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Cited in Sylvère Lotringer, Overexposed (London: Paladin, 1988), p. 5
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Seminar of 21 January 1975
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Basingstoke and London: Macmillan, 167
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Jacques Lacan, 'Seminar of 21 January 1975', in Juliet Mitchell and Jacqueline Rose (eds), Feminine Sexuality (Basingstoke and London: Macmillan, 1982), pp. 162-71, 167
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Lacan, J.1
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David Cronenberg, Crash (London: Faber and Faber, 1996), p. 37
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Visual pleasure and narrative cinema
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Laura Mulvey, 'Visual pleasure and narrative cinema', Screen, vol. 16, no. 3 (1975), p. 18
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Slavoj Žižek, Looking Awry (Cambridge MA and London: MIT Press, 1991), p. 108
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7
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New York and London: W.W. Norton 89
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Jouissance includes Lacan's sense of the 'getting' of meaning ('enjoy-meant') and 'erotic bliss'. See Jacques Lacan, Television, trans. Denis Hollier, Rosalind Krauss and Annette Michelson (New York and London: W.W. Norton, 1990), pp. 16, 89
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God and the jouissance of the [under erasure] woman
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and his account of the discharges of sexual and bodily energies exceeding symbolic law, that is, 'beyond the phallus', 'God and the jouissance of the [under erasure] woman', in Mitchell and Rose (eds), Feminine Sexuality, pp. 137-48
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Mitchell1
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9
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0002072686
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Oxford: Blackwell
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Bataille's general economic notion of excessive expenditure, sacrificial consumption and inner experience, see Fred Botting and Scott Wilson (eds), The Bataille Reader (Oxford: Blackwell, 1997)
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Botting, F.1
Wilson, S.2
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Acinema
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Oxford: Blackwell
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and Lyotard's 'acinema' of the libidinal intensities of the drives and the wasteful and pyrotechnical disspation of energy and images, see 'Acinema', in Andrew Benjamin (ed.), The Lyotard Reader (Oxford: Blackwell, 1989), pp. 169-80
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Joan Copjec, Read My Desire (Cambridge MA and London: MIT Press, 1994), p. 204
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Hypervalue
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For a discussion of the distinction between 'hypermodern' and 'postmodern', see the issue on 'Hypervalue', Cultural Values, vol. 1, no. 2 (1997)
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