The wild east: Deconstructing the language of genre in the Hollywood Eastern

Cinema Journal

Volumn 41, Issue 4, 2002, Pages 68-94

  Eisele, John C ^a  

^a Dept of Economics and Thomas Jefferson Program in Public Policy at the College of William and Mary

Author keywords

[No Author keywords available]

Indexed keywords

EID: 27944470384     PISSN: 00097101     EISSN: None     Source Type: Journal    
DOI: 10.1353/cj.2002.0013     Document Type: Review

References (24)

1. Abdelmajid Hajji, "The Arab in the American Silent Cinema: A Study of a Film Genre," Ph.D. diss., University of Kansas, 1994
2. Jack Shaheen and in his book The TV Arab (Bowling Green, Ohio: Bowling Green State University Popular Press, 1984)
3. The Arab Image in American. Film and Television 17, no. 1 (1989)
4. Laurence Michalak's "The Arab in American Cinema: A Century of Otherness," 3-9
5. Matthew Bernstein and Gaylyn Studlar, eds., Visions of the East: Orientalism in Film (New Brunswick, N.J.: Rutgers University Press, 1997)
6. John R. Taylor, Linguistic Categorization (Oxford: Oxford University Press, 1995)
7. Rick Altman, "A Semantic/Syntactic Approach to Film Genre," Cinema Journal 23, no. 3 (spring 1984): 6-18
8. Film/Genre (London: BFI Publishing, 1999)
9. Steve Neale, "Questions of Genre," Screen 31, no. 1 (spring 1990): 45-66
10. Tzvetan Todorov, The Poetics of Prose, trans. Richard Howard (Ithaca: Cornell University Press, 1977)
11. "Prototypes, Cultural Salience, and Cognitive Identification in Hollywood's 'Eastern' Film Genre," unpublished paper
12. Joseph Tusiani, trans., Torquato Tasso's "Jerusalem Delivered" (Rutherford, N.J.: Fairleigh Dickenson University Press. 1970)
13. Edward Said's critique of Orientalism in Orientalism (New York: Pantheon Books, 1978)
14. Ella Shohat and Robert Stain, Unthinking Eurocentrism (London: Routledge, 1994), 236-37
15. Gina Marchetti, Romance and the Yellow Peril (Berkeley: University of California Press, 1993)
16. Ella Shohat, "Gender and Culture of Empire: Toward a Feminist Ethnography of the Cinema," in Bernstein and Studlar, Visions of the East, 19-66
17. Marjorie Garber, "The Chic of Araby: Transvestism and the Erotics of Cultural Appropriation," in Garber, ed., Vested Interests: Cross-Dressing and Cultural Anxiety (London: Routledge, 1992), 304-52
18. Michael Ondaatje, The English Patient (New York: Vintage Books, 1992), 55-59
19. Anthony Minghella, The English Patient: A Screenplay (New York: Hyperion-Miramax Books, 1996), 114
20. Gaylyn Studlar, "Discourses of Gender and Ethnicity: The Construction and De(con)struction of Rudolf Valentino as Other," Film Criticism 13, no. 2 (1989): 18-35
21. Miriam Hansen, Babel and Babylon: Spectatorship in American Silent Film (Cambridge: Harvard University Press, 1991)
22. E. M. Hull, The Sheik (1919; reprint, London: Virago Press, 1996)
23. Janice Morgan, "In the Labyrinth: Masculine Subjectivity, Expatriation, and Colonialism in Pepe le Moko," 253-68
24. Alan Nadel, "A Whole New (Disney) World Order: Aladdin, Atomic Power, and the Muslim Middle East," 184-203