Formalism and time

Modern Language Quarterly

Volumn 61, Issue 1, 2000, Pages 229-251

  Gallagher, Catherine ^a  

^a UNIVERSITY OF CALIFORNIA   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 2342600947     PISSN: 00267929     EISSN: None     Source Type: Journal    
DOI: 10.1215/00267929-61-1-229     Document Type: Review

References (28)

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3. W. Tatarkiewicz ("Form in the History of Aesthetics," in Dictionary of the History of Ideas: Studies of Selected Pivotal Ideas, ed. Philip P. Wiener, vol. 2 [New York: Scribner, 1973], 216).
4. Gerald Prince A Dictionary of Narratology (Lincoln: University of Nebraska Press, 1987).
5. Paul Ricoeur Time and Narrative, trans. Kathleen McLaughlin and David Pellauer, 3 vols. (Chicago: University of Chicago Press, 1984-88).
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8. Susan J. Wolfson, (Formal Charges: The Shaping of Poetry in British Romanticism [Stanford, Calif.: Stanford University Press, 1997], chaps. 1, 7).
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18. Ross Woodman, The Apocalyptic Vision in the Poetry of Shelley (Toronto: University of Toronto Press, 1964);
19. J. Hillis Miller, "The Critic as Host," in Deconstruction and Criticism, by Harold Bloom et al. (New York: Seabury, 1979)
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23. William R. Everdell (The First Moderns: Profiles in the Origins of Twentieth-Century Thought [Chicago: University of Chicago Press, 1997]).
24. Roger Shattuck, "The Art of Stillness," in The Banquet Years: The Origins of the Avant Garde in France, 1885 to World War I, rev. ed. (New York: Vintage, 1968), 325-52.
25. Karl Heinz Bohrer, Suddenness: On the Moment of Aesthetic Appearance, trans. Ruth Crowley (New York: Columbia University Press, 1994).
26. Marshall Brown Turning Points: Essays in the History of Cultural Expressions (Stanford, Calif.: Stanford University Press, 1997), 173-94.
27. Woolf, "The Death of the Moth," in The Death of the Moth and Other Essays (London: Hogarth, 1942), 9.
28. Lévi-Strauss, The Savage Mind, trans. (Chicago: University of Chicago Press, 1966), 260.