Arab "world music" in the US

Middle East Report

Volumn 31, Issue 219, 2001, Pages 34-40

  Swedenburg, Ted ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 27844436197     PISSN: 08992851     EISSN: None     Source Type: Journal    
DOI: 10.2307/1559254     Document Type: Article

References (16)

1. Deborah Pacini, "A View from the South: Spanish Caribbean Perspective on World Beat," The World of Music 35 (1993).
2. By 1991, the market share of world music was equal to classical music and jazz. Timothy Taylor, Global Pop: World Music, World Markets (New York: Routledge, 1997), p. 1.
3. I want to be clear that I do not mean the first entry of Arabic music into the US market, but the first entry into the US world music scene.
4. Joan Gross, David McMurray and Ted Swedenburg, "Rai, Rap and Ramadan Nights: Franco-Maghrebi Cultural Identities," Middle East Report 178 (September-October 1992);
5. David McMurray and Ted Swedenburg, "Rai Tide Rising," Middle East Report 169 (March-April 1991).
6. Marc Schade-Poulsen, Men and Popular Music: The Social Significance of Raï (Austin: University of Texas Press, 1999).
7. Marc Schade-Poulsen, Men and Popular Music: The Social Significance of Raï Ibid., p. 195.
8. Marc Schade-Poulsen, Men and Popular Music: The Social Significance of Raï Ibid., p. 195.
9. Marc Schade-Poulsen, Men and Popular Music: The Social Significance of Raï Ibid., pp. 32-33.
10. New York Times, June 21, 1998.
11. Tim Fuson, "Renewed Pandemonium: The Continuing Legend of the Master Musicians of Jahjouka," Journal of the International Institute 3/2 (1996);
12. William Burroughs, liner notes to Apocalypse Across the Sky by the Master Musicians of Jajouka featuring Bachir Attar (Axiom, 1992).
13. Philip Schuyler, "Joujouka/Jajouka/Zahjoukah: Moroccan Music and Euro-American Imagination," in Walter Armbrust, ed., Mass Mediations: New Approaches to Popular Culture in the Middle East and Beyond (Berkeley, CA: University of California Press, 2000).
14. Katherine Zirbel, "Playing It Both Ways: Local Egyptian Performers Between Regional Identity and International Markets," in Armbrust.
15. Abdelhafid Chlyeh, Les Gnaoua du Maroc (Casablanca: Éditions La Pensée Sauvage/Éditions Le Fennec, 1998).
16. See Jay Kinney, "Sufism Comes to America," Gnosis Magazine 30 (Winter 1994), for a description of how Sufism entered the US as a universalist religion, not tied specifically to Islam.