Art museum membership and cultural distinction: Relating members' perceptions of prestige to benefit usage

Poetics

Volumn 24, Issue 2-4, 1996, Pages 259-274

  Glynn, Mary Ann ^a   Bhattacharya, C B ^a   Rao, Hayagreeva ^a  

^a EMORY UNIVERSITY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 2442501600     PISSN: 0304422X     EISSN: None     Source Type: Journal    
DOI: 10.1016/0304-422X(95)00011-8     Document Type: Article

References (18)

1. Andreasen, A.R. and R.W. Belk, 1980. Predictors of attendance at the performing arts. Journal of Consumer Research 7, 112-120.
2. Ashforth, B.E. and F. Mael, 1989. Social identity theory and the organization. Academy of Management Review 14, 20-39.
3. Belk, R.W., 1988. Possessions and the extended self. Journal of Consumer Research 15, 139-168.
4. Blau, J.R., 1988. The context of art attendance: The primary sampling unit as the unit of aggregation. Social Science Quarterly 69, 930-941.
5. Bourdieu, P., 1984. Distinction: A social critique of the judgement of taste. Cambridge, MA: Harvard University Press.
6. Cohen, J., 1989. An over-extended self. Journal of Consumer Research 16, 125-128.
7. Csikszentmihalyi, M. and E. Rochberg-Halton, 1981. The meaning of things. Cambridge: Cambridge University Press.
8. DiMaggio, P., 1986. Cultural entrepreneurship in nineteenth-century Boston. In: P. DiMaggio (ed.), Nonprofit enterprise in the arts, 41-61. New York: Oxford University Press.
9. DiMaggio, P. and F. Ostrower, 1990. Participation in the arts by black and white Americans. Social Forces 68, 753-778.
10. DiMaggio, P. and M. Useem, 1978a. Social class and arts consumption. Theory and Society 5, 141-161.
11. DiMaggio, P. and M. Useem, 1978b. Cultural democracy in a period of cultural expansion: The social composition of arts audiences in the United States. Social Problems 26, 179-197.
12. Hair, J.R., Anderson, R.E., Tatham, R.L. and W.C. Black, 1992. Multivariate data analysis. New York: Macmillan.
13. Hansmann, H., 1986. The role of nonprofit enterprise. In: S.R. Ackerman (ed.). The economics of non-profit institutions, 57-84. Oxford: Oxford University Press.
14. Hendon, W.S., 1990. The general public's participation in art museums: Visitors differ from non-visitors, but not as markedly as case studies have indicated. American Journal of Economics and Sociology 49, 439-457.
15. Mael, F. and B.E. Ashforth, 1992. Alumni and their alma mater: A partial test of the reformulated model of organizational identification. Journal of Organizational Behavior 13, 103-123.
16. Robinson, J.P., 1989. The polls - A review: Survey organization differences in estimating public participation in the arts. Public Opinion Quarterly 53, 397-414.
17. Ryans, A.B. and C.B. Weinberg, 1978. Consumer dynamics in nonprofit organizations. Journal of Consumer Research 5, 89-95.
18. Shrum, W., 1991. Critics and publics: Cultural mediation in highbrow and popular performing arts. American Journal of Sociology 97, 347-375.