Competition and the non-profit arts: The lost industrial organization agenda

Journal of Cultural Economics

Volumn 28, Issue 3, 2004, Pages 167-193

  Seaman, Bruce A ^a  

^a GEORGIA STATE UNIVERSITY   (United States)

Author keywords

Antitrust; Competition; Natural monopoly; Oligopoly; Product differentiation

Indexed keywords

EID: 26844454118     PISSN: 08852545     EISSN: None     Source Type: Journal    
DOI: 10.1023/B:JCEC.0000038021.67290.49     Document Type: Article

References (76)

1. Acheson, K. and Maule, C, (1994) "International Regimes for Trade, Investment, and Labour Mobility in the Cultural Industries". Canadian Journal of Communication 19: 401-421.
2. Acheson, K. and Maule, C. (1999) Much Ado About Culture: North American Trade Disputes. University of Michigan Press, Ann Arbor.
3. Adorno, T. and Horkheimer, M. (1944) Dialektik der Aufkärung (Dialectic of Enlightenment). Fischer, Amsterdam.
4. Alexander, P.J. (1994) "New Technology and Market Structure: Evidence from the Music Recording Industry". Journal of Cultural Economics 18: 113-123.
5. Alexander, P.J. (1997) "Product Variety and Market Structure: A New Measure and a Simple Test". Journal of Economic Behavior and Organization 32: 207-214.
6. Bajic, V. (1985) "Determinants of Theatre Going: The Effects on the Choice of Residential Location". Journal of Cultural Economics 9: 60-70.
7. Baker, A.J. (1991) "A Model of Competition and Monopoly in the Record Industry". Journal of Cultural Economics 15: 29-54.
8. Baumol, W.J. (2001) "When Is Inter-Firm Coordination Beneficial? The Case of Innovation". International Journal of Industrial Organization 19: 727-737.
9. Baumol, W.J. and Bowen, W.G. (1966) Performing Arts: The Economic Dilemma. The Twentieth Century Fund, New York.
10. Blaug, M. (2001). "Where Are We Now On Cultural Economics?" Journal of Economic Surveys 15: 123-143.
11. Carlton, D. and Perloff, J.M. (2000) Modern Industrial Organization, 3rd Edn. Addison-Wesley, Reading, MA.
12. Castañer, X. (2002) "Competition and Innovation in the Arts". Mimeo (written in conjunction with the 12th Conference of the Association for Cultural Economics, International. Rotterdam, 13-15 June).
13. Castañer, X. and Campos, L. (2002) "The Determinants of Artistic Innovation: Bringing in the Role of Organizations". Journal of Cultural Economics 26: 29-52.
14. Caves, R.E. (2000) Creative Industries: Contracts between Art and Commerce. Harvard University Press, Cambridge.
15. Cellini, R. and Cuccia, T. (2003) "Incomplete Information and Experimentation in the Arts: A Game Theoretic Approach". Economia Politica 1 (April): 21-34.
16. Chartrand, H.-H. (2000) "Toward an American Arts Industry," in J.M. Cherbo and M.J. Wyszomirski (eds.), The Public Life of the Arts in America. Rutgers University Press, New Brunswick.
17. Corning, J. and Levy, A. (2002) "Demand for Live Theater with Market Segmentation and Seasonality". Journal of Cultural Economics 26: 217-235.
18. Dewey, D. (1979) "Information, Entry and Welfare: The Case for Collusion". American Economic Review 69: 587-594.
19. DiMaggio, P.J. and Stenberg, K. (1985a) "Conformity and Diversity in American Resident Theaters", in J.H. Balfe and M.J. Wyszormirski (eds.), Art, Ideology, and Politics. Praeger, New York.
20. DiMaggio, P.J. and Stenberg, K. (1985b) "Why Do Some Theaters Innovate More Than Others? An Empirical Analysis." Poetics 14:107-122.
21. Driskill, R. and McCafferty, S. (2001) "Monopoly and Oligopoly Provision of Addictive Goods". International Economic Review 42(1): 43-72.
22. Escaleria, J. (2002) "Conjectural Variations Oligopoly Model in Open Performing Arts Market: Statistical Data for the Portuguese Case", Paper presented at the 12th Conference of the Association for Cultural Economics, International. Rotterdam, 13-15, June.
23. Fazioli, R. and Filippini, M. (1997) "Cost Structure and Product Mix of Local Public Theatres". Journal of Cultural Economics 21: 77-86.
24. Felton, M.V. (1989) "Major Influences on the Demand for Opera Tickets". Journal of Cultural Economics 13: 53-64.
25. Felton, M.V. (1992) "On the Assumed Inelasticity of Demand for the Performing Arts". Journal of Cultural Economics 16: 1-12.
26. Freedman, M.R. (1986) "The Elusive Promise of Management Cooperation in the Performing Arts", in P.J. DiMaggio (ed.), Nonprofit Enterprises in the Arts: Studies in Mission and Constraint. Oxford University Press, New York.
27. Frey, B.S. (1998) "Superstar Museums: An Economic Analysis". Journal of Cultural Economics 22: 113-125.
28. Frey, B.S. (1999) "State Support and Creativity in the Arts: Some New Considerations". Journal of Cultural Economics 23: 71-85.
29. Frey, B.S. (2003) "Public Support", in R. Towse (ed.), A Handbook of Cultural Economics. Edward Elgar Publishing, Cheltenham.
30. Gapinski, J.H. (1980) "The Production of Culture". Review of Economics and Statistics LXII(4): 578-586.
31. Gapinski, J.H. (1986) "The Lively Arts as Substitutes for the Lively Arts". American Economic Review 76(2): 20-25.
32. Gapinski, J.H. (1988) "The Economic Right Triangle of Nonprofit Theater". Social Science Quarterly 69: 756-763.
33. Girard, A. (1981) "A Commentary: Policy and the Arts: The Forgotten Cultural Industries". Journal of Cultural Economics 5: 61-68.
34. Globerman, S. (1978) "Price Awareness in the Performing Arts". Journal of Cultural Economics 2: 27-42.
35. Graham, G. and Hardaker, G. (2002) "The Impact of the Internet on the Structure and Conduct of the Music Industry", Paper presented at the 12th Conference of the Association for Cultural Economics, International. Rotterdam, 13-15 June.
36. Gray, C.M. (2002) "Strategic Pricing in the Non-Profit Arts: Case of Orchestras", Paper presented at the 12th Conference of the Association for Cultural Economics, International. Rotterdam, 13-15, June.
37. Greco, A.N. (2000) "Market Concentration Levels in the U.S. Consumer Book Industry". Journal of Cultural Economics 24: 321-336.
38. Heilbrun, J. and Gray, C.M. (2001) The Economics of Art and Culture, 2nd Edn. Cambridge University Press, Cambridge.
39. Huntington, C.S. (2002) "Games Played in International Ballet Companies: Europe 1905-1950", Paper presented at the 12th Conference of the Association for Cultural Economics, International. Rotterdam, 13-15 June.
40. James, E. and Rose-Ackerman, R. (1986) The Nonprofit Enterprise in Market Economies. Harwood Academic Publishers, London.
41. King, T. (2001) "Patronage and Market in the Creation of Opera Before the Institution of Intellectual Property". Journal of Cultural Economics 25: 21-45.
42. King, T. (2002) "The Evolving Economics of Opera over Four Centuries", Paper presented at the 12th Conference of the Association for Cultural Economics, International. Rotterdam, 13-15, June.
43. Kuan, J. (2001) "The Phantom Profits of the Opera: Nonprofit Ownership in the Arts as a Make-Buy Decision". The Journal of Law, Economics and Organization 17(2): 507-520.
44. Lange, M.D. and Luksetich, W.A. (1984) "Demand Elasticities for Symphony Orchestras". Journal of Cultural Economics 8: 29-48.
45. Lange, M.D. and Luksetich, W.A. (1993) "The Cost of Producing Symphony Orchestra Services". Journal of Cultural Economics 17:1-15.
46. Luksetich, W. A. (2002) "Economists and Symphony Orchestras: What Do We Know", Paper presented at 12th Conference of the Association for Cultural Economics, International. Rotterdam, 13-15, June.
47. Martorella, R. (1977) "The Relationship between Box Office and Repertoire: A Case Study of Opera". The Sociological Quarterly Summer: 354-366.
48. McCain, R. (1979) "Reflections on the Cultivation of Taste". Journal of Cultural Economics 3:30-52.
49. McCarthy, K.F., Brooks, A., Lowell, J. and Zakaras, L. (2001) The Performing Arts in a New Era. Rand, Santa Monica, CA.
50. Moore, T.G. (1968) The Economics of the American Theater. Duke University Press, Durham.
51. Moretti, A. and Crisci, F. (2002) "The Constellation of Value in Theatre's Production: The Case of Centro Servizi e Spettacoli (Udine)", Paper presented at 12th Conference of the Association for Cultural Economics, International. Rotterdam, 13-15, June.
52. Neligan, A.S. (2002) "Economic Behavior of Subsidized Non-Profit Performing Arts Organizations: An Econometric Analysis of Theatre Repertoire in England", Paper presented at the 12th Conference of the Association for Cultural Economics, International. Rotterdam, 13-15, June.
53. O'Hare, M., Korzilius, P., Turini, A. and Borgonovi, F. (2002) "Dependence of the Present on the Past, Defense of the Present from the Past: Programming Classical Music and Opera", Paper presented at the 12th Conference of the Association for Cultural Economics, International. Rotterdam, 13-15, June.
54. Peltier, S. (2002) "Mergers & Acquisitions in Media Industries: A Preliminary Study of the Impact on Performance", Paper presented at the 12th Conference of the Association for Cultural Economics, International. Rotterdam, 13-15, June.
55. Pierce, J.L. (2000) "Programmatic Risk-Taking by American Opera Companies". Journal of Cultural Economics 24: 45-63.
56. Posner, R.A. (2001) Antitrust Law, 2nd Edn. University of Chicago Press, Chicago and London.
57. Schimmelpfennig, J. (2002) "Economics of Ballet", Paper presented at the 12th Conference of the Association for Cultural Economics, International. Rotterdam, 13-15, June.
58. Schimmelpfennig, J. (2003) "Ballet", in R. Towse (ed.), A Handbook of Cultural Economics. Edward Elgar Publishing, Cheltenham.
59. Schulze, G.G. and Rose, A. (1998) "Public Orchestra Funding in Germany - An Empirical Investigation". Journal of Cultural Economics 22: 227-247.
60. Seaman, B.A. (1985) "Price Discrimination in the Arts", in V.L. Owen et al. (eds.), Managerial Economics for the Arts. Association for Cultural Economics, University of Akron, pp. 47-60. Reprinted in Towse (1997b) II.
61. Seaman, B.A. (2002) National Investment in the Arts. Center for Arts and Culture, Washington, DC.
62. Stigler, G.J., and Becker, G.S (1977) "De Gustibus Non Est Disputandum". American Economic Review 15: 76-90.
63. Theatre Communications Group (2001) TCG Centerpiece. June, New York.
64. Throsby, D. (1994) "The Production and Consumption of the Arts: A View of Cultural Economics". Journal of Economic Literature 32: 1-29.
65. Throsby, C.D. and Withers, G.A. (1979) The Economics of the Performing Arts. Edward Arnold, London.
66. Towse, R. (1997a) "The Monopolies and Mergers Commission's Investigation of the U.K. Music Market". Journal of Cultural Economics 21: 147-151.
67. Towse, R. (1997b) Cultural Economics: The Arts, The Heritage, and the Media Industries, Vol. I. Edward Elgar Publishing, Cheltenham.
68. Towse, R. (2003) A Handbook of Cultural Economics. Edward Elgar Publishing, Cheltenham.
69. Towse, R. (2003) "Cultural Industries", in Ruth Towse (ed.), A Handbook of Cultural Economics, Edward Elgar Publishing, Cheltenham.
70. Urrutiaguer, D. (2002) "Choices of Programme and Network of French Public Theatres", Paper presented at the 12th Conference of the Association for Cultural Economics, International. Rotterdam, 13-15, June.
71. Verhoeff, R. (1992) "Explaining Differences in the Geographical Reach of Performances". Journal of Cultural Economics 16: 73-82.
72. Vladeck, B.C. (1976) "Why Non-Profits Go Broke". The Public Interest 42: 86-104.
73. Waterman, D., Schechter, R., and Contractor, N.S. (1991) "Overcoming Barriers to the Live Arts: Can the Media Compensate?" Journal of Cultural Economics 15: 19-40.
74. Weisbrod, B.A. (1988) The Nonprofit Economy. Harvard University Press, Cambridge, MA.
75. West, E. (1987) "Nonprofit versus Profit Firms in the Performing Arts". Journal of Cultural Economics 11:37-47.
76. Withers, G.A. (1980) "Unbalanced Growth and the Demand for Performing Arts: An Econometric Analysis". Southern Economic Journal 46(3): 735-742.