Medium, subject matter, and representation

Southern Journal of Philosophy

Volumn 41, Issue 1, 2003, Pages 45-62

  Dilworth, John ^a  

^a WESTERN MICHIGAN UNIVERSITY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 25444493521     PISSN: 00384283     EISSN: None     Source Type: Journal    
DOI: 10.1111/j.2041-6962.2003.tb00941.x     Document Type: Article

References (26)

1. R. Wollheim, Painting as an Art (Princeton, N.J.: Princeton University Press, 1987), 21.
2. Dominic Lopes Understanding Pictures [Oxford: Oxford University Press, 1996], 3-4).
3. M. Podro, "Review of Wollheim, Art and Its Objects, 2nd. Ed." The Burlington Magazine 124, no. 947 (February 1982): 100-2,
4. M. Podro, "Depiction and the Golden Calf," Philosophy and the Visual Arts: Seeing and Abstracting, ed. Andrew Harrison (Dordrecht: D. Reidel, 1987).
5. P. L. Maynard, "Seeing Double," Journal of Aesthetics and Art Criticism 52, no. 2 (1994): 155-67
6. "Projected Actuality," British Journal of Aesthetics 35, no. 1 (1995): 273-7).
7. E. H. Gombrich, Art and Illusion: A Study in the Psychology of Pictorial Representation 2d ed. (London: Phaidon Press, 1962), 243-4
8. P. L. Maynard, "Drawing and Shooting: Causality in Depiction," Journal of Aesthetics and Art Criticism 44 (1985): 124).
9. "Dimensions of Meaning," in Philosophy and the Visual Arts: Seeing and Abstracting, ed. A. Harrison [Boston: Kluwer Academic Publishers, 1987], 63.
10. Gombrich, Art and Illusion, 78: "To say of a drawing that it is a correct view of Tivoli does not mean, of course, that Tivoli is bounded by wiry lines."
11. Levinson in his article "Art as Action," repr. in his book The Pleasures of Aesthetics (Ithaca: Cornell, 1996), 138-49.
12. "Purport" only, in that, as mentioned in note 1, a picture may merely be of "a man" rather than of a particular actual man.
13. Compare Wollheim, Painting as an Art, 46-59
14. Lopes, Understanding Pictures
15. Charles Sanders Peirce, ed. C. Hartshorne and P. Weiss (Cambridge, MA: Harvard University Press, 1931-1958).
16. Arthur C. Danto, The Transfiguration of the Commonplace (Cambridge, Mass.: Harvard University Press, 1981),
17. Kendall L. Walton, Mimesis as Make-Believe (Cambridge, Mass.: Harvard University Press, 1990).
18. Tractatus Logico-Philosophicus (London: Routledge, 1922).
19. Dale Jacquette, "Goodman on the Concept of Style,' British Journal of Aesthetics 40, no. 4 (2000): 452-66.
20. "A Representational Theory of Artefacts and Artworks," British Journal of Aesthetics vol. 41 no. 4 (October 2001): 353-70;
21. "Theater, Representation, Types and Interpretation," American Philosophical Quarterly 39 no. 2 (April 2002): 197-209;
22. "Three Depictive Views Defended," British Journal of Aesthetics 42, no. 3 (July 2002): 259-78,
23. "The Fictionality of Plays," Journal of Aesthetics and Art Criticism 60, no. 3 (Summer 2002): 263-73.
24. "Four Theories of Inversion in Art and Music," Southern Journal of Philosophy 40, no. 1 (Spring 2002): 1-19,
25. "Varieties of Visual Representation," Canadian Journal of Philosophy 32, no. 2 (June 2002): 183-205.
26. "Three Depictive Views Defended."