The scribe of the Paris Psalter

Anglo-Saxon England

Volumn 28, Issue , 1999, Pages 179-183

  Emms, Richard ^a  

^a NONE

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Indexed keywords

EID: 22744434262     PISSN: 14740532     EISSN: 14740532     Source Type: Journal    
DOI: 10.1017/s0263675100002301     Document Type: Review

References (16)

1. The Paris Psalter, ed. B. Colgrave, EEMF 8 (Copenhagen, 1958)
2. The most recent discussion is M. J. Toswell, 'Studies in the Paris Psalter, Metrical Version' (unpubl. DPhil dissertation, Univ. of Oxford, 1991)
3. See also her 'The Format of the Bibliothèque Nationale MS lat. 8824: the Paris Psalter', N&Q 241 (1996), 130-3
4. For the authorship of the OE prose psalms, see J. M. Bately, 'Lexical Evidence for the Authorship of the Prose Psalms in the Paris Psalter', ASE 10 (1982), 69-95
5. See also P. Pulsiano, 'Psalters', The Liturgical Books of Anglo-Saxon England, ed. R. W. Pfaff, OEN Subsidia 23 (Kalamazoo, MI, 1995), 61-85
6. For the (tenuous) Malmesbury connections, see G. T. Dempsey, 'Aldhelm of Malmesbury and the Paris Psalter: a Note on the Survival of Antiochene Exegesis', JTS ns 38 (1987), 368-86
7. for the litany, see Anglo-Saxon Litanies of the Saints, ed. M. Lapidge, HBS 106 (London, 1991), 80 and 250-3
8. For the most recent study with further bibliography, see The Utrecht Psalter in Medieval Art, ed. K. Van der Horst, W. Noel and W. Wüstefeld (London, 1996)
9. W. Noel, The Harley Psalter (Cambridge, 1995), pp. 169-74
10. G. Tengvik, Old English Bynames, Nomina Germanica 4 (Uppsala, 1938), 297
11. For a different explanation of 'Bata', see D. W. Porter, 'The Hypocorism Bata - Old English or Latin?', NM 96 (1995), 345-9
12. Confraternity in English monasteries has received little attention from historians. For a recent discussion, see The Liber Vitae of the New Minster and Hyde Abbey Winchester, ed. S. Keynes, EEMF 26 (Copenhagen, 1996), 49-65
13. F. Wormald, English Drawings in the Tenth and Eleventh Centuries (London, 1952), p. 78
14. Paris Psalter, ed. Colgrave, pp. 11-12. In the fifteenth century the psalter was in the library of the Sainte Chapelle de Bourges
15. For an illustration of a layperson commissioning a manuscript from a monastery (if the colloquy in question reflects actual practice), see M. Lapidge, 'Artistic and Literary Patronage in Anglo-Saxon England', in his Anglo-Latin Literature 600-899 (London, 1996) pp. 37-91, esp. 43-5
16. See, for example, T. A. Heslop, 'The Production of de luxe Manuscripts and the Patronage of King Cnut and Queen Emma', ASE 19 (1990), 151-95