Affective and evaluative responses to pop music

Current Psychology

Volumn 17, Issue 1, 1998, Pages 102-108

  North, Adrian C ^a   Hargreaves, David J ^a  

^a UNIVERSITY OF LEICESTER   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 22044449354     PISSN: 10461310     EISSN: None     Source Type: Journal    
DOI: None     Document Type: Article

References (7)

1. Edwards, A. L. (1960). Experimental Design in Psychological Research. New York: Holt, Rinehart and Winston.
2. Farnsworth, P.R. (1969). The Social Psychology of Music (2nd edition). Ames: Iowa State University Press.
3. Hargreaves, D. J. (1988). Verbal and behavioral responses to familiar and unfamiliar music. Current Psychological Research and Reviews, 6, 323-330.
4. Hargreaves D.J., Messerschmidt, P., and Hubert, C. (1980). Musical preference and evaluation. Psychology of Music, 8, 13-18.
5. Konecni, V. J. (1984). Elusive effects of artists' hidden "messages." In Crozier, W. R. and Chapman, A. J. (Eds.), Cognitive Processes in the Perception of Art. North-Holland: Elsevier Science Publishers B.V. Melody Maker, 23 April 1994. Melody Maker, 14 May 1994.
6. Rosenberg, M. J. and Abelson, R. P. (1960). An analysis of cognitive balancing. In Rosenberg, M. J., Hovland, C. I., McGuire, W. J., Abelson, R. P., and Brehm, J. W. (Eds.), Attitude Organisation and Change: An Analysis of Consistency among Attitude Components. Yale University Press: New Haven.
7. Vulliamy, G. (1977). Music and the mass culture debate. In J. Shepherd, P., Virden, G. Vulliamy, and T. Wishart (Eds.), Whose Music? A Sociology of Musical Languages. London: Latimer.