Isoluminant color picking for non-photorealistic rendering

Proceedings - Graphics Interface

Volumn , Issue , 2005, Pages 233-240

  Luong, Trân Quân ^a   Seth, Ankush ^a   Klein, Allison ^b   Lawrence, Jason ^b  

^a MCGILL UNIVERSITY   (Canada)

^b Princeton University   (United States)

Author keywords

Artistic dithering; Color halftoning; Nonphotorealistic rendering

Indexed keywords

ARTISTIC DITHERING; COLOR HALFTONING; NONPHOTOREALISTIC RENDERING;

COLOR; IMAGE ANALYSIS; LUMINESCENCE; SIGNAL FILTERING AND PREDICTION; USER INTERFACES;

SENSORY PERCEPTION;

EID: 32244432476     PISSN: 07135424     EISSN: None     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (31)

1. Josef Albers. Interaction with Color. Yale University Press, 1971.
2. John W. Buchanan. Special effects with half-toning. Computer Graphics Forum, 15(3):97-108, August 1996.
3. S.M. Chosson and Roger D. Hersch. Visually-based color space tetrahedrizations for printing with custom inks. In Symposium Electronic Imaging 2001, Color Imaging, pages 81-92, 2001.
4. Phillippe Decaudin. Cartoon-looking rendering of 3d-scenes. Technical Report INRIA 2919, Universite de Technologie de Compiegne, France, June 1996.
5. Adam Finkelstein and Marisa Range. Image mosaics. Lecture Notes in Computer Science, 1375, 1998.
6. E. Bruce Goldstein. Sensation and Perception. Brooks/Cole Publishing, 1999.
7. Amy Gooch, Bruce Gooch, Peter Shirley, and Elaine Cohen. A non-photorealistic lighting model for automatic technical illustration. Proceedings of SIGGRAPH 98, pages 447-452, July 1998.
8. Bruce Gooch, Greg Coombe, and Peter Shirley. Artistic vision: painterly rendering using computer vision techniques. In Proceedings of the 2nd international symposium on Non-photorealistic animation and rendering, pages 83-ff, 2002.
9. Bruce Gooch, Peter-Pike Sloan, Amy Gooch, Peter Shirley, and Richard Riesenfeld. Interactive Technical Illustration. Interactive 3D Conference Proceedings, April 1999.
10. [101 Paul Haeberli. Paint by numbers: abstract image representations. In Proceedings of SIGGRAPH 90, pages 207-214, 1990.
11. Aaron Hertzmann. Painterly rendering with curved brush strokes of multiple sizes. In Proceedings of SIGGRAPH 98, pages 453-460, 1998.
12. Aaron Hertzmann, Charles E. Jacobs, Nuria Oliver, Brian Curless, and David H. Salesin. Image analogies. Proceedings of SIGGRAPH 2001, pages 327-340, August 2001.
13. Peter K. Kaiser and Robert M. Boynton. Human Color Vision. Optical Society of America, 1996.
14. Robert D. Kalnins, Lee Markosian, Barbara J. Meier, Michael A. Kowalski, Joseph C. Lee, Philip L. Davidson, Matthew Webb, John F. Hughes, and Adam Finkelstein. Wysiwyg npr: drawing strokes directly on 3d models. In Proceedings of SIGGRAPH 02, pages 755-762. ACM Press, 2002.
15. Junhwan Kim and Fabio Pellacini. Jigsaw image mosaics. In Proceedings of SIGGRAPH 02, pages 657-664, 2002.
16. Ellen Wardwell Lee. The aura of neo-impressionism : the W.J. Holliday Collection. Indianapolis Museum of Art, 1983.
17. Peter Litwinowicz. Processing images and video for an impressionist effect. In Proceedings of SIGGRAPH 97, pages 407-414, 1997.
18. Margaret Livingstone. Vision and Art: The Biology of Seeing. Harry N. Abrams, 2002.
19. Barbara J. Meier. Painterly rendering for animation. In Proceedings of S1GGRAPH 96, pages 477-484. ACM Press, 1996.
20. Victor Ostromoukhov N. Rudaz, Roger D. Hersch. Specifying color differences in a linear color space (lef). In Proceedings of IS&T/SID Color Imaging Conference, pages 197-202, 1997.
21. Victor Ostromoukhov and Roger D. Hersch. Multi-color and artistic dithering. In Proceedings of SIGGRAPH 99, pages 425-432, 1999.
22. Denis G. Pelli. Close encounters - an artist shows that size affects shape. Science, 285:844-846, August 1999.
23. Joanna L. Power, Brad S. West, Eric J. Stollnitz, and David H. Salesin. Reproducing color images as duotones. In Proceedings of SIGGRAPH 96, pages 237-248, 1996.
24. N. Rudaz. Incrustation De microstructures par Écarts Chromatiques. PhD thesis, Ecole Polytechnique Fédérale de Lausanne, May 2003.
25. N. Rudaz and R.D. Hersch. Protecting identity documents by microstructure color differences. Journal of Electronic Imaging, Vol. 13(2):315-323, April 2004.
26. Michio Shiraishi and Yasushi Yamaguchi. An algorithm for automatic painterly rendering based on local source image approximation. In Proceedings of the 1st international symposium on Non-photorealistic animation and rendering, pages 53-58, 2000.
27. Robert Silvers and Michael Hawley. Photomosaics. Henry Holt and Co., Inc., 1997.
28. Peter-Pike Sloan, William Martin, Amy Gooch, and Bruce Gooch. The lit sphere: A model for capturing npr shading from art. Graphics Interface 2001, pages 143-150, 2001.
29. Eric J. Stollnitz, Victor Ostromoukhov, and David H. Salesin. Reproducing color images using custom inks. In Proceedings of SIGGRAPH 98, pages 267-274, 1998.
30. Robert Storr. Chuck Close. Museum of Modern Art, 1998.
31. Oleg Veryovka and John W. Buchanan. Halftoning with image-based dither screens. Graphics Interface '99, pages 167-174, June 1999.