review

References (38)

1. Anderson, B. 1983. Imagined Communities: Reflections on the Origin and Spread of Nationalism (London)
2. Appadurai, A. 1990. 'Disjuncture and difference in the global cultural economy'. Public Culture, 2/2, pp. 1-24
3. (ed.) 1996. 'Here and now', in Modernity at Large: Cultural Dimensions of Globalization (Minneapolis), pp. 1-23
4. Appadurai, A., and Breckenridge, C. 1995. 'Public modernity in India', In Consuming Modernity: Public Culture in a South Asian World, ed. C. Breckenridge (Minneapolis), pp. 1-20
5. Basnet, K. 1999. E-mail interview, 9 March
6. Berger, H. 1999. Metal, Rock, and Jazz: Perception and the Phenomenology of Musical Experience (Hanover)
7. Condry, I. 1999. 'Japanese rap music: an ethnography of globalization in popular culture', Ph.D. dissertation, Yale
8. Dickey, S. 1989. Cinema and the Urban Poor in South India (New Delhi)
9. Feld, S. 1988. 'Notes on world beat', Public Culture, 1/1, pp. 31-7
10. 1996. 'Waterfalls of song: an acoustemology of place resounding in Bosavi, Papua New Guinea', in Senses of Place (Santa Fe), pp. 91-135
11. Fikentscher, K. 2000. You Better Work: Underground Dance Music in New York City (Hanover)
12. Ghimire, M.P. 1975. 'Nepalese folk-songs', in Nepal: An Introduction to Nepalese Culture (Kathmandu), pp. 15-24
13. Grandin, I. 1989. Music and Media in Local Life: Music Practice in a Newar Neighborhood in Nepal (Linköping)
14. Greene, P. 1999A. 'Engineering spaces in Nepal's digital stereo remix culture', paper delivered at the panel, 'Sound Engineering as Cultural Production', Society for Ethnomusicology annual meeting (Austin), 19 November
15. Greene, P., and Rajkarnikar, Y.R. 2000. 'Echoes in the valleys: a social history of Nepali pop, 1985-2000', Wave Online (Nepal), 50, http://www.wavemag. com.np/wave/echoes/Echoes.html
16. Henderson, D. 1999. 'The sound of the city (Kathmandu remix)', paper delivered at the annual conference, 'Asian Studies on the Pacific Coast', San Diego, California, 18 June
17. Levine, R. 1998. 'Chaste identities, ethnic yearnings: second-generation Indian-Americans in New York City', Ph.D. dissertation, Harvard
18. Liechty, M. 1995. 'Media, markets, and modernization: youth identities and the experience of modernity in Kathmandu, Nepal', in Youth Cultures: A Cross-Cultural Perspective, ed. V. Amit-Talai and H. Wulff (New York), pp. 166-201
19. Lienhard, S. 1992. Songs of Nepal: An Anthology of Nevar Folksongs and Hymns (Delhi)
20. Lipsitz, G. 1997. Dangerous Crossroads: Popular Music, Postmodernism, and the Poetics of Place (New York)
21. Manuel, P. 1995. 'Music as symbol, music as simulacrum: postmodern, pre-modern, and modem aesthetics in subcultural popular musics', Popular Music, 14, pp. 227-39
22. Nettl, B. (ed.) 1978. Eight Urban Musical Cultures: Tradition and Change (Urbana)
23. Pertl, B. 1992. 'Some observations on the dung chen of the Nechung Monastery', Asian Music, 23/2, pp. 89-96
24. Pigg, S. 1990. 'Disenchanting shamans: representations of modernity and the transformation of healing in Nepal', Ph.D. dissertation, Cornell
25. Rose, T. 1994. Black Noise: Rap Music and Black Culture in Contemporary America (Hanover)
26. Schafer, R.M. 1977. The Tuning of the World (New York)
27. Sterne, J. 1997. 'Sounds like the Mall of America: programmed music and the architectonics of commercial space', Ethnomusicology, 41/1, pp. 22-50
28. Thapa, P. 1998. Interview with the author at his home in Kathmandu, 12 December
29. Théberge, P. 1997. Any Sound You Can Imagine: Making Music/Consuming Technology (Hanover)
30. Wallach, J. 1999. 'Engineering techno-hybrid grooves in an Indonesian sound studio', Paper delivered at the panel, 'Sound Engineering as Cultural Production', Society for Ethnomusicology annual meeting, Austin, 19 November
31. Walser, R. 1993. Running with the Devil: Power, Gender, and Madness in Heavy Metal Music (Hanover)
32. Waterman, C. 1989. Jújù: A Social History and Ethnography of an African Popular Music (Chicago)
33. Wave. 1994. Ad for Cobweb album, Wave, 2 (November-December), p. 21
34. 1997. 'Tuff turf: reminisces of a lost childhood', Part 1 and Part 2, Wave, 20 (July), pp. 11-14
35. Wave, 21 (August), pp. 18-22
36. 1998. The Influence: it's in the name', Wave, 28 (April), p. 36
37. 1999. 'Know your band: Dristh', Wave, 41 (August), p. 21
38. Weinstein, D. 1991. Heavy Metal: A Cultural Sociology (New York)