The sex lives of cult television characters

Screen

Volumn 43, Issue 1, 2002, Pages 79-90

  Jones, Sara Gwenllian ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 29144453060     PISSN: 00369543     EISSN: None     Source Type: Journal    
DOI: 10.1093/screen/43.1.79     Document Type: Review

References (25)

1. Krychick, As Long As You Love Me. URL: http://adult.dencity.com/krychick/ fiction/XF-AsLongAs.txt [no date]
2. Cousin Liz, And Still She Follows. URL: http://cousinliz.com/fanfic/ cousinliz-assf.html [1992]
3. Constance Penley, NASA/Trek: Popular Science and Sex in America (London and New York: Verso, 1997), p. 101
4. See Camille Bacon-Smith, Enterprising Women: Television Fandom and the Creation of Popular Myth (Philadelphia, PA: University of Pennsylvania Press, 1992)
5. Henry Jenkins, Textual Poachers: Television Fans and Participatory Culture (New York and London: Routledge, 1992)
6. Penley, NASA/Trek
7. Kand, Letter Found On A Coffee Table. URL: http://www.ditb.net/basement/ library/authork/kandoneverystr1180-01.htm [no date]
8. Lady Charena, A Love Supreme. URL: http://www.geocities.com/blairsdream/ startrek/aluvsupreme.html [No date]
9. Jenkins, Textual Poachers, p. 219
10. The Wonderful World of Makebelieve Archive. URL: http://internetdump.com/ users/daltonavon/ [No date]
11. Nicholas Abercrombie and Brian Longhurst, Audiences: a Sociological Theory of Performance and Imagination (London: Sage, 1998), pp. 15-36
12. Marie-Laure Ryan, 'Cyberspace, virtuality and the text', in Ryan (ed.). Cyberspace Textuality: Computer Technology and Literary Theory (Bloomington and Indianapolis, IN: Indiana University Press, 1999), p. 96
13. Umberto Eco, The Limits of Interpretation (Bloomington and Indianapolis, IN: Indiana University Press, 1994), pp. 85-6
14. Herbert Lindenberger, Historical Drama: the Relation of Literature and Reality (Chicago, IL: University of Chicago Press, 1975), p. 24
15. C.J. Cherryh, The Myth of Plot: a Heresy. URL: http://www.simegen.com/ school/workshop/cjcherryh/cjcherryh.html [1993]
16. Will Brooker, 'Internet fandom and the continuing narratives of Star Wars, Blade Runner and Alien', in Annette Kuhn (ed.), Alien Zone II: the Spaces of Science Fiction Cinema (London: Verso, 2000), p. 51
17. John Thornton Caldwell, Televisuality: Style, Crisis and Authority in American TV (New Brunswick, NJ: Rutgers University Press, 1995), p. 261
18. Lubomír Dolezel, Hetercosmica: Fiction and Possible Worlds (Baltimore, MD: Johns Hopkins University Press, 1998), p. 169
19. Marie-Laure Ryan, 'Immersion vs. interactivity: virtual reality and literary theory', Postmodern Culture, vol. 5, no.1 (1994). URL: http://www.humanities.uci.edu/mposter/syllabi/readings/ryan.html
20. Merry Gilmore, 'A fan's first introduction to fan fiction', Whoosh! The Journal of the International Association of Xena Studies, issue 6 (March 1997). URL: http://www.whoosh.org/issue6/gilmore.html
21. Maytee Aspuro, 'The fourth season: spiritual journeys', Whoosh! The Journal of the International Association of Xena Studies, issue 41 (Spring, 2000). URL: http://whoosh.org/issue41/aspuro1.html
22. Ruth Ronen, Possible Worlds in Literary Theory (Cambridge: Cambridge University Press, 1994), p. 114
23. Fiona Hough, 'Why subtext should never become maintext in Xena: Warrior Princess', Whoosh! The Journal of the International Association of Xena Studies, issue 27 (December 1998). URL: http://www.whoosh.org/issue27/hough1.html
24. Alexander Doty, Making Things Perfectly Queer (Minneapolis, MN: University of Minnesota Press, 1993), p. 15
25. Melissa Good's XWP fan fiction is archived at The Bards' Corner. URL: http://www.ausxip.com/fanfic.html