Alternative country: Origins, music, world-view, fans, and taste in genre formation

Popular Music and Society

Volumn 25, Issue 1-2, 2001, Pages 233-249

  Peterson, Richard A ^a   Beal, Bruce A ^b  

^a VANDERBILT UNIVERSITY   (United States)

^b Schlesinger Associates   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 22544460647     PISSN: 03007766     EISSN: None     Source Type: Journal    
DOI: 10.1080/03007760108591795     Document Type: Article

References (9)

1. Alden, Grant, and Peter Blackstock. No Depression (an anthology of review articles). Nashville: Dowling, 1998 (selected articles available at www.node-pression.net).
2. Bennett, Andy. "Subcultures or Neo-tribes? Rethinking the Relationship between Youth, Style and Musical Taste." Sociology 33: (1999): 599-617.
3. Ennis, Philip. The Seventh Stream. Hanover, NH: Wesleyan UP, 1992.
4. Goodman, David. Modern Twang: An Alternative Country Music Guide and Directory. Nashville: Dowling, 1999.
5. Green, Alex. "Rebel Roots." Discoveries April year: 34-40.
6. Gubernick, Lisa Rebecca. Get Hot or Go Home: The Making of a Nashville Star. New York: Murrow, 1993.
7. Olson, Ted. "Hippie Hootenanny: Gram Parsons and the Not-Quite-Nashville Cats." Journal of Country Music 20.3 (1999): 26-36.
8. Peterson, Richard A. Creating Country Music: Fabricating Authenticity. Chicago: U of Chicago P, 1997.
9. Tosches, Nick. Country: The Biggest Music in America. New York: Stein and Day, 1977.