Performativity

Journal of Linguistic Anthropology

Volumn 9, Issue 1-2, 1999, Pages 184-187

  Hall, Kira ^a  

^a YALE UNIVERSITY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 31344463308     PISSN: 10551360     EISSN: 15481395     Source Type: Journal    
DOI: 10.1525/jlin.1999.9.1-2.184     Document Type: Article

References (11)

1. Austin, John L. 1962 How To Do Things with Words. Cambridge, MA: Harvard University Press.
2. Bauman, Richard, and Charles L. Briggs 1990 Poetics and Performance as Critical Perspectives on Language and Social Life. Annual Review of Anthropology 19:59–88.
3. Butler, Judith 1990 Gender Trouble: Feminism and the Subversion of Identity. New York: Routledge.
4. Cameron, Deborah 1997 The Language-Gender Interface: Challenging Co-optation. In Rethinking Language and Gender Research: Theory and Practice. Victoria L. Bergvall, Janet M. Bing, and Alice F. Freed, eds. Pp. 31–49. London: Longman.
5. Finnegan, Ruth 1969 How To Do Things with Words: Performative Utterances among the Limba of Sierra Leone. Man 4:537–552.
6. Foster, Michael 1989[1974] When Words Become Deeds: An Analysis of Three Iroquois Long-house Speech Events. In Explorations in the Ethnography of Speaking. 2nd ed. Richard Bauman and Joel Sherzer, eds. Pp. 354–367. Cambridge: Cambridge University Press.
7. Hymes, Dell 1975 Breakthrough into Performance. In Folklore: Performance and Communication. D. Ben-Amos and K. S. Goldstein, eds. Pp. 1–74.
8. Livia, Anna, and Kira Hall 1997 "It's a Girl!" Bringing Performativity back to Linguistics. In Queerly Phrased: Language, Gender, and Sexuality. Anna Livia and Kira Hall, eds. Pp. 3–18. New York: Oxford University Press.
9. Rosaldo, Michelle Z. 1982 The Things We Do with Words: Ilongot Speech Acts and Speech Act Theory in Philosophy. Language in Society 11:203–235.
10. Tambiah, S.J. 1979 A Performative Approach to Ritual. Proceedings of the British Academy 65. London: Oxford University Press.
11. Turner, Victor 1984 Liminality and Performative Genres. In Rite, Drama, Festival, Spectacle: Rehearsals toward a Theory of Cultural Performance. J. J. MacAloon, ed. Pp. 19–41. Philadelphia: Institute for the Study of Human Issues.