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G. Pavlich, "The Art of Critique, or How Not to be Governed Thus", in G. Wickham and G. Pavlich, eds., Rethinking Law, Society and Governance: Foucault's Bequest (Oxford: Hart Publishers, 2001).
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For the allegorical lineage in sociology that is implicitly tapped in parts of the following discussion, see S. Lash, Another Modernity, A Different Rationality (London: Blackwell, 1999).
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Lash, S.1
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L.W. Beck, trans. (New York: Liberal Arts Press)
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Here one might recall the boldness of Kant's sweeping claim: '...our age is, in especial degree, the age of criticism, and to criticism everything must submit'. I. Kant, Foundations of the Metaphysics of Morals, and What is Enlightenment? L.W. Beck, trans. (New York: Liberal Arts Press, 1958), 7.
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T. Adorno, Introduction to Sociology (Stanford, California: Stanford University Press, 2000);
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See Lyotard, supra, n. 1.
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See R.J. Bernstein, "Metaphysics, Critique, and Utopia", Review of Metaphysics 42 (1988), 255-273;
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Further, as Dean points out, this emphasis on judgement is also replicated in the context of critical theory: 'Within the terms of critical theory, "critique" stands for that process by which the pathological processes of rationalisation can be judged from the perspective of universal values and in the name of "emancipation"' (M. Dean, Critical and Effective Histories: Foucaull's Methods and Historical Sociology (London: Routledge, 1994), 129-130.
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See, for example, P. Connerton, The Tragedy of Enlightenment: An Essay on the Frankfurt School (Cambridge: Cambridge University Press, 1980); Koselleck, supra, n. 17;
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Foucault, supra, n. 6.
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22644448161
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See Bauman, supra, n. 1; and Lyotard (1984), supra, n. 1
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See Bauman, supra, n. 1; and Lyotard (1984), supra, n. 1.
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Pavlich, supra, n. 20
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Pavlich, supra, n. 20.
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22644435224
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Koselleck, supra, n. 17, at 103, note 15
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Koselleck, supra, n. 17, at 103, note 15;
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34
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22644446532
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See Connerton, supra, n. 19; and Con Davis and Schleifer, supra, n. 19
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R. Barthes, Criticism and Truth, (University of Minnesota Press, 1987), 33; emphasis in original. The possibility is also conjured by Foucault in the following passage: 'I can't help but dream of about a kind of criticism that would try not to judge but to bring an oeuvre, a book, a sentence, an idea to life; it would light fires, watch the grass grow, listen to the wind, and catch the sea foam in the breeze and scatter it. It would multiply not judgements but signs of existence; it would summon them, drag them from their sleep. Perhaps it would invent them sometimes - all the better'. M. Foucault (1994), 323.
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See Pavlich, supra, n. 20, and n. 2
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See Pavlich, supra, n. 20, and n. 2;
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Nietzsche, critique and the promise of not being thus
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also G. Pavlich, "Nietzsche, Critique and the Promise of Not Being Thus...", International Journal for the Semiotics of Law 13 (2001), 357-375.
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Derrida and Dufourmantelle, supra, n. 28, at 15
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Ayto, supra, n. 24, at 287
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Derrida (2002), supra, n. 28.
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See Derrida and Dufourmantelle, supra, n. 28, at 77-83
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See Derrida and Dufourmantelle, supra, n. 28, at 77-83.
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Derrida (2000), supra, n. 28, at 5
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Derrida (2000), supra, n. 28, at 5.
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22644443019
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Ibid., at 14.
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Some might ponder whether the proposed grammar takes us out of the realm of critique. Part of the aim in this paper is precisely to challenge the blackmail that asserts this: either one practices critique as founded judgment, or is ipso facto not engaged in critical inquiry. This arrogating extortion is part and parcel of the dominance of judgmental grammars in disciplinary contexts. Hoy's recent assessment is rather more refined as he describes the ways that poststructural concerns appear to usher in 'postcritical' epistemological environments (D.C. Hoy, Critical Resistance: From Poststructuralism to Post-Critique (Mass: MIT Press, 2004). Interestingly, the assumption of critique as judgement looms as revenant trace in this formulation, but one could usefully reframe the position to raise this prospect: is it now timely to rethink what we understand by the term critique?
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(2004)
Critical Resistance: from Poststructuralism to Post-Critique
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Hoy, D.C.1
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