Perception of dissonance by people with normal hearing and sensorineural hearing loss

Journal of the Acoustical Society of America

Volumn 118, Issue 2, 2005, Pages 955-967

  Tufts, Jennifer B ^a,b   Molis, Michelle R ^a   Leek, Marjorie R ^a  

^a WALTER REED ARMY MEDICAL CENTER   (United States)

^b UNIVERSITY OF CONNECTICUT   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

BANDWIDTH; CURVE FITTING; FUNCTIONS; HARMONIC ANALYSIS; NATURAL FREQUENCIES;

HARMONIC COMPLEX TONES (HC DYADS); HEARING-IMPAIRED (HI) LISTENERS; NORMAL-HEARING (NH) LISTENERS; PURE TONES (PT DYADS);

AUDITION;

CLINICAL ARTICLE; CONFERENCE PAPER; CONTROLLED STUDY; FREQUENCY SEPARATION; GEOMETRY; HARMONIC COMPLEX TONE; HEARING; HUMAN; PERCEPTION DEAFNESS; PERCEPTIVE DISCRIMINATION; PRIORITY JOURNAL; PURE TONE AUDIOMETRY; SENSORY CONSONANCE; SENSORY DISSONANCE; SOUND;

ACOUSTIC STIMULATION; ADULT; AGED; AGED, 80 AND OVER; AUDITORY PERCEPTION; CASE-CONTROL STUDIES; FEMALE; HEARING LOSS, SENSORINEURAL; HUMANS; MALE; MIDDLE AGED; MUSIC; PSYCHOACOUSTICS;

EID: 23744439068     PISSN: 00014966     EISSN: None     Source Type: Journal    
DOI: 10.1121/1.1942347     Document Type: Conference Paper

References (44)

1. Agresti, A. (1990). Categorical Data Analysis (Wiley, New York).
2. Akaike, H. (1974). "A new look at the statistical model identification," IEEE Trans. Autom. Control 19, 716-723.
3. American National Standards Institute (ANSI) (1996). "American National Standard: Specifications for audiometers," ANSI S3.6-1996.
4. Arehart, K. H., and Burns, E. M. (1999). "A comparison of monotic and dichotic complex-tone pitch perception in listeners with hearing loss," J. Acoust. Soc. Am. 106, 993-997.
5. Bacon, S. P., and Gleitman, R. M. (1992). "Modulation detection in subjects with relatively flat hearing losses," J. Speech Hear. Res. 35, 642-653.
6. Baker, R. J., and Rosen, S. (2002). "Auditory filter nonlinearity in mild/moderate hearing impairment," J. Acoust. Soc. Am. 111, 1330-1339.
7. Bradley, R. A., and Terry, M. E. (1952). "The rank analysis of incomplete block designs. I. The method of paired comparisons," Biometrika 39, 324-345.
8. Burns, E. M., and Turner, C. (1986). "Pure-tone pitch anomalies. II. Pitch-intensity effects and diplacusis in impaired ears," J. Acoust. Soc. Am. 79, 1530-1540.
9. Chasin, M. (2003). "Music and hearing aids," Hearing J. 56, 36-41.
10. David, H. A. (1988). The Method of Paired Comparisons, 2nd ed. (Griffin, London).
11. deLaat, J. A. P. M., and Plomp, R. (1985). "The effect of competing melodies on melody recognition by hearing-impaired and normal-hearing listeners," J. Acoust. Soc. Am. 78, 1574-1577.
12. Florentine, M., Buus, S., and Geng, W. (2000). "Toward a clinical procedure for narrowband gap detection. I. A psychophysical procedure," Audiology 39, 161-167.
13. Gfeller, K., Christ, A., Knutson, J. F., Witt, S., Murray, K. T., and Tyler, R. (2000). "Musical backgrounds, listening habits, and aesthetic enjoyment of adult cochlear implant recipients," J. Am. Acad. Audiol 11, 390-406.
14. Glasberg, B. R., and Moore, B. C. J. (1986). "Auditory filter shapes in subjects with unilateral and bilateral cochlear impairments," J. Acoust. Soc. Am. 79, 1020-1033.
15. Glasberg, B. R., and Moore, B. C. J. (1990). "Derivation of auditory filter shapes from notched-noise data," Hear. Res. 47, 103-138.
16. Green, D. M. (1993). "A maximum-likelihood method for estimating thresholds in a yes-no task," J. Acoust. Soc. Am. 93, 2096-2105.
17. Greenwood, D. D. (1991). "Critical bandwidth and consonance in relation to cochlear frequency-position coordinates," Hear. Res. 54, 164-208.
18. Gu, X., and Green, D. M. (1994). "Further studies of a maximum-likelihood yes-no procedure," J. Acoust. Soc. Am. 96, 93-101.
19. He, N., Dubno, J. R., and Mills, J. H, (1998). "Frequency and intensity discrimination measured in a maximum-likelihood procedure from young and aged normal-hearing subjects," J. Acoust. Soc. Am. 103, 553-565.
20. Huron, D. (2001). "Tone and voice: A derivation of the rules of voice-leading from perceptual principles," Music Percept. 19, 1-64.
21. Hutchinson, W., and Knopoff, L. (1978). "The acoustic component of Western consonance," Interface (USA). 7, 1-29.
22. Kameoka, A., and Kuriyagawa, M. (1969a). "Consonance theory. I. Consonance of dyads," J. Acoust. Soc. Am. 45, 1451-1459.
23. Kameoka, A., and Kuriyagawa, M. (1969b). "Consonance theory. II. Consonance of complex tones and its calculation method," J. Acoust. Soc. Am. 45, 1460-1469.
24. Larkin, W. D. (1983). "Pitch vulnerability in sensorineural hearing impairment," Audiology 22, 480-493.
25. Leek, M. R., Dubno, J. R., He, N., and Ahlstrom, J. B. (2000). "Experience with a yes-no single-interval maximum-likelihood procedure," J. Acoust. Soc. Am. 107, 2674-2684.
26. Leek, M. R., and Summers, V. (1993). "Auditory filter shapes of normal-hearing and hearing-impaired listeners in continuous broadband noise," J. Acoust. Soc. Am. 94, 3127-3137.
27. Leek, M. R., and Summers, V, (2001), "Pitch strength and pitch dominance of iterated rippled noise in hearing-impaired listeners," J. Acoust. Soc. Am. 109, 2944-2954.
28. Lentz, J. J., and Leek, M. R. (1999). "Masking by harmonic complexes with different phase spectra in hearing-impaired listeners," J. Acoust. Soc. Am. 106, 2146.
29. Moore, B. C. J. (2001). "Dead regions in the cochlea: Diagnosis, perceptual consequences, and implications for the fitting of hearing aids," Trends in Amplification 5, 1-34.
30. Oxenham, A. J., and Dau, T. (2004). "Masker phase effects in normal-hearing and hearing-impaired listeners: Evidence for peripheral compression at low signal frequencies," J. Acoust. Soc. Am. 116, 2248-2257.
31. Patterson, R. D., and Moore, B. C. J. (1986). "Auditory filters and excitation patterns as representations of frequency resolution," in Frequency Selectivity in Hearing, edited by B. C. J. Moore (Academic, London), pp. 123-127.
32. Peters, R. W., and Moore, B. C. J. (1992). "Auditory filter shapes at low center frequencies in young and elderly hearing-impaired subjects," J. Acoust. Soc. Am. 91, 256-266.
33. Plomp, R., and Levelt, W. J. M. (1965). "Tonal consonance and critical bandwidth," J. Acoust. Soc. Am. 38, 548-560.
34. Plomp, R., and Steeneken, H. J. M. (1968). "Interference between two simple tones," J. Acoust. Soc. Am. 43, 883-884.
35. Pressnitzer, D., and McAdams, S. (1999). "Two phase effects in roughness perception," J. Acoust. Soc. Am. 105, 2773-2782.
36. Rosen, S., and Baker, R. J. (1994). "Characterizing auditory filter nonlinearity," Hear. Res. 73, 231-243.
37. Terhardt. E. (1974). "Pitch, consonance, and harmony," J. Acoust. Soc. Am. 55, 1061-1069.
38. Terhardt, E. (1978). "Psyehoacoustic evaluation of musical sounds," Percept. Psychophys. 23, 483-492.
39. Terhardt, E. (1984). "The concept of musical consonance: A link between music and psychoacoustics," Music Percept. 1, 276-295.
40. Tramo, M. J., Cariani, P. A., Delgutte, B., and Braida, L. D. (2001). "Neurobiological foundations for the theory of harmony in Western tonal music," Ann. N. Y. Acad. Sci. 930, 92-116.
41. Uppenkamp, S., Fobel, S., and Patterson, R. D. (2001). "The effects of temporal asymmetry on the detection and perception of short chirps," Hear. Res. 158, 71-83.
42. von Helmholtz, H. (1877/1954). On the Sensations of Tone as a Physiological Basis for the Theory of Music (Dover, New York).
43. Vos, J. (1988). "Subjective acceptability of various regular twelve-tone tuning systems in two-part musical fragments," J. Acoust. Soc. Am. 83. 2383-2392.
44. Zwicker, E., and Fastl, H. (1990). Psychoacoustics: Facts and Models (Springer, New York).