From miscellany to homogeneity in concert programming

Poetics

Volumn 29, Issue 2, 2001, Pages 125-134

  Weber, William ^a  

^a CALIFORNIA STATE UNIVERSITY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 23844460864     PISSN: 0304422X     EISSN: None     Source Type: Journal    
DOI: 10.1016/S0304-422X(01)00031-6     Document Type: Article

References (7)

1. Kallberg, Jeffrey, 1988. The rhetoric of genre: Chopin's Nocturne in G Minor. 19th Century Music 11, 238-261.
2. McVeigh, Simon, 1994. London concert life from Mozart to Haydn. Cambridge: Cambridge University Press.
3. Shaw, George Bernard, 1910. Music in London. Vol. 1. London: St. Martin's.
4. Weber, William, 1992. The rise of musical classics in eighteenth century England: A study in canon, ritual & ideology. Oxford: Oxford University Press.
5. Weber, William, 1997. Did people listen in the eighteenth century? Early Music 25, 678-691 (special issue, 'Listening Practice').
6. Weber, William, 1999. The history of musical canons. In: Mark Everist and Nicholas Cook (eds.), Rethinking music, 340-359. Oxford: Oxford University Press.
7. Witkin, Robert, 1998. Adorno on Music. London: Routledge.