Questioning totalities: Constructions of masculinity in the popular Greek cinema of the 1960s

Screen

Volumn 36, Issue 3, 1995, Pages 233-242

  Eleftheriotis, Dimitris ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 28844452688     PISSN: 00369543     EISSN: None     Source Type: Journal    
DOI: 10.1093/screen/36.3.233     Document Type: Article

References (37)

1. the debates presented in Yiannis Soldatos. History of the Greek Cinema, vols 1-3. (Athens: Aigokeros, 1988-1990).
2. Laura Mulvey, Visual pleasure and narrative cinema'. Screen, vol. 16, no. 3 (1975), pp. 6-18
3. 'Afterthoughts on Visual Pleasure and Narrative Cinema inspired by Duel in the Sun', Framework, nos 15-17 (1981).
4. Stephen Heath. 'Difference', Screen, vol. 19, no. 3 (1978);
5. D.N. Rodowick, 'The difficulty of difference', Wide Angle, vol. 5, no. 1;
6. Rosalind Coward, Female Desire: Women's Sexuality Today (London: Paladin, 1984);
7. Alice Jardine, Gynesis (Ithaca; Cornell University Press, 1985);
8. Alice Jardine and Paul Smith (eds). Men in Feminism (London: Methuen. 1987).
9. Pam Cook, 'Masculinity in crisis’;
10. Steve Neale. ‘Chariots of Fire, images of men';
11. Richard Dyer, 'The male pin-up’;
12. John Caughie and Gillian Skirrow, 'Ahab Ismael and Mo', all in Screen, vol. 23. nos 3-4 (1982).
13. Steve Neale, 'Masculinity as spectacle', Screen, vol. 24. no. 6 (1983).
14. Paul Willemen, 'Anthony Mann: looking at the male'. Framework, nos 15-17 (1981).
15. S Neale, 'Masculinity as spectacle'.
16. Richard Dyer, The male pin-up' and 'White'. Screen, vol. 29, no. 4(1988).
17. Barbara Creed. 'Phallic panic: male hysteria and Dead Ringerd, Screen, vol. 31, no. 2 (1990), pp. 125-1s46.
18. Steve Neale talks about 'ideal masculinity-, whereas Kaja Silverman in Male Subjectivity at the Margins (New York: Routledge. 1992)
19. Andrea Cornwall and Nancy Lindisfarne in’Dislocating masculinity: gender, power and anthropology- in Cornwall and Lindisfarne. Dislocating Masculinity: Comparative Ethnographies (London: Routledge, 1994), (p. 20).
20. Teshome H. Gabriel. Teaching third world cinema-, Screen, vol. 24, no. 2 (1983);
21. Julianne Burton, ‘Marginal cinemas and mainstream critical theory-, Screen, vol. 26. nos 3-4 (1985).
22. Silver man, Male Subjectivity at the Margins, p. 16.
23. Michel Foucault. The Order of Things (London: Tavistock. 1970).
24. K. Davis and J. Oldersma, K. Davis et al. The Gender of Power. (London: Sage, 1991);
25. Corn wall and lind isfarne (eds), Dislocating Masculinity.
26. Rowena Chapman and Jonathan Rutherford (eds), Male Order. Unwrapping Masculinity (London: Lawrence and Wishart, 1988);
27. Jeff Hearn and David Morgan (eds). Men. Masculinities and Social Theory (London: Unwin Hyman. 1990);
28. Pat Caplan (ed.), The Sexual Construction of Sexuality (London: Tavistock, 1987);
29. Joseph Bristow, Empire Boys. Adventures in a Man's World (London: Harper Collins Academic. 1991);
30. Michael Roper and John Tosh (eds). Manful Assertions. Masculinities in Britain Since WOO (London: Routledge, 1991).
31. Antoine Compagnon. 'Mapping the European mind’, in Duncan Petrie (ed.), Screening Europe (London: British Film Institute, 1992), p. 113.
32. Edward Said, Orientalism (London: Routledge and Kegan Paul, 1978).
33. Mary-Louise Pratt. Imperial Eyes. Travel Writing and Transculturation (London: Routledge, 1992).
34. S Neale, 'Masculinity as spectacle’, P- 7, 14
35. Kobena Mercw. "Racism and the politics of masculinity’, in Chapman and Rutherford (eds). Mate Order, p 122
36. Roper -Tosh (eds). Manful Assertions, p. 13.
37. K Mercer, 'Racism and the politics of masculinity', p. 112.