Archives or assets?

American Archivist

Volumn 66, Issue 2, 2003, Pages 235-247

  Hirtle, Peter B ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 24744434250     PISSN: 03609081     EISSN: None     Source Type: Journal    
DOI: 10.17723/aarc.66.2.h0mn427675783n5l     Document Type: Review

References (27)

1. Lee Hockstader, "Watergate Papers Sold for $5 Million," Washington Post, 8 April 2003.
2. Christopher Marquis, "Government Agrees to Pay Nixon Estate," New York Times, 13 June 2000.
3. Emily Eakin, "On View: How King Shaped the Dream," New York Times, 25 August 2003.
4. Museums Copyright Group, "Copyright in Photographs of Works of Art," 2002. Available at http://www.mda.org.uk/mcopyg/bridge.htm (accessed 23 September 2003).
5. On museum efforts to manage intellectual property, see Diane M. Zorich, Introduction to Managing Digital Assets: Options for Cultural and Educational Organizations (Santa Monica, Calif.: Getty Information Institute, 1999).
6. Lesley Ellen Harris, Digital Property: Currency of the 21st Century (Toronto: McGraw-Hill Ryerson, 1998).
7. A good introduction to some of the legal debates about the nature of the public domain is by one of the first theorists of the public domain. See David Lange, "Reimagining the Public Domain," Law and Contemporary Problems 66 (Winter/Spring 2003). 463-83. Available at http://www.law.duke.edu/shell/ cite.pl?66+Law+&+Contemp.+Probs.+463+(WinterSpring+2003) (accessed 23 September 2003).
8. See also in the same journal, James Boyle, "The Second Enclosure Movement and the Construction of the Public Domain," Law and Contemporary Problems 66 (Winter/Spring 2003) 33-74. Available at http://www.law.duke.edu/ shell/cite.pl?66+Law+&+Contemp.+Probs.+33+(WinterSpring+2003) (accessed 23 September 2003).
9. Linda Matthews, "Copyright and the Duplication of Personal Papers in Archival Repositories," Library Trends 32 (Fall 1983): 234.
10. See my chart on copyright duration included in Peter B. Hirtle, "Recent Changes to the Copyright Law: Copyright Term Extension," Archival Outlook (January/February 1999): special insert. A preprint version of the article is available at http://cidc.library.cornell.edu/Pub-files/copyright- article1.pdf (accessed 23 September 2003). An updated version of the copyright chart is available at http://www.copyright. cornell.edu/training/Hirtle-Public- Domain.htm (accessed 23 September 2003).
11. Kathleen Butler, "Keeping the World Safe from Naked-Chicks-in-Art Refrigerator Magnets: The Plot to Control Art Images in the Public Domain through Copyrights in Photographic and Digital Reproductions," Hastings Communications and Entertainment Law Journal 21 (Fall 1998): 73-74.
12. Robert Baron, "Making the Public Domain Public," presented at the VRA/NINCH Copyright Town Meeting, San Francisco, April 2000, at http://www.studiolo.org/IP/VRA-TM-SF-PublicDomain.htm (accessed 23 September 2003).
13. Maine Historical Society, "Maine Memory Network," at http://www.mainememory.net/ (accessed 23 September 2003).
14. Joseph L. Sax, Playing Darts with a Rembrandt: Public and Private Rights in Cultural Treasures (Ann Arbor: University of Michigan Press, 1999), 197.
15. Sax, Playing Darts with a Rembrandt, 66-67.
16. Todd Allan Yasui, "Sculptor's Monumental Battle," Washington Post, 21 October 1999.
17. 17 U.S. Code. Sec. 301. (2002). Available at http://www4.law.cornell.edu/ uscode/17/ (accessed 23 September 2003).
18. On pre-emption and its limitations, see Mark A. Lemley, "Beyond Preemption: The Law and Policy of Intellectual Property Licensing," California Law Review 87 (January 1999):111. Available at http://www.law. berkeley.edu/journals/clr/library/lemley02.html (accessed 23 September 2003).
19. Bridgeman Art Library, Ltd. v. Corel Corp., 36 F. Supp. 2d 191 (S.D.N.Y. 1999). Available at http://www.law.cornell.edu/copyright/cases/36-FSupp2d-191. htm (accessed 23 September 2003).
20. 17 U.S. Code. Sec. 506(c). (2002). Available at http://www4.law.cornell. edu/uscode/17/ (accessed 23 September 2003).
21. John A. Fleckner, " 'Dear Mary Jane': Some Reflections on Being an Archivist," American Archivist 54 (Winter 1991): 8-13
22. and reprinted in American Archival Studies: Reading in Theory and Practice, Randall C. Jimerson, ed. (Chicago: Society of American Archivists, 2000), 21-28.
23. Bernard Reilly, "What the Cultural Sector Can Learn from Enron," First Monday 7 (February 2002). Available at http://firstmonday. org/issues/issue7-2/reilly/index.html (accessed 23 September 2003).
24. Alan H. Karp, "Making Money Selling Content that Others Are Giving Away," Communications of the ACM 46 (January 2003): 21-22.
25. Cornell University Library, "Seven-Millionth Volume," http://rmc.library.cornell.edu/7milVol/ (accessed 23 September 2003).
26. The New York Times Store, http://www.nytimes.com/nytstore/photos/ americanexp/general/NSAPCV1. html (accessed 23 September 2003).
27. Gerry Wall, "Business Model Issues in the Development of Digital Cultural Content," First Monday 8 (May 2003). Available at http://www.firstmonday.dk/issues/issue8-5/wall/ (accessed 23 September 2003).