Linguistics, cognitive science, and all that jazz

Linguistic Review

Volumn 22, Issue 2-4, 2005, Pages 227-248

  Culicover, Peter W ^a  

^a OHIO STATE UNIVERSITY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 29144480016     PISSN: 01676318     EISSN: 16133676     Source Type: Journal    
DOI: 10.1515/tlir.2005.22.2-4.227     Document Type: Review

References (26)

1. Anderson, Stephen R. (1989). Review of The Computer and the Mind: An Introduction to Cognitive Science, by Philip Johnson-Laird. Language 65: 800-811.
2. Berliner, Eric (1994). Thinking in Jazz. Chicago: University of Chicago Press.
3. Chomsky, Noam (1965). Aspects of the Theory of Syntax. Cambridge, MA: MIT Press.
4. Coker, Jerry (1975). The Jazz Idiom. Englewood Cliffs, NJ: Prentice Hall.
5. Culicover, Peter W. (1997). Principles and Parameters: An Introduction to the Theory of Government and Binding and Its Extensions. Oxford: Oxford University Press.
6. _ (1999). Syntactic Nuts. Oxford: Oxford University Press.
7. Culicover, Peter W., and Ray Jackendoff (2005). Simpler Syntax. Oxford: Oxford University Press.
8. Culicover, Peter W., and Andrzej Nowak (2003). Markedness, antisymmetry and the complexity of constructions. In Linguistic Variation Yearbook, Vol (2), Pierre Pica and Johan Rooryk, (eds.), 5-30. Amsterdam: John Benjamins.
9. Edelman, Shimon, and Morten H. Christiansen (2003). How seriously should we take minimalist syntax? Trends in Cognitive Sciences 1 (2): 60-61.
10. Fodor, Jerry A. (1983). The Modularity of Mind. Cambridge, MA: MIT Press.
11. Haerle, Dan (1980). The Jazz Language: A Theory Text. Warner Bros Publications, Inc.
12. Jackendoff, Ray (1983). Semantics and Cognition. Cambridge: MIT Press.
13. _ (1988). Why are they saying these things about us? Natural Language and Linguistic Theory 6: 435-442.
14. _ (1990). Semantic Structures. Cambridge, MA.: MIT Press.
15. _ (1997). The Architecture of the Language Faculty. Cambridge, MA: MIT Press.
16. _ (2003). Foundations of Language. Oxford: Oxford University Press.
17. Johnson-Laird, Philip (2002). How jazz musicians improvise. Music Cognition 19 (3): 415-442.
18. Kivy, Peter (1993). The Fine. Art of Repetition. Cambridge: Cambridge University Press.
19. Lerdahl, Fred and Ray Jackendoff (1983). A Generative Theory of Tonal Music. Cambridge, MA: MIT Press.
20. Marr, David (1982). Vision. San Francisco: WH Freeman and Co.
21. Monson, Ingrid (1996). Saying Something Jazz Improvisation and Interaction. Chicago, IL: The University of Chicago Press.
22. Nemeyer, Eric (2004). Interview with Valery Ponomarev. Jazz Improv 4.3: 108-114.
23. Phillips, Colin, and Howard Lasnik (2003). Linguistics and empirical evidence. Trends in Cognitive Science 1 (2): 61-62.
24. Quartz, S. R., and T.J. Sejnowski (1997). The neural basis of cognitive development: a constractionist manifesto. Behavioral and Brain Sciences 20 (4): 537-596.
25. Schieffelin, Bambi B. (1985). The acquisition of Kaluli. In The Crosslinguistic Study of Language Acquisition, Volume 1: The Data. Dan Slobin (ed.), 525-594. Hillsdale, N.J.: Lawrence Erlbaum Associates.
26. Tomasello, Michael (2003). Constructing a Language: A Usage-Based Theory of Language Acquisition. Cambridge, MA: Harvard University Press.