Artworks’ Networks: Field, System or Mediators?

Theory, Culture & Society

Volumn 21, Issue 3, 2004, Pages 35-58

  Albertsen, Niels ^a   Diken, Bülent ^b  

^a AARHUS SCHOOL OF ARCHITECTURE   (Denmark)

^b LANCASTER UNIVERSITY   (United Kingdom)

Author keywords

actor network; autopoiesis; communication; fetish; illusio; mediators; necessitation; sociology of art; Welt

Indexed keywords

EID: 3042733128     PISSN: 02632764     EISSN: None     Source Type: Journal    
DOI: 10.1177/0263276404043619     Document Type: Article

References (42)

1. Albertsen, N. (2000) ‘The Artwork in the Semiosphere of Gestures: Wittgenstein, Gesture and Secondary Meaning’, in Judith Bakacsy, Anders V. Munch and Anne-Louise Sommer (eds) Architecture Language Critique: Around Paul Engelmann. Amsterdam and Atlanta, GA: Rodopi.
2. Alpers, S. (1988) Rembrandt's Enterprise: The Studio and the Market. Chicago, IL: University of Chicago Press.
3. Baecker, D. (1990) ‘Die Dekonstruktion der Schachtel. Innen und Aussen in der Architektur’, in N. Luhmann, Frederick D. Bunsen and Dirk Baecker, Unbeobachtbare Welt: über Kunst und Architektur. Bielefeld: Haux.
4. Bourdieu, P. (1980) Questions de sociologie. Paris: Les Éditions de Minuit.
5. Bourdieu, P. (1982) Leçon sur la leçon. Paris: Les Éditions de Minuit.
6. Bourdieu, P. (1983a) ‘Ökonomisches Kapital, kulturelles Kapital, soziales Kapital’, in Reinhard Kreckel (ed.) Soziale Ungleichheiten. Soziale Welt, Sonderband 2. Göttingen: Verlag Otto Schwartz and Co.
7. Bourdieu, P. (1983b) ‘The Philosophical Institution’, in Alan Montefiore (ed.) Philosophy in France Today. Cambridge: Cambridge University Press.
8. Bourdieu, P. (1986) ‘Nécessiter’, pp. 434–7 in Jean-Marie Gleize (ed.) L’Herne: Francis Ponge. Paris: Éditions de l’Herne.
9. Bourdieu, P. (1991) The Political Ontology of Martin Heidegger. Cambridge: Polity Press.
10. Bourdieu, P. (1992a) Les Règles de l’art: genèse et structure du champ littéraire. Paris: Éditions du Seuil.
11. Bourdieu, P. (1992b) ‘Tout est social: propos recueillis par Pierre-Marc de Biasi’, Magazine Littéraire 303: 104-11.
12. Bourdieu, P. (1994) Raisons pratiques: sur la théorie de l’action. Paris: Éditions du Seuil.
13. Bourdieu, P. (1997) Méditations pascaliennes. Paris: Éditions du Seuil.
14. Bourdieu, P. and L.J.D. Wacquant (1992) An Invitation to Reflexive Sociology. Cambridge: Polity Press.
15. Bourdieu, P. et al. (1993) La Misère du monde. Paris: Éditions du Seuil.
16. Brown, G.S. (1969) Laws of Form. London: George Allen and Unwin.
17. Danto, A.C. (1999) ‘Bourdieu on Art: Field and Individual’, in Richard Shusterman (ed.) Bourdieu: A Critical Reader. Oxford: Blackwell.
18. Gomart, E. and A. Hennion (1999) ‘A Sociology of Attachment: Music Amateurs, Drug Users’, in J. Law and J. Hassard (eds) Actor Network Theory and After. Oxford: Blackwell Publishers.
19. Groys, B. (1996) ‘Die dunkle Seite der Kunst’, Soziale Systeme, 2(2): 160-165.
20. Hennion, A. (1993) La Passion musicale: une sociologie de la médiation. Paris: Éditions Métailié.
21. Hennion, A. (1997a) ‘La Médiation, ou le retour du refoulé’, pp. 9–26 in Jean Charles Francois (ed.) ‘La Médiation’: Cahiers du CEFEDEM de Lyon 1.
22. Hennion, A. (1997b) ‘Baroque and Rock: Music, Mediators and Musical Taste’, Poetics, 24: 415-435.
23. Hennion, A. (1997c) ‘La Musicalisation des arts plastiques’, pp. 147–51 in Odile Blin and Jacques Sauvageot (eds) Images numériques: l’aventure du regard. Rennes: PUR/Distigue.
24. Hennion, A. and B. Latour (1993) ‘Objet d’art, objet de science: note sur les limites de l’anti-fétichisme’, Sociologie de l’Art 6: 7-24.
25. Heywood, I. (1997) Social Theories of Art: A Critique. London: Macmillan.
26. Karsenti, B. (1995) ‘Le Sociologue dans l’espace des points de vue’, Critique 579-80 (Aug.-Sept.): 661-73.
27. Lash, S. (1990) Sociology of Postmodernism. London: Routledge.
28. Latour, B. (1993) We Have Never Been Modern. London: Harvester Wheatsheaf.
29. Latour, B. (1994) ‘Une sociologie sans objet? Remarques sur l’interobjectivité’, Sociologie du Travail 4: 587-607.
30. Latour, B. (1996a) ‘On Interobjectivity’, Mind, Culture & Activity, 3(4): 228-245.
31. Latour, B. (1996b) ‘Do Scientific Objects Have a History? Pasteur and Whitehead in a Bath of Lactic Acid’, Common Knowledge, 5(1): 76-91.
32. Latour, B. (1996c) ‘Om akt⊘r-netværksteori. Nogle få afklaringer og mere end nogle få forviklinger’, Philosophia, 25(3-4): 47-64.
33. Latour, B. (1998) ‘How to Be Iconophilic in Art, Science, and Religion’, in Caroline A. Jones and Peter Gallison (eds) Picturing Science, Producing Art. London: Routledge.
34. Latour, B. (1999) ‘On Recalling ANT’, in J. Law and J. Hassard (eds) Actor Network Theory and After. Oxford: Blackwell Publishers.
35. Luhmann, N. (1984) Soziale Systeme. Grundriß einer allgemeinen Theorie. Frankfurt am Main: Suhrkamp.
36. Luhmann, N. (1987) ‘The Evolutionary Differentiation between Society and Interaction’, in Jeffrey C. Alexander, Bernhard Giesen, Richard Münch and Neil J. Smelser (eds) The Micro-macro Link. Berkeley and Los Angeles: University of California Press.
37. Luhmann, N. (1990) ‘Weltkunst’, in N. Luhmann, Frederick D. Bunsen and Dirck Baecker, Unbeobachtbare Welt: über Kunst und Architektur. Bielefeld: Haux.
38. Luhmann, N. (1992) Die Wissenschaft der Gesellschaft. Frankfurt am Main: Suhrkamp.
39. Luhmann, N. (1995) Die Kunst der Gesellschaft. Frankfurt am Main: Suhrkamp.
40. Luhmann, N. (1997) Die Gesellschaft der Gesellschaft. Frankfurt am Main: Suhrkamp.
41. Luhmann, N. et al. (1990) ‘Der Kabelkalb. Ein Gespräch über Kunst’, in N. Luhmann, Frederick D. Bunsen and Dirck Baecker, Unbeobachtbare Welt: über Kunst und Architektur. Bielfeld: Haux.
42. Lyotard, J.-F. (1992) ‘Gestus’, unpublished manuscript; translated into Danish as Gestus. Copenhagen: Royal Academy of Arts. References here are to the manuscript in French.