Moving truth: Affect and authenticity in country musicals

Journal of Aesthetics and Art Criticism

Volumn 57, Issue 2, 1999, Pages 221-233

  Shusterman, Richard ^a  

^a TEMPLE UNIVERSITY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 2442688690     PISSN: 00218529     EISSN: 15406245     Source Type: Journal    
DOI: 10.2307/432314     Document Type: Review

References (35)

1. William James, "On a Certain Blindness in Human Beings," in The Writings of William James, ed. J. McDermott (University of Chicago Press, 1977), pp. 630-631
2. Cecilia Tichi, "Editorial" in South Atlantic Quarterly 94 (1995): 4
3. R. A. Peterson and R. B. Davis, "The Contemporary American Radio Audience," Popular Music and Society 3 (1974): 308
4. R. A. Peterson and Paul DiMaggio, "From Region to Class, The Changing Locus of Country Music: A Test of the Massification Hypothesis," Social Forces 53 (1975): 497-506
5. R. A. Peterson and A. Simkus, "How Musical Tastes Mark Occupational Status Groups," in M. Lamont and M. Fournier, Cultivating Differences: Symbolic Boundaries and the Making of Inequality (University of Chicago Press, 1992), pp. 152-186
6. Richard Peterson, "The Production of Cultural Change: The Case of Contemporary Country Music," Social Research 45 (1978): 292-314
7. Curtis W. Ellison, Country Music Culture: From Hard Times to Heaven (University of Mississippi Press, 1995), p. 224
8. Clark Parsons, "Taking Stock of the Nineties Boom," Journal of Country Music 16, no. 2 (1994): 10-11
9. Don Cusic, "Country Green: The Money in Country Music," South Atlantic Quarterly 94 (1995): 231-241
10. Peter Applebome, "Hank Williams. Garth Brooks. BR5-49?" The New York Times Magazine, October 27, 1996, pp. 38-43
11. Peter Applebome, "Country Graybeards Get the Boot," The New York Times, August 21, 1994, sec. H, pp. 27-28
12. Skip Hollandsworth, "Garth Brooks: A Megastar's Last Stand (For Now)," TV Guide, April 30, 1994, p. 14
13. Applebome, "Country Greybeards Get the Boot,"
14. Parsons, "Taking Stock of the Nineties Boom."
15. USA Today, October 3, 1996, sec. D, p. 1
16. The Philadelphia Inquirer, October 3, 1996, sec. C, p. 1
17. The New York Times, September 25, 1997, sec. A, p. 22, col. 1
18. The Washington Post, September 24, 1998, sec. B, p. 10
19. Bill C. Malone, Country Music U.S.A., rev. ed. (University of Texas Press, 1985), p. 409
20. Richard Peterson, Creating County Music: Fabricating Authenticity (University of Chicago Press, 1997), chap. 4
21. Richard Peterson, "The Dialectic of Hard-Core and Soft-Shell Country Music," South Atlantic Quarterly 94 (1995): 279-280
22. Creating Country Music, chap. 9
23. William James, Principles of Psychology (1890) (Harvard University Press, 1983), pp. 924, 936
24. Richard Shusterman, "Of the Scandal of Taste: Social Privilege as Nature in the Aesthetic Theories of Hume and Kant," reprinted in Paul Mattick, Eighteenth-Century Aesthetics and the Reconstruction of Art (New York: Cambridge University Press, 1993), pp. 96-119
25. T. S. Eliot and the Philosophy of Criticism (Columbia University Press, 1988), pp. 64-67
26. Paul Kingsbury and Alan Axelrod, eds., Country: The Music and the Musicians (New York: Abbeville Press, 1988), p. 49
27. Nolan Porterfield, Jimmie Rodgers: The Life and Times of America's Blue Yodeler (University of Illinois Press, 1979), pp. 75-76
28. Peterson, "Soft Shell and Hard Core," pp. 278-279
29. Peter Williams, America's Religions: Traditions and Cultures (New York: Macmillan, 1990), p. 233
30. William James, The Varieties of Religious Experience (New York: Penguin, 1985), pp. 112, 261
31. Walter Benjamin, Illuminations, ed. Hannah Arendt (New York: Schocken, 1969), pp. 83-84, 87, 89, 97, 108
32. Richard Peterson and Melton McLaurin, "Introduction: Country Music Tells Stories," in You Wrote My Life: Lyrical Themes in Country Music, eds. Melton McLaurin and Richard Peterson (Philadelphia: Gordon and Breach, 1992), p. 2
33. Nat Hentoff, Listen to the Stories: Nat Hentoff on Jazz and Country Music (New York: Harper Collins, 1995), p. 168
34. Astrid Franke, "'The Broken Heart' and 'The Trouble with Truth': Understanding Clichés in Country Music," Poetics Today 18 (1997): 397-412
35. "The Will to Believe," in Pragmatism and Other Essays (New York: Simon and Schuster, 1963), p. 209