Piano recital

Screen

Volumn 38, Issue 3, 1997, Pages 275-281

  Goldson, Annie ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 2642588635     PISSN: 00369543     EISSN: None     Source Type: Journal    
DOI: 10.1093/screen/38.3.275     Document Type: Article

References (7)

1. Campion quoted in NZ Film, no. 50. (October 1993)
2. Jane Mander, The Story of a New Zealand River (Christchurch: Whitcombe and Tombs, 1938)
3. Laura Mulvey, 'Visual pleasure and narrative cinema', Screen, vol. 16, no. 3, pp. 6-18
4. Also, see 'The Piano debates', Screen, vol. 36, no. 3 (1995), pp. 257-87
5. Jock Phillips, 'The pioneer man - from experience to legend', in A Man's Country? The Image of the Pakeha Male, a History (Auckland: Penguin Books, 1996)
6. Linda Dyson, 'The return of the repressed? Whiteness, femininity, and colonialism in The Piano', Screen, vol. 36, no. 3 (1995), pp. 267-76
7. L. Pihama, 'Are films dangerous? A Maori woman's perspective on The Piano', Hecate: Special Aotearoa/New Zealand Issue, vol. XX, no. 2 (1995), pp. 239-42. Pihama agrees with Dyson, arguing that the images of Maori in The Piano perpetuate colonial misrepresentations. Some Maori, however, expressed pleasure at seeing their people represented - and certainly the issue of land ownership raised - in such a prominent film