STUDENT ARTICLE TAO: A physical modelling system and related issues

Organised Sound

Volumn 1, Issue 1, 1996, Pages 43-

  Pearson, Mark ^a  

^a UNIVERSITY OF YORK   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 28444440693     PISSN: 13557718     EISSN: 14698153     Source Type: Journal    
DOI: None     Document Type: Article

References (20)

1. Abelson, H., Sussman, G. J., and Sussman, J. 1985. Structure and Interpretation of Computer Programs. Cambridge, MA: MIT Press.
2. Adrien, J. M. 1991. The missing link: Modal synthesis. In Representations of Musical Signals. Cambridge, MA: MIT Press.
3. Adrien, J. M., Causse, R., and Rodet, X. 1987. Sound synthesis by physical models, application to strings. In Proceedings of International Computer Music Conference, pp. 264–9.
4. Adrien, J. M., and Rodet, X. 1985. Physical models of instruments, a modular approach, application to strings. In Proceedings of International Computer Music Conference, pp. 85–9.
5. Bonn G., De Poli, G., and Sarti, A. 1992. Algorithms and structure for synthesis using physical models. Computer Music Journal 16(4): 30–42.
6. Cadoz, C., Florens, J. L., and Luciani, A. 1995. Musical sounds, animated images with cordis-anima and its multimodal interfaces. Demonstration at International Computer Music Conference. 17(1)
7. Cadoz, C., Luciani, A., and Florens, J. L. 1993. Cordis-anima: a modeling system for sound and image synthesis, the general formalism. Computer Music Journal 19–29.
8. Cook, P. R. 1992. A meta wind instrument physical model and a meta controller for real time performance. In Proceedings of International Computer Music Conference, 273–6.
9. Gleick, J. 1991. Chaos-Making a New Science. London: Cardinal.
10. Incerti, E., and Cadoz, C. 1995. Topology, geometry, matter of vibrating structures simulated with cordis-anima. Sound synthesis methods. In Proceedings of International Computer Music Conference, pp. 96–103.
11. Keefe, D. H. 1992. Physical modeling of wind instruments. Computer Music Journal 16(4): 57–73.
12. McIntyre, M. E. 1983. On the oscillations of musical instruments. Journal of the Acoustical Society of America 75(5): 1325–45.
13. Morrison, J. D., and Adrien, J. M. 1991. Control mechanisms in the Mosaic synthesis program. In Proceedings of International Computer Music Conference, pp. 19–22.
14. Morrison, J. D., and Adrien, J. M. 1993. Mosaic: a frame-work for modal synthesis. Computer Music Journal 17(1): 45–56.
15. Robinson, C. Q. 1987. Real time synthesis of bowed string timbres. In Proceedings of International Computer Music Conference, pp. 125–9.
16. Serra, X. 1986. A computer model for bar percussion instruments. In Proceedings of International Computer Music Conference, pp. 257–62.
17. Smith, J. O. 1986. Efficient simulation of the reed bore and bow string mechanisms. In Proceedings of International Computer Music Conference, pp. 275–80.
18. Smith, J. O. 1992. Physical modeling using digital waveguides. Computer Music Journal 16(4): 74–91.
19. Vercoe, B. 1992. Csound Audio Processing System Manual. Waldrop, M. M. 1994. Complexity: the Emerging Science at the Edge of Order and Chaos. London: Penguin.
20. Woodhouse, J. 1992. Physical modeling of bowed strings. Computer Music Journal 16(4): 43–56.