Slouching toward bork. The culture wars and self-criticism in hip-hop music

Journal of Black Studies

Volumn 30, Issue 2, 1999, Pages 164-183

  Ogbar, Jeffrey O G ^a  

^a UNIVERSITY OF CONNECTICUT   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 21344445101     PISSN: 00219347     EISSN: 15524566     Source Type: Journal    
DOI: 10.1177/002193479903000202     Document Type: Article

References (32)

1. Artists of the Year - Group. (1997, January). The Source, 52.
2. Bork, R. H. (1996). Slouching towards Gomorrah: Modern liberalism and American decline. New York: Regan Books, HarperCollins.
3. The Coup. (1994). Genocide and juice. New York: EMI Records.
4. De La Soul. (1991). De La Soulis dead. New York: Bridgeport Music, Tommy Boy Music.
5. De La Soul. (1996). Stakes is high. New York: Tommy Boy Music.
6. Digable Planets. (1996). Blowout Comb. New York: Pendulum.
7. Fareed, K., Muhamma, A., & Taylor, M. (1996). Beats, rhymes and life [Recorded by A Tribe Called Quest]. New York: Bridgeport Music.
8. Flash. (1996, December). We'll bring hip-hop back . . . one day. HEADz UP! Retrieved August 16, 1999, from the World Wide Web: http://www.OHHLA.com/HEADzUP/ decemb96.txt
9. From boyz to man. (1997, February 9). Players, 23, 20-23.
10. Hinds, S. S. (1997, February). An open letter to C. Dolores Tucker. The Source, 8.
11. Ice Cube. (1990). Amerikkka's most wanted. Los Angeles: Priority Records.
12. Ice Cube. (1991). Death certificate. Los Angeles: Priority Records.
13. Ice Cube. (1992). The predator. Los Angeles: Priority Records.
14. Jay-Z. (1996). Reasonable doubt. Los Angeles: Priority Records.
15. Jew the Damaja. (1996). Wrath of the math. New York: Payday.
16. KRS-One. (1995). KRS ONE. New York: Jive Records.
17. Lacayo, R. (1995, June 12). Violent reaction. Time, 145, 25-30.
18. Larkin, C. (Ed.). (1995). The guinness encyclopedia of popular music. New York: New England Publishing Associates.
19. Pareles, J. (1992, February 2). On rap, symbolism and fear. The New York Times, pp. 1, 23.
20. Paris. (1994). Guerilla funk. Los Angeles: Priority Records.
21. Pfeiffer, S. (1996). Stop the witch hunts! Establishment organizations should fight conditions youth live in, not rap. The R.O.C. Retrieved March 4, 1998, from the World Wide Web: www.theroc.org/roc-mag/textarch/roc-15/roc15-02.htm
22. Philips, C. (1996, February 23). At Time Warner profits from rap music it rejected. Los Angeles Times, pp. D1, D5.
23. Public Enemy. (1994). Muse sick n hour mess age. New York: PGD/Polygram/Def Jam.
24. Ras Kass. (1996). Soul on ice. Los Angeles: Priority Records.
25. Reibstein, L. (1995, June 12). The right takes a media giant to political task. Newsweek, 23, 30.
26. Roberts, M. (1997). Rooting interest. Denver westword.com Retrieved from the World Wide Web: www.westword.com/1997/071797/music/html.
27. Samuels, A. (1995, October 9). Gangsta rap label gets dissed. Newsweek, 126, 79.
28. Senator Bob Dole sets it off. (1995). Vibe online. Retrieved March 4, 1998, from the World Wide Web: www.vibe.com/vibe/docs/dole.html
29. Shakur, T. (1996). All eyez on me. Los Angeles: Death Row/Interscope Records.
30. Shank, B. (1996). Fears of the White unconscious: Music, race and identification in the censorship of cop killer. Radical History Review, 66, 124-145.
31. Tucker calls for restrictions on rap lyrics labeling them as misogynistic. (1995, November 15). Yale daily news, p. 2.
32. Westside Connection. (1996). Bow down. Los Angeles: Priority Records.