Performing nursing: BC nurses' union theatre project

ACME

Volumn 2, Issue 1, 2003, Pages 29-32

  Pratt, Geraldine ^a   Kirby, Elia ^a  

^a UNIVERSITY OF BRITISH COLUMBIA   (Canada)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 3042595956     PISSN: 14929732     EISSN: None     Source Type: Journal    
DOI: None     Document Type: Article

References (29)

1. Boal, Augusto. 1979. Theatre of the Oppressed. New York: Theatre Communications Group.
2. Brecht, Bertold. 2000. Alienation Effects in Chinese Acting. In, Lizbeth Goodman & Jane de Gay (eds.), The Routledge Reader in Politics and Performance. London and New York: Routledge, pp. 94-97.
3. British Columbia Nurses Union. 2000. Performance Works: Hurl, Hemorrhage and Heal - The Nurse' Musical pushes nursing issues to centre stage in communities across B.C. Update, May/June.
4. Filewood, Alan. 1999. The Working Body / The Working Gaze. Canadian Theatre Review 99, 31-35.
5. Filipino Nurse Support Group. 2000. Nurses Frustrated Over BCNU's Squabbling. Press release, June 28, 2000.
6. Goodman, Lizbeth and Jane de Gay (eds.). 2000. The Routledge Reader in Politics and Performance. London and New York: Routledge.
7. Hemel, Martin van den. 2000. Cast of characters make Hurl a hit. The Richmond Review April 19, URL: http://www.rpl.richmond.bc.ca/community/richmondreview/archive/ RR20000419/morenews.html
8. Houston, Donna. and Laura Pulido. 2002. Labor, Community and Memory: Performing Social Justice at the University of Southern California. Environment and Planning D: Society and Space 20, 401-24.
9. Jackson, Shannon. 2000. Lines of Activity: Performance, Historiography, Hull-House Domesticity. Ann Arbor: University of Michigan Press.
10. Kershaw, Bas. 2000. Performance, Community and Culture. In, Lizbeth Goodman & Jane de Gay (eds.), The Routledge Reader in Politics and Performance. London and New York: Routledge, pp. 136-42.
11. Kondo, Dorrine. 2000. (Re)Visions of Race: Contemporary Race Theory and the Cultural Politics of Racial Crossover in Documentary Theatre. Theatre Journal 52, 81-107.
12. Kondo, Dorrine. 1997. About Face: Performing Race in Fashion and Theatre. New York: Routledge.
13. Kondo, Dorrine. 1996. The Narrative Production of Ηome, Community, and Political Identity in Asian American Theater. In, Smadar Lavie & Ted Swendenburg (eds.), Displacement, Diaspora, and Geographies of Identity. Durham: Duke University Press, pp. 97-117.
14. Kondo, Dorrine. 1995. Bad Girls: Theatre, Women of Color, and the Politics of Representation. In, Ruth Behar & Deborah A. Gordon (eds.), Women Writing Culture. Berkeley: University of California Press, pp. 49-64.
15. Lefebvre, Henri. 1991. The Production of Space. Oxford and Malden, MA: Blackwell.
16. Matas, Robert. 2001. Nurses drop threat to resign. The Globe and Mail August 11, A7.
17. McDougall, Gordon. 2000. Revolution and Re-creation. In, Lizbeth Goodman & Jane de Gay (eds.), The Routledge Reader in Politics and Performance. London and New York: Routledge, pp. 123-29.
18. Nagar, Richa. 2002. Women's Theater and the Redefinitions of Public, Private, and Politics in North India. ACME: An International E-Journal for Critical Geographies 1, 55-72.
19. Nash, Catherine. 2000. Performativity in practice: some recent work in cultural geography. Progress in Human Geography 24, 653-64.
20. Phelan, Peggy. 1993. Unmarked: the politics of performance. New York: Routledge.
21. Pollock, Della. 1996. Performative Writing. In, Peggy Phelan & Jill Lane (eds.), The Ends of Performance. New York: New York University Press, pp. 73-103.
22. Roach, Joseph. 1996. Cities of the Dead: Circum-Atlantic Performance. New York: Columbia University Press.
23. Rose, Gillian. 1999. Performing Space. In, Doreen Massey, John Allen & P. Sarre (eds.), Human Geography Today. Cambridge: Polity, pp. 247-59.
24. Salverson, Julie. 1999. Spoken and Unspoken: When Theatre Meets Labour. Canadian Theatre Review 99, 28-30.
25. Samuel, Leah. 2000. Nurses' music builds solidarity and fun. Labor Notes August, URL: http://www.laborheritage.org/nursemusical.html
26. Schechner, Richard. 1997. Believed-in Theatre. Performance Research 2(2), 76-91.
27. Thrift, Nigel. 2000. Afterwords. Environment and Planning D: Society and Space 18, 213-55.
28. Thrift, Nigel. 1997. The Still Point: resistance, expressive embodiment and dance. In, Steve Pile & Michael Keith (eds.), Geographies of Resistance. London and New York: Routledge, pp. 220-43.
29. Ullmann, Monika. 2001. Nobody's Handmaiden. The Vancouver Courier April 4, 1-5.