A graphical model for chord progressions embedded in a psychoacoustic space

ICML 2005 - Proceedings of the 22nd International Conference on Machine Learning

Volumn , Issue , 2005, Pages 641-648

  Paiement, Jean François ^a   Eck, Douglas ^b   Bengio, Samy ^a   Barber, David ^a  

^a IDIAP RESEARCH INSTITUTE   (Switzerland)

^b UNIVERSITÉ DE MONTRÉAL   (Canada)

Author keywords

[No Author keywords available]

Indexed keywords

ALGORITHMS; COMPUTER MUSIC; EMBEDDED SYSTEMS; MATHEMATICAL MODELS; PARAMETER ESTIMATION; TREES (MATHEMATICS);

CHORD PROGRESSIONS; CLASSICAL JUNCTION TREE ALGORITHM; EUCLIDEAN DISTANCES; PSYCHOACOUSTIC SPACE;

COMPUTER GRAPHICS;

EID: 31844445859     PISSN: None     EISSN: None     Source Type: Conference Proceeding    
DOI: 10.1145/1102351.1102432     Document Type: Conference Paper

References (17)

1. Allan, M., & Williams, C. K. I. (2005). Harmonising chorales by probabilistic inference. Advances in Neural Information Processing Systems.
2. Bengio, Y., Simard, P., & Frasconi, P. (1994). Learning long-term dependencies with gradient descent is difficult. IEEE Transactions on Neural Networks, 5, 157-166.
3. Cemgil, A. T. (2004). Bayesian music transcription. Doctoral dissertation, Radboud University of Nijmegen.
4. Cooper, G., & Meyer, L. B. (1960). The Rhythmic Structure of Music. The Univ. of Chicago Press.
5. Dempster, A. P., Laird, N. M., & Rubin, D. B. (1977). Maximum likelihood from incomplete data via the em algorithm. Journal of the Royal Statistical Society, 39, 1-38.
6. Eck, D., & Schmidhuber, J. (2002). Finding temporal structure in music: Blues improvisation with LSTM recurrent networks. Neural Networks for Signal Processing XII, Proc. 2002 IEEE Workshop (pp. 747-756). New York: IEEE.
7. Handel, S. (1993). Listening: An introduction to the perception of auditory events. Cambridge, Mass.: MIT Press.
8. Kuusi, T. (2001). Set-class and chord: Examining connection between theoretical ressemblance and perceived closeness. No. 12 in Studia Musica. Sibelius Academy.
9. Lauritzen, S. L. (1996). Graphical Models. Oxford University Press.
10. Lavrenko, V., & Pickens, J. (2003). Polyphonic music modeling with random fields. Proceedings of ACM Multimedia. Berkeley, CA.
11. Lerdahl, F., & Jackendoff, R. (1983). A Generative Theory of Tonal Music. Cambridge, Mass.: MIT Press.
12. Levine, M. (1990). The Jazz Piano Book. Sher Music Co./Advance Music.
13. Moore, B. (1982). An Introduction to the Psychology of Hearing. Academic Press.
14. Raphael, C., & Stoddard, J. (2003). Harmonic analysis with probabilistic graphical models. Proceedings of ISMIR 2003.
15. Sher, C. (Ed.). (1988). The New Real Book, vol. 1. Sher Music Co.
16. Valimaki, V., Huopaniemi, J., Karjaleinen, & Janosy, Z. (1996). Physical modeling of plucked string instruments with application to real-time sound synthesis. J. Audio Eng. Society, 44, 331-353.
17. Vassilakis, P. (1999), Chords as spectra, harmony as timbre. J. Acoust. Soc. Am., 106, 2286.